scholarly journals Using open spatial data to investigate the importance of salmon streams in the Indigenous cultural landscapes of Southwest Alaska.

2021 ◽  
Author(s):  
Jonathan S. Lim ◽  
Gonzalo José Linares Matás
Keyword(s):  
Spatial Data ◽  
Cultural Landscape ◽  
Cultural Landscapes ◽  
Strong Relationship ◽  
Heritage Sites ◽  
Site Distribution ◽  
Heritage Site ◽  
Cultural Sites ◽  
Native Alaskans ◽  
History Of

The history of human activity in Southwest Alaska is inextricably linked to the exploitation of its many species of salmonid fish. Alaskan salmonids are anadromous, meaning they live most of their lives at sea, only to return to the river in which they were spawned to reproduce— this makes them a reliable seasonal resource in this environmentally marginal subarctic landscape. Salmonids form a major part of the subsistence lifestyle of modern Native Alaskans, and archaeological evidence suggests that their ancestors experienced population booms and cultural shifts coinciding with the adoption of mass fishing techniques. This was done primarily in response to climate changes, and to sustain burgeoning populations. Analyses of salmonid behavioural patterns are therefore crucial for understanding the lifeways of past peoples in Southwest Alaska. This work outlines a GIS-based methodology for processing an open spatial dataset— the Alaska Department of Fish and Game’s Anadromous Waters Catalog (AWC)— to make it suitable for use in archaeological and anthropological research. AWC shapefiles converted in this manner may be used to identify the most ecologically diverse (and, therefore, productive) anadromous waterways, and the relationship between heritage site distribution and salmon activity along the length of rivers. As a pilot study, we discuss the cultural landscape of the Yup’ik community of Quinhagak in the Yukon-Kuskokwim (Y-K) Delta, and its two active salmon streams— the Agalig (Arolik) and Qanirtuuq (Kanektok) Rivers. There appears to be a strong relationship between the presence of cultural sites associated with fishing (both historic and archaeological) near the mouths of both rivers where the salmon runs begin (the “initial lower course”, or, “ILC”). It also highlights the importance of such rivers as highways to access non-salmonid resources further inland, including hunting and plant harvesting areas. This methodology has a strong potential for assisting in the survey and characterisation of heritage sites elsewhere in Southwest Alaska.

scholarly journals Cultural Landscapes in the Asia-Pacific: Re-focusing UNESCO Designation on Community Participation

2020 ◽  
Vol 4 (2) ◽  
pp. 271
Author(s):  
Wiwik Dharmiasih
Keyword(s):  
Community Participation ◽  
Cultural Landscape ◽  
Cultural Landscapes ◽  
Asia Pacific ◽  
World Heritage Sites ◽  
Heritage Sites ◽  
Heritage Site ◽  
Universal Values ◽  
New Institutions ◽  
Generational Transition

World Heritage Sites, designated by UNESCO, are a growing phenomenon in global governance. Sites are nominated for their Outstanding Universal Values with the objective of protecting against potential threats from man-made or natural causes. This article focuses on one type of recognition, the Cultural Landscape, which is unique because it is a living heritage site. Within Cultural Landscapes, people continue to carry out their lives and livelihoods as part of the site. The aim of this article is to examine the way community participation takes place in the designation of Cultural Landscapes. Findings highlight some ideas for researchers and policymakers to re-examine blind spots relative to community participation and offer some considerations for more meaningfully engaging local voices, particularly with respect to vulnerable populations and generational transition. Overall, research on Cultural Landscapes need not only examine what is being protected, but also must explore the new institutions being established, which can transform sites from within.

Understanding the Relationship between Component and Attribute of Cultural Landscapes: Case of Indian Music and Cultural Landscapes

2018 ◽  
Vol 3 (1) ◽  
pp. 112-121
Author(s):  
Balaji Venkatachary ◽  
Vishakha Kawathekar
Keyword(s):  
Cultural Landscape ◽  
Cultural Landscapes ◽  
World Heritage ◽  
Heritage Management ◽  
Peninsular India ◽  
World Heritage Sites ◽  
Heritage Sites ◽  
Secondary Sources ◽  
Systematic Understanding ◽  
The Relationship

The widely recognized definition of ‘Cultural Landscape’ in current practice is borrowed from UNESCO as Combined works of Nature and of Man.1 They are complex entities consisting of multiple layering of built-unbuilt components including intangible cultural aspects. These components are interrelated and interdependent. The landscape evolves together through combined natural and cultural processes. In current discourse and practice of heritage management, value-based assessment is a widely accepted approach. Evaluation of cultural landscapes for its Significance and Value is a complex process that requires an understanding of interwoven layers of components and attributes.2 Systematic understanding of such relationships between components and attributes is still in its infancy. Amongst various such identified intangible agencies, this study chooses to explore music. A study of secondary sources was undertaken. Cultural landscapes nominated as World Heritage Sites and identified Indian sites were systematically examined to understand various components and attributes. Using the indicators from this study and the theoretical framework of sociomusicology, a research design was prepared. Recognizing the historical association of music with the sites on the Kaveri river basin in peninsular India, a reconnaissance study was undertaken for onsite validation. Musical associations were spatially mapped for analysis and the findings are presented. Systematic understanding of the relationships between components of a cultural landscape and intangible cultural traditions is still in its infancy. The undertaken study is an exploratory work that focuses on understanding the relationship between components of a cultural landscape and ‘intangible attributes’, especially music. A study of secondary sources was undertaken in two parts. In the first part, concept of cultural landscape has been explored. Cultural landscapes nominated as World Heritage Sites were systematically examined to understand various components and attributes. The knowledge helped in formation of indicators for evaluation of cultural landscapes. In the second part of the study, selected case studies of Indian cultural landscapes were studies with the developed indicators. Musical traditions existing in these sites were theoretically reduced to basic components and mapped for analysis.

Cultural Landscape

2018 ◽  
pp. 1-27 ◽  
Author(s):  
Funda Varnaci Uzun ◽  
Mehmet Somuncu
Keyword(s):  
Cultural Landscape ◽  
Cultural Landscapes ◽  
World Heritage ◽  
Global Scale ◽  
World Heritage Sites ◽  
International Convention ◽  
Heritage Sites ◽  
Scientific Disciplines ◽  
The 1960S ◽  
Major Factors

The “cultural landscape” has been a fundamental concept in geography and was first defined as “landscape modified by human activity” by the German geographer Friedrich Ratzel in 1890. It was introduced to American geography in the 1920s by Carl O. Sauer (American geographer). Since the 1960s, the concept has been widely used in human geography, anthropology, environmental management, and other related fields. One of the major factors that contributed to the recent popularity of its use, on a global scale, was the adoption of cultural landscapes in the International Convention for the World Heritage Convention by the United Nations Educational, Scientific, and Cultural Organization (UNESCO) in 1992. In this chapter, the basis of this concept, its emergence, and its relationships with other scientific disciplines, particularly geography, will be discussed. Moreover, the place of cultural landscapes within protected areas and UNESCO world heritage sites will be more specifically addressed.

scholarly journals Town, village and bush: war and cultural landscapes in south-eastern Angola (1966-2002)

Afrika Focus ◽  
2012 ◽  
Vol 25 (2) ◽  
Author(s):  
Inge Brinkman
Keyword(s):  
Social History ◽  
Rural Areas ◽  
Cultural Landscape ◽  
Cultural Landscapes ◽  
Rapid Change ◽  
South Eastern ◽  
History Of ◽  
The Subject ◽  
Urban And Rural Areas

In most of the literature on the subject, urban and rural areas are presented as real physical entities that are geographically determined. Obviously such an approach is important and necessary, but in this contribution I want to draw attention to ‘the urban’ and ‘the rural’ as ideas, as items of cultural landscape rather than as physical facts. This will result both in a history of ideas and a social history of the war in Angola as experienced by civilians from the south-eastern part of the country. The article is based on a case-study that deals with the history of south-east Angola, an area that was in a state of war from 1966 to 2002. In the course of the 1990s I spoke with immigrants from this region who were resident in Rundu, Northern Namibia, mostly as illegal refugees. In our conversations the immigrants explained how the categories ‘town’ and ‘country’ came into being during colonialism and what changes occurred after the war started. They argued that during the war agriculture in the countryside became well-nigh impossible and an opposition between ‘town’ and ‘bush’ came into being that could have lethal consequences for the civilian population living in the region. This case-study on south-east Angola shows the importance of a historical approach to categories such as ‘urbanity’ and ‘rurality’ as such categories may undergo relatively rapid change – in both discourse and practice. Key words: landscape (town, country and bush), war, south-east Angola 

scholarly journals Remnant of the Past? An Investigation into the Past, Present and Future Role of Archaeology in New Zealand Museums

2021 ◽  
Author(s):  
◽  
Brenden Shirley
Keyword(s):  
New Zealand ◽  
Qualitative Methodology ◽  
Cultural Landscapes ◽  
Indigenous Communities ◽  
Personal Connection ◽  
Heritage Sites ◽  
The Past ◽  
Physical Context ◽  
Heritage Site ◽  
Cultural Agency

<p>Museum archaeology is a subject that has received little attention from local academics and museum professionals. This is despite the fact that it continues to be perceived as a foreign subject that most New Zealanders find difficult to relate to. This dissertation takes an exploratory approach in understanding what has to be considered in future efforts to connect museums and their wider communities with archaeology. Rather than reiterating what the literature has previously confirmed, this research examines the perspective of archaeological interpreters, namely museum and heritage professionals. This provides an avenue for examining how archaeological content is perceived by museums, how this can be conveyed to the public and its potential benefits and limitations.  This research was developed around a qualitative methodology that collated data from interviews with practitioners from a range of backgrounds: archaeologists, museum curators, heritage site mangers and Maori studies. An examination of some of the educational programs and resources currently provided by New Zealand museums and heritage sites was undertaken to recognise opportunities already established. A critical observation of exhibition practice provided additional insight into the physical context of archaeological interpretation and display methods.  Key findings from this research found that many of the issues and opportunities are interrelated and not always exclusive to archaeology. Museums are continuing to move away from specialised curation and instead, favouring the development of multidisciplinary, thematic narratives. As a result, they now rely on the support of outside institutions and consultants to provide this perspective. The dissertation concludes by arguing for a multidisciplinary framework where subjects like archaeology recognise the museum’s potential as a hub for providing relatable experiences across the various disciplinary perspectives available and as an opportunity to promote and the wider exploration of cultural landscapes in their region. This research makes a contribution to the academic analysis of museum and archaeology in New Zealand by encouraging a more inclusive dialogue around the role museums can play in the future of public archaeology. Engagement within the wider heritage and indigenous communities is required to establish a greater level of cultural agency and awareness for these issues and allows for further involvement in site management and cultural interpretations This can ultimately produce a more personal connection and understanding of archaeology in general.</p>

scholarly journals Ecological Environment Assessment in World Natural Heritage Site Based on Remote-Sensing Data. A Case Study from the Bayinbuluke

2019 ◽  
Vol 11 (22) ◽  
pp. 6385 ◽  
Author(s):  
Qin Liu ◽  
Zhaoping Yang ◽  
Fang Han ◽  
Hui Shi ◽  
Zhi Wang ◽  
...  
Keyword(s):  
Remote Sensing ◽  
Spatial Data ◽  
Ecological Status ◽  
Spatial Data Analysis ◽  
Ecological Environment ◽  
Species Structure ◽  
Heritage Sites ◽  
Environment Assessment ◽  
Heritage Site ◽  
Better Than

Ecological environment assessment would be helpful for a rapid and systematic understanding of ecological status and would contribute to formulate appropriate strategies for the sustainability of heritage sites. A procedure based on spatial principle component analysis was employed to measure the ecological status in Bayinbuluke; exploratory spatial data analysis and geo-detector model were introduced to assess the spatio-temporal distribution characteristics and detect the driving factors of the ecological environment. Five results are presented: (1) During 2007–2018, the average values of moisture, greenness, and heat increased by 51.72%, 23.10%, and 4.99% respectively, and the average values of dryness decreased by 56.70%. However, the fluctuation of each indicator increased. (2) The ecological environment of Bayinbuluke was improved from 2007 to 2018, and presented a distribution pattern that the heritage site was better than the buffer zone, and the southeast area was better than the northwest area. (3) The ecological environment presented a significant spatial clustering characteristic, and four types of spatial associations were proposed for assessing spatial dependence among the samples. (4) Elevation, protection partition, temperature, river, road, tourism, precipitation, community resident, and slope were statistically significant with respect to the changes in ecological status, and the interaction of any two factors was higher than the effect of one factor alone. (5) The remote-sensing ecological index (RSEI) could reflect the vegetation growth to a certain extent, but has limited ability to respond to species structure. Overall, the framework presented in this paper realized a visual and measurable approach for a detailed monitoring of the ecological environment and provided valuable information for the protection and management of heritage sites.

Cultural Landscape

2019 ◽  
pp. 203-229
Author(s):  
Funda Varnaci Uzun ◽  
Mehmet Somuncu
Keyword(s):  
Cultural Landscape ◽  
Cultural Landscapes ◽  
World Heritage ◽  
Global Scale ◽  
World Heritage Sites ◽  
International Convention ◽  
Heritage Sites ◽  
Scientific Disciplines ◽  
The 1960S ◽  
Major Factors

The “cultural landscape” has been a fundamental concept in geography and was first defined as “landscape modified by human activity” by the German geographer Friedrich Ratzel in 1890. It was introduced to American geography in the 1920s by Carl O. Sauer (American geographer). Since the 1960s, the concept has been widely used in human geography, anthropology, environmental management, and other related fields. One of the major factors that contributed to the recent popularity of its use, on a global scale, was the adoption of cultural landscapes in the International Convention for the World Heritage Convention by the United Nations Educational, Scientific, and Cultural Organization (UNESCO) in 1992. In this chapter, the basis of this concept, its emergence, and its relationships with other scientific disciplines, particularly geography, will be discussed. Moreover, the place of cultural landscapes within protected areas and UNESCO world heritage sites will be more specifically addressed.

scholarly journals Lighting for Cultural and Heritage Site: An Innovative Approach for Lighting in the Distinct Pagoda-Style Architecture of Nepal

2021 ◽  
Vol 13 (5) ◽  
pp. 2720
Author(s):  
Diwakar Bista ◽  
Aayush Bista ◽  
Ashish Shrestha ◽  
Lambros T. Doulos ◽  
Pramod Bhusal ◽  
...  
Keyword(s):  
Cultural Values ◽  
18Th Century ◽  
Negative Consequences ◽  
Night Time ◽  
Unique Type ◽  
Heritage Sites ◽  
Heritage Site ◽  
Cultural Sites ◽  
Historical Sites

Nepal houses many traditional and cultural sites rich in historical cultural diversity. These sites are also economically important to the nation. These monuments show the culture and the living beliefs of the communities; hence, people from all over the world are attracted to such place to observe the beauty and to feel the spirit and the conservational perspectives behind these articulated edifices. In today’s context, artificial light is a basic necessity for human activities and has been used in various applications: one such application being night-time illumination of historical sites and monuments. Most of the historic monuments in Nepal were constructed during the 15th to 18th century and are designed to incorporate oil-based wick lamp as the light source. Recently with the availability of modern luminaires and lack of technical expertise and scientific approach, most of the historic sites are being filled up with uneven, exaggerated, and inappropriate illumination. This inappropriate illumination practice may lead to negative consequences that may create disturbance to human and the surrounding environment. Scope of this paper is to identify the special needs for illuminating cultural and heritage sites with Pagoda-style architecture and introduce a methodology for a case study in Nepal. As a first step, this paper analyzes lighting malpractices in the temples of Nepal at different geographical locations and cultural values. As a next step, a prototype LED luminaire that enhances the unique type of architecture of Nepalese heritage sites was built, installed, and demonstrated in one of the temples. The work presents the design process of the lighting system and the results of a new lighting installation. The study also discusses possible problems that may arise while designing lighting for cultural and heritage site and provides recommendations on considerations to be taken during the design.

scholarly journals Multi-risk analysis on European cultural and natural UNESCO heritage sites

2020 ◽  
Author(s):  
Andrea Valagussa ◽  
Paolo Frattini ◽  
Giovanni Crosta ◽  
Daniele Spizzichino ◽  
Gabriele Leoni ◽  
...  
Keyword(s):  
Risk Analysis ◽  
Cultural Landscapes ◽  
Risk Index ◽  
Mediterranean Area ◽  
Unesco World Heritage ◽  
World Heritage Sites ◽  
Heritage Sites ◽  
Heritage Site ◽  
Potential Damage ◽  
Cultural Routes

AbstractA multi-criteria risk analysis to identify and to rank the most critical UNESCO World Heritage Sites (WHSs) in Europe was implemented in the framework of the JPI-CH PROTHEGO project. The presented approach considers three natural geo-hazards (i.e. landsliding, seismic shaking and volcanic activity) for which homogenous European hazard maps are available. The methodology is based on a quantitative and reproducible heuristic assessment of risk through the development of a new UNESCO Risk Index (URI), which combines the level of hazard with a potential damage vector. The latter expresses the expected level of damage as a function of the type of heritage site (monuments, cultural routes, rock-art sites, cultural landscapes, earthworks/hominid sites, walls and natural sites), the position with respect to the ground (underground or overground) and the hazard type. The methodology was applied both to the entire WHS site and to the different properties that compose the site, with the purpose of identifying areas, inside the same site, with different level of risk. At European scale, the spatial distribution of risk reflects the fact that only three hazards were implemented in the analysis so far, with highest values in the Mediterranean area due to the importance of seismic hazard.

scholarly journals Heritage Destruction and Videogames: Ethical Challenges of the Representation of Cultural Heritage

2018 ◽  
Vol 4 (2) ◽  
Author(s):  
José Antonio González Zarandona ◽  
Adam Chapman ◽  
Darshana Jayemanne
Keyword(s):  
Cultural Heritage ◽  
Historical Event ◽  
Ethical Challenges ◽  
University Library ◽  
Heritage Site ◽  
Cultural Sites ◽  
History Of

Representations of historical or cultural sites in videogames have always been contested by videogames scholarship, arguing that historical games often court controversy. This paper examines the history of the National and University Library in Sarajevo, particularly the destruction of the site and how it has been represented with different meanings across various media. The second part of the paper will analyze the representation of thelibrary (post-reconstruction) in the videogame, Sniper: Ghost Warrior 2’s Act 2 (called ‘Ghost of Sarajevo’), in order to raise issues about the ethical challenges of the representation of a heritage site that has not only been destroyed and reconstructed, but that it is part of a national heritage.The analysis shows that there are important pressures derived from the ways in which videogames represent heritage which has gone through a process of destruction, and how videogames adapt a historical event following formal videogame conventions. The paper concludes by pointing out the benefits of studying cases such as the National and University Library in Sarajevo, as well as new avenues of research regarding the representation of contested cultural sites in videogames.

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