scholarly journals Factsheet: Who is sending and sharing potentially harmful digital communications?

2021 ◽  
Author(s):  
Neil Melhuish ◽  
Edgar Pacheco

This factsheet presents findings from a quantitative study looking at adults’ experiences of sending and sharing potentially harmful digital communications in New Zealand. Typically research into harmful digital communications focuses on the experiences of those on the receiving end – the victims. However, to better address the distress and harm caused, information is needed about the people sending and sharing potentially harmful messages and posts. In this study we asked adult New Zealanders whether they had sent potentially harmful digital communications in the previous year and if so, how often they had done this, who they were sent to, the channel(s) they used, and the reason for doing this.

2020 ◽  
Author(s):  
Neil Melhuish ◽  
Edgar Pacheco

In December 2019 an infectious coronavirus disease, commonly known as COVID-19, was identified in Wuhan, China. The disease spread rapidly and became a global pandemic. New Zealand’s first COVID-19 case was confirmed on 28 February 2020, after which the number of cases began to rise significantly, prompting the New Zealand Government to introduce a nationwide lockdown on 25 March 2020. This factsheet reports early findings from a quantitative study with adult New Zealanders. It explores how prevalent the experiences of unwanted digital communication were in the last 12 months, before, during, and just after the nationwide COVID 19 lockdown. This study found a higher prevalence of unwanted digital communications around the time of the nationwide lockdown. This study’s findings suggest that unexpected health and social events, such as the COVID-19 pandemic and compulsory lockdown, are factors that can trigger changes in people’s experiences of online risk from unwanted digital communications.


2020 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Radiah Othman ◽  
Rashid Ameer

Purpose This paper aims to provide a historical understanding of the unemployment context experienced by the New Zealand population during the Great Depression, which might have caused people to commit financial crimes, such as fraud, to survive. Design/methodology/approach The main source of information is narratives from newspaper articles published by 42 newspapers from 1931 to 1950 that explore New Zealanders’ experiences during declined economic conditions. Findings During the period studied, New Zealanders suffered because of various challenges, mainly unemployment. The government’s response was criticised by the people who used the newspapers as a medium to unleash their frustration about the fairness of unemployment relief for the unemployed and taxation of those who were employed. Some people who struggled in between jobs, as well as some who found themselves being disadvantaged, turned to deviant behaviour such as fraud. The fraudsters might be thought of as the victims of the day, committing a crime of survival, not a crime of choice. Research limitations/implications This research promotes more historical studies to enrich fraud-auditing literature. The lack of detailed information reported in the newspapers during this period limits making specific links to individual circumstances. Originality/value Fraudsters have always been perceived as responsible for their destinies, but a wider social and political context is rarely examined in fraud cases. The period chosen for this paper represents the extreme condition in which the elements of motive, opportunity and rationalisation are all interwoven into one.


1970 ◽  
Vol 19 (1) ◽  
Author(s):  
Walter Grills

The Employment Contracts Act 1991 (the ECA or the Act) is only one of a number of fundamental changes to the basis upon which New Zealand society has recently been required to operate. These changes have been thrust upon New Zealanders by successive governments. The response of the people to such forced feeding has been to change the very basis of how governments are to be elected and are to operate. The public complaint is not only with the fast pace of unanticipated and undesired change. The complaint is more with the failure of politicians once elected to carry out policy announced in the process of electioneering.


2019 ◽  
Author(s):  
Edgar Pacheco ◽  
Neil Melhuish ◽  
Jandy Fiske

This report presents findings from a larger quantitative study about New Zealand adults’ experiences of harmful digital communications. The report focuses on the prevalence of image-based sexual abuse (IBSA), and people’s attitudes regarding different aspects of it. The findings described in this report are based on data collected from a nationally representative sample. We conducted a survey-based study with 1,001 adult New Zealanders. Fieldwork took place between 30 May and 1 July 2018. The objectives of the IBSA questionnaire were to gauge prevalence among adult New Zealanders: both self-reported personal experiences and involvement with this behaviour. It also sought to explore participants’ level of agreement with IBSA related issues. The margin of error for this study was +/- 3.1% at a 95% confidence level on total results. This study is the first of its kind conducted in New Zealand.


2021 ◽  
Author(s):  
◽  
Alistair Shaw

<p>This work is a discussion of the history of the construction and propagation over time (1949- 2002), by New Zealanders, of positive images of the People's Republic of China (PRC). This was done primarily through the New Zealand China Friendship Society. The thesis also looks at China-aligned communist parties, students who went on New Zealand University Students'  Association study tours in the 1970s, and key interlocutors such as Rewi Alley. These other groups had cross-membership with the NZCFS but differing engagements with China. The images propagated by the New Zealanders altered over time in response to changes in the PRC, developments in New Zealand, and shifting characteristics amongst the people who were engaged in the practice of producing images of the PRC. The thesis looks at how these observers of the PRC, and the organisations which they are combined, are themselves created, and see themselves, in relation to their process of viewing the PRC. This idea of a shifting sense of China and the changing sense of self is explored using a range of ideas. These include ideology, subjectivity, concepts of truth and practices of truth-telling. The thesis is an attempt to provide a sympathetic reading of a wide range of material and trying to understand what the PRC has meant at different times, in different circumstances and to different people. Accounts of the PRC are examined contextually. This involves the re-reading of a range of texts that have 'written' the PRC for those New Zealanders who, in different circumstances, have themselves been sympathetic to projections of successes taking place in the PRC.</p>


2021 ◽  
Author(s):  
◽  
Alistair Shaw

<p>This work is a discussion of the history of the construction and propagation over time (1949- 2002), by New Zealanders, of positive images of the People's Republic of China (PRC). This was done primarily through the New Zealand China Friendship Society. The thesis also looks at China-aligned communist parties, students who went on New Zealand University Students'  Association study tours in the 1970s, and key interlocutors such as Rewi Alley. These other groups had cross-membership with the NZCFS but differing engagements with China. The images propagated by the New Zealanders altered over time in response to changes in the PRC, developments in New Zealand, and shifting characteristics amongst the people who were engaged in the practice of producing images of the PRC. The thesis looks at how these observers of the PRC, and the organisations which they are combined, are themselves created, and see themselves, in relation to their process of viewing the PRC. This idea of a shifting sense of China and the changing sense of self is explored using a range of ideas. These include ideology, subjectivity, concepts of truth and practices of truth-telling. The thesis is an attempt to provide a sympathetic reading of a wide range of material and trying to understand what the PRC has meant at different times, in different circumstances and to different people. Accounts of the PRC are examined contextually. This involves the re-reading of a range of texts that have 'written' the PRC for those New Zealanders who, in different circumstances, have themselves been sympathetic to projections of successes taking place in the PRC.</p>


2019 ◽  
Author(s):  
Edgar Pacheco ◽  
Neil Melhuish

While new technologies offer a number of benefits and opportunities, their use is accompanied by challenges and potential risks. This includes the different forms of abuse and intimidation that the Act seeks to address. As part of its functions as the Approved Agency, Netsafe has conducted the first in a series of Annual Population Surveys (APS). The objective of the APS is to gauge attitudes and behaviours and to start monitoring national trends regarding potentially harmful digital communications in Aotearoa-New Zealand. This report presents the main findings of the 2017 APS. The APS is the first nationally representative study that looks at adult New Zealanders and digital communications in the context of the Act. Key aspects of the Act - such as the communication principles - and key internet safety concepts have informed the development of the research instrument and the analysis of its findings.The study was planned and administered by Netsafe between February and September 2017. An online survey was conducted with a representative sample of 1,018 adult New Zealanders (aged 18 ) between 30 May and 30 June 2017. Data collection was conducted by Colmar Brunton. The maximum margin of error for the whole population is ±3.1% at the 95% confidence level.The study provides insights regarding New Zealanders’ access to and use of digital technologies. It also explores people’s level of awareness of the Act. A key focus of the study is to measure participants’ experiences of digital communications, including perceptions and experiences of harm and distress in the last 12 months. Finally, the study presents relevant insights regarding New Zealanders’ personal responses, and access to services and resources to deal with unwanted digital communications as well as potential harm and distress.As research on adult New Zealanders and their experiences with digital communications is limited, the APS provides first-hand research evidence on this subject to government agencies, online content and service providers, law enforcement, the research community, and the general public. However, considering the evolving nature of new technologies and how people engage with digital tools, new online challenges and risks are likely to emerge. Thus, the study of the nature and impact of digital communications, including potential harm and distress, will remain a relevant but challenging area of research, analysis, and policy intervention.


Author(s):  
Peter Hoar

Kia ora and welcome to the second issue of BackStory. The members of the Backstory Editorial Team were gratified by the encouraging response to the first issue of the journal. We hope that our currentreaders enjoy our new issue and that it will bring others to share our interest in and enjoyment of the surprisingly varied backstories of New Zealand’s art, media, and design history. This issue takes in a wide variety of topics. Imogen Van Pierce explores the controversy around the Hundertwasser Art Centre and Wairau Māori Art Gallery to be developed in Whangarei. This project has generated debate about the role of the arts and civic architecture at both the local and national levels. This is about how much New Zealanders are prepared to invest in the arts. The value of the artist in New Zealand is also examined by Mark Stocker in his article about the sculptor Margaret Butler and the local reception of her work during the late 1930s. The cultural cringe has a long genealogy. New Zealand has been photographed since the 1840s. Alan Cocker analyses the many roles that photography played in the development of local tourism during the nineteenth century. These images challenged notions of the ‘real’ and the ‘artificial’ and how new technologies mediated the world of lived experience. Recorded sound was another such technology that changed how humans experienced the world. The rise of recorded sound from the 1890s affected lives in many ways and Lewis Tennant’s contribution captures a significant tipping point in this medium’s history in New Zealand as the transition from analogue to digital sound transformed social, commercial and acoustic worlds. The New Zealand Woman’s Weekly celebrates its 85th anniversary this year but when it was launched in 1932 it seemed tohave very little chance of success. Its rival, the Mirror, had dominated the local market since its launch in 1922. Gavin Ellis investigates the Depression-era context of the Woman’s Weekly and how its founders identified a gap in the market that the Mirror was failing to fill. The work of the photographer Marti Friedlander (1908-2016) is familiar to most New Zealanders. Friedlander’s 50 year career and huge range of subjects defy easy summary. She captured New Zealanders, their lives, and their surroundings across all social and cultural borders. In the journal’s profile commentary Linda Yang celebrates Freidlander’s remarkable life and work. Linda also discusses some recent images by Friedlander and connects these with themes present in the photographer’s work from the 1960s and 1970s. The Backstory editors hope that our readers enjoy this stimulating and varied collection of work that illuminate some not so well known aspects of New Zealand’s art, media, and design history. There are many such stories yet to be told and we look forward to bringing them to you.


Author(s):  
Liana MacDonald ◽  
Adreanne Ormond

Racism in the Aotearoa New Zealand media is the subject of scholarly debate that examines how Māori (Indigenous Peoples of New Zealand) are broadcast in a negative and demeaning light. Literature demonstrates evolving understandings of how the industry places Pākehā (New Zealanders primarily of European descent) interests at the heart of broadcasting. We offer new insights by arguing that the media industry propagates a racial discourse of silencing that sustains widespread ignorance of the ways that Pākehā sensibilities mediate society. We draw attention to a silencing discourse through one televised story in 2018. On-screen interactions reproduce and safeguard a harmonious narrative of settler–Indigenous relations that support ignorance and denial of the structuring force of colonisation, and the Television Code of Broadcasting Practice upholds colour-blind perceptions of discrimination and injustice through liberal rhetoric. These processes ensure that the media industry is complicit in racism and the ongoing oppression of Indigenous peoples.


1998 ◽  
Vol 19 (1) ◽  
pp. 61-85 ◽  
Author(s):  
Elizabeth Gordon

New Zealand English has evolved in the past 150 years, at a time when it is possible to find both written and spoken evidence of its development. This paper takes evidence gained from an analysis of written comments on early New Zealand English and compares this with data taken from an analysis of spoken New Zealand English obtained from recordings collected in the 1940s of old New Zealanders born in the 1850s-1890s — the period when the New Zealand accent was developing. By putting the written data beside the spoken data it is now possible to assess the accuracy of written records as a basis for the reconstruction of the earliest form of New Zealand English.


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