Groovin’ to the Cultural Beat: Preferences for Danceable Music Represent Cultural Affordances for Anger Experiences and Expressions
Music is frequently used to regulate one’s affect. Yet, societal affordances for emotions vary across cultures, meaning that music preferences should reflect these differences in emotional affordances as representations of culture (cultural products). By quantifying music through musical features, we can examine the cultural psychological processes involved in music preferences. The exploratory section (Studies 1 and 2) identified differences in music preferences for East-Asian and Western popular music on Spotify (combined N = 1006644). In interpreting these results, we developed a theory on danceability as a music feature, that represents cultural affordances for high arousal emotions. Subsequent confirmatory studies (Studies 3-6) tested this theory by examining danceability and the role of emotion in music preferences through: participant self-reported preferences for music arousal and music function (Study 3: N = 268 participants from Singapore and the US), arousal and cultural orientation in lyrics (Study 4: N = 343 songs from Singapore, Hong Kong, US and Canada), emotion prevalence and popular music preference in 60 countries (Study 5, N = 3000 songs), and self-reported music preference and danceability in 13 countries (Study 6, N = 1331 participants). Across these studies, danceability was robustly associated with anger, and this relationship suggests danceability feature preferences may be representative of cultural affordances for anger experiences and expressions. We argue that this collective preference is due to high danceability music having a cathartic effect on the downregulation of everyday high-arousal negative emotions, which differs across cultures.