scholarly journals OUTCOME LEMBAGA PENDIDIKAN SENI MUSIK: KAJIAN TENTANG PROFESI ALUMNI PENDIDIKAN SENI MUSIK UNIVERSITAS NEGERI SEMARANG DI INDUSTRI MUSIK KOTA SEMARANG

2017 ◽  
Author(s):  
Dio Hendha Poespita1
Keyword(s):  

Abstrak: Saat ini bekerja di bidang Industri Musik merupakan sebuah profesi yang menjanjikan. Dikota Semarang, perkembangan industri musik cukup bisa dikatakan berkembang dan mampu bersaing dengan kota-kota besar lainnya. Masalah yang diangkat dalam penelitian ini adalah (1) Bagaimanakah jenis profesi Alumni Pendidikan Seni Musik di bidang industri musik di Kota Semarang (2) Bagaimanakah relevansi pekerjaan dengan materi perkuliahan, dan (3) Bagaimana alasan pemilihan profesi alumni Alumni Metode penelitian yang diterapkan adalah deskriptif kualitatif. Penelitian dilakukan di Kota Semarang dengan subjek penelitian mahasiswa dan alumni Program Studi Pendidikan Seni Musik UNNES dengan tahapan teknik pengumpulan data wawancara, observasi, dokumentasi dan angket, teknik analisis data meliputi reduksi, penyajian dan verifikasi data serta teknik pemeriksaan keabsahan data.Hasil penelitian menunjukkan bahwa jenis pekerjaan di Kota Semarang antara lain profesi sebagai instruktur musik, session player, penyedia jasa rekaman atau home recording dan produsen alat musik efek gitar. Alumni dan Mahasiswa yang bekerja di Industri Musik di Kota Semarang sebagian besar berpendapat bahwa materi perkuliahan yang didapatkan sudah sesuai dengan pekerjaan yang mereka jalani. Alasan alumni dalam memilih profesi yang mereka jalani saat ini ,antara lain karena hobi, tidak terikat waktu, dapat digunakan sebagai sarana menyalurkan bakat, dan profesi mereka merupakan cita-cita yang sudah lama ingin dicapai.

Resonance ◽  
2020 ◽  
Vol 1 (4) ◽  
pp. 394-411
Author(s):  
Josh Garrett-Davis

American Indian Soundchiefs, an independent record label founded by the Rev. Linn Pauahty (Kiowa) in the 1940s, developed a remarkable model of Indigenous sound media that combined home recording, dubbing, and small-scale mass production. Alongside other Native American media producers of the same era, Soundchiefs built on earlier engagements with ethnographic and commercial recording to produce Native citizens’ media a generation prior to the Red Power era of the 1960s and 1970s. This soundwork provided Native music to Native listeners first, while also seeking to preserve a “rich store of folk-lore” sometimes in danger of being lost under ongoing colonial pressures. Pauahty’s label found ways to market commercial recordings while operating within what music and legal scholar Trevor Reed (Hopi) calls “Indigenous sonic networks,” fields of obligation and responsibility.


1988 ◽  
pp. 836-838 ◽  
Author(s):  
S. Mattioli ◽  
V. Pilotti ◽  
R. Zannoli ◽  
V. Felice ◽  
A. Castellini ◽  
...  

Author(s):  
Joseph. O. Yaria ◽  
Adesola Ogunniyi

Objective: In management of epilepsy, identification of an epileptic seizure, classification, epilepsy syndromes, and management decisions relies heavily on seizure semiology. However, since most seizures are not witnessed, obtained semiology has its limitations. This study aimed to determine how many patients could successfully submit a home recording of a seizure event and if adapted video compilations would improve epilepsy diagnosis and classification in a low resource setting. Methods: A prospective cross-sectional study carried out at a neurology clinic in a teaching hospital in a low-resource setting. Sixty-seven randomly selected patients with recurrent unprovoked seizures and an informant who had regular observed the seizures and had access to video recording facilities were enrolled. Participants were required to fill an interviewer-administered questionnaire, select from a pre-designed video compilation what best described seizure witnessed, then encouraged on acquisition of video recordings at home. In the absence of video electroencephalography, information obtained was compared with a pre-defined algorithm which combined clinical history, physical examination, EEG results and neuro-images. Accuracy and reliability was calculated for different semiological signs and seizure classification. Results: Sixty seven patients were recruited comprising of 30 females and 37 male patients. Only eight (12%) participants returned with an adequate home recording of seizure episode. Incorporating video selection with questionnaire obtained description improved accuracy for generalized seizure (0.85 vs 0.79) and focal onset seizure (0.84 vs 0.73). Test-retest reliability on video selections by informants showed kappa coefficients ranging from 0.88 – 1.000.  Significance: Home video recording may not be as practical in our environment depending on the setting as adjustments may be required to make it routine. However, selecting videos from pre-selected video compilation may be a viable alternative to improve accuracy.


2021 ◽  
pp. 143-162
Author(s):  
Eva Moreda Rodríguez

This chapter draws upon the five major surviving collections of Spanish early recordings in order to attempt to reconstruct who bought wax cylinders in Spain around 1900, what their motivations were and what their listening and collecting practices looked like. It discusses how record buyers were still a small, privileged minority in Spain at the time, and examines how collecting might have helped developed ways of listening focused on music appreciation rather than on purely replicating a collector’s live music experience. It also analyzes home recording practices, which were a significant part of phonograph marketing strategies at this time.


1983 ◽  
Vol 76 (6) ◽  
pp. 430-432
Author(s):  
Richard J. Pulskamp

Most home recording equipment has a tape counter that indicates the number of revolutions made by the take-up reel as magnetic tape is wound on it. Relating the number of minutes of play of the machine to the values of the counter poses an interesting problem.


2010 ◽  
Vol 22 (8) ◽  
pp. 1291-1300 ◽  
Author(s):  
Katharina Luttenberger ◽  
Elmar Graessel

ABSTRACTBackground: Currently there is no standardized procedure for recording direct care time of dementia patients in a nursing home. Recording the direct care time, however, provides an important component of both cost estimates for time-dependent reimbursement of nursing activities and for recording the degree of dependency as an outcome measure for the efficiency of new treatment methods for dementia patients. The purpose of this study is thus to develop and validate the “RUD-FOCA” (Resource Utilization in Dementia – Formal Care), based on the RUD lite, as a standardized tool to measure the direct care time actually required in the nursing home.Methods: Based on four hypotheses, construct validity was tested within a randomized controlled trial in a sample of 148 residents in six German nursing homes. The RUD-FOCA records the care time in three areas: activities of daily living (ADL), instrumental activities of daily living (IADL) and supervision. For validation, the residents’ capabilities were examined using the Barthel Index, the Nurses’ Observation Scale on Geriatric Patients (NOSGER), the Alzheimer Disease Assessment Scale (ADAS), the Erlangen Test on Activities of Daily Living (E-ADL) and the Mini-mental State Examination (MMSE). The hypotheses assume relationships between the time required for care in the three areas and the limitations involved in these areas. The retest reliability was also determined.Results: ADL care accounts for two-thirds of total care time in the homes. The hypotheses which refer to total time, ADL and supervision are supported by differentiated correlation profiles. The IADL hypothesis is not supported owing to even, low correlations. The retest reliability was r = 0.76 for the entire care time.Conclusions: Overall time and the times for ADL care and supervision can be considered valid estimates. The validity is lowest for recording IADL times. Thus, the RUD-FOCA is suitable as an instrument to determine the direct care time in the nursing home. Recording IADL times should be improved by detailed operationalization.


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