scholarly journals Reinventing the Self: Cultural Negotiation of LuLing in Amy Tan’s The Bonesetter’s Daughter

2020 ◽  
Vol 3 ◽  
pp. 64-76
Author(s):  
Nagendra Bahadur Bhandari
Keyword(s):  
Chinese Culture ◽  
Third Space ◽  
The United States ◽  
The Self ◽  
Chinese Immigrant ◽  
Cultural Interaction ◽  
Host Culture ◽  
Homi Bhabha ◽  
Cultural Negotiation ◽  
Stuart Hall

 In Amy Tan’s The Bonesetter’s Daughter, Chinese American mother LuLing involves in the self-exploration vacillating between her home and host cultures. The Chinese immigrant LuLing cannot remain totally independent of her indigenous culture of her native country China. Consequently, she demonstrates residual of Chinese culture in her diasporic life. Moreover, she forces her American born daughter to follow the same which sometimes renders conflict in mother-daughter relation. However, she cannot resist the influences of the culture of host country in the United States. She follows certain practices of American cultures. At the same time, she manifests an ambivalent attitude to both cultures. In such cultural interaction, her subjectivity encompasses multiplicities and pluralities by deconstructing the binary of the home and host culture. In this article, the formation of her subjectivity is analyzed through the critical postulations of ‘being’ and ‘becoming’ of Stuart Hall and ‘third space’ of Homi Bhabha. Hall’s representation in Bhabha’s third space can be interpreted and analyzed in the light of Arjun Appadurai’s modernity of cultural globalization. Precisely, the cultural interaction in the third space of the diaspora renders fluid and unstable subjectivity of LuLing which simultaneously belongs to past, present and future.

scholarly journals Co-Designing and Evaluating a Self-Care Curriculum of an App for Chinese Immigrant Caregivers

2020 ◽  
Vol 4 (Supplement_1) ◽  
pp. 507-508
Author(s):  
Ying Wang ◽  
Mandong Liu ◽  
Iris Chi
Keyword(s):  
Mental Health ◽  
United States ◽  
Physical Health ◽  
Self Care ◽  
The United States ◽  
The Self ◽  
Community Resources ◽  
Chinese Immigrant ◽  
Knowledge And Skills ◽  
Support Resources

Abstract Chinese immigrant caregivers face unique self-care difficulties in the United States due to language barriers, cultural isolation, and occupational stress. This study aimed to conduct a formative evaluation on a caregiver self-care curriculum of an app designed for Chinese immigrants in the United States. Using a co-design approach in 2019, 22 Chinese immigrant caregivers in Los Angeles county were recruited through purposive sampling method. The directed content analysis was adopted to analyze the qualitative data using NVivo 12.1.0 software. We organized the findings under two main contents: self-care and caregiving. Three categories were identified under the self-care content: physical health, emotional and mental health, and support resources. Sixteen subcategories under physical health (e.g., dietary supplements), five subcategories under emotional and mental health (e.g., depression) and eight subcategories under support resources (e.g., support and networking group, senior center) are suggested. Two categories were identified under the caregiving content: caregiving knowledge and skills, and community resources. Fourteen subcategories under caregiving knowledge and skills (e.g., care assessment) and six subcategories under community resources (e.g., medical emergency call) were mentioned. With this useful information, we could further refine the self-care curriculum to be more linguistically, culturally and occupationally sensitive for Chinese immigrant caregivers. Empowerment approach for enhancing the ability to caregiving and self-care should be emphasized in content design for immigrant caregivers. The co-design approach is crucial for planning of the program and intervention curriculum to improve understanding of the users’ needs and better cater them.

Texture as Substance: Reading Homi K. Bhabha Re-membering Frantz Fanon

PMLA ◽  
2017 ◽  
Vol 132 (1) ◽  
pp. 179-185
Author(s):  
Henry Schwarz
Keyword(s):  
The Self ◽  
Frantz Fanon ◽  
Self And Other ◽  
Multiple Viewpoints ◽  
Homi Bhabha ◽  
The Enlightenment ◽  
Black Skin ◽  
Stuart Hall ◽  
Strong Reading ◽  
Striking Contrast

[T]he idea of Man as his alienated image, not Self and Other but the “Otherness” of the self inscribed in the perverse palimpsest of colonial identity. (116)According to Isaac Julien, the director of Black Skin, White Mask, a film imagining the life of Frantz Fanon, Homi Bhabha is presented in a nonspeaking role as a colored, racialized “colonial subject” to lend “texture” to the cinematography (Interview). Unlike the eloquent postcolonial critics Stuart Hall and Françoise Vergès, who are interviewed extensively in the ilm, the mute Bhabha is a cipher, a visual trace of diference in the philosophical, cinematic, and audio montage that composes Julien's meditation on decolonization (Frantz Fanon [Director's cut]). In many ways, Julien's Fanon seems indebted to Bhabha's strong reading, against the grain of Fanon's oeuvre, in “Remembering Fanon: Self, Psyche and the Colonial Condition,” a foreword Bhabha wrote for a new British edition of Fanon's Black Skin, White Masks, published in 1986. Julien's Fanon is an interstitial igure, stitched together through multiple viewpoints and physically composed of cinematic elements juxtaposed in striking contrast to one another. He emerges from scraps of discourse cast of and reassembled, much as Bhabha's Fanon is captured in Fanon's ungrammatical utterance that betrays by ellipsis the nature of identity, which is that identity is “not”: “The Negro is not. Any more than the white man” (113). The revelation that the nature of identity is spatially split and temporally deferred-the deinition of Derridean diférance-is most truly represented in the colonial situation, where white mythologies of wholeness and authenticity are actualized as performances of power. When these mythologies are accompanied by paranoid fantasies of blackness that reveal the contradictory duplicity of white representations of the other-the simian Negro, the inscrutable Chinaman-this racial discrimination and its neurotic imagery reveal the nature of the white self and its pretense of universality: that the human is not whole and that the Enlightenment dream of self-presence is an illusion thrown up by the anxious exercise of mastery over those lesser humans, the Negroes.

Diasporic Subjectivities: A Study of the Second-generation Immigrant in Hiromi Goto’s Chorous of Mushrooms

2021 ◽  
Vol 34 (01) ◽  
pp. 128-139
Author(s):  
Nagendra Bahadur Bhandari
Keyword(s):  
Cultural Identity ◽  
Second Generation ◽  
Cultural Practices ◽  
Third Space ◽  
Host Culture ◽  
Cultural Negotiation ◽  
Generation Immigrant ◽  
Cultural Spaces

This article analyses the formation of the hybrid and multiple subjectivities of the second-generation immigrant Murasaki in Hiromi Goto’s Chorus of Mushrooms. In diaspora, Murasaki simultaneously vacillates in the cultural spaces of her homeland Japan and host land Canada. She follows cultural practices of both cultural spaces in her cultural negotiation in the diaspora. Her simultaneous vacillations in two cultural spaces render hybridity and multiplicities in her subjectivities that deconstruct bipolar notion of home and host culture. Moreover, her subjectivities involve in a constant process of formation and reformation undermining the notion of stability and consistency.Murasaki’s evolving subjectivity is analyzed through Stuart Hall’s notion of cultural identity and Homi Bhabha’s postulation of third space in this study.

scholarly journals Reinventing Cultural Identities in Diaspora: A Mother-Daughter Dyad in Tan's Narratives

2018 ◽  
Vol 32 (1) ◽  
pp. 261-272
Author(s):  
Nagendra Bahadur Bhandari
Keyword(s):  
First Generation ◽  
Second Generation ◽  
Cultural Practices ◽  
Third Space ◽  
Cultural Identities ◽  
Chinese Immigrant ◽  
Two Cultures ◽  
Host Culture ◽  
Immigrant Mothers ◽  
Second Generation Immigrants

Immigrants suffer problematic cultural identities due to their bicultural allegiances to their host and native cultures. They can not be totally free from their ‘being’, the shared cultural and historical experiences. As a result, they follow their cultural practices of native country even in their diasporic existences. At the same time, they adopt and follow the cultural practices of the host country. In fact, they are living in the cultural third space simultaneously oscillating between two cultures. In such cultural in-between’s, the first generation and the second generation immigrants undergo different experience in diaspora. In this article, Chinese American writer Amy Tan’s two fictions namely The Joy Luck Club and The Bonesetter’s Daughter are analyzed focusing on cultural identities of second generation immigrants. The second generation in these narratives is the daughters of Chinese immigrant mothers. Their relationship with their mothers unfolds their simultaneous attraction and distraction to the both native and host culture. Consequently, their cultural identities remain unstable, blurred and in the processes of transformation in the cultural third space of diaspora.  

Maximus

2018 ◽  
Author(s):  
Mark Byers
Keyword(s):  
United States ◽  
Political Action ◽  
American Art ◽  
The United States ◽  
The Self ◽  
Postwar Period ◽  
Avant Garde ◽  
The Enlightenment ◽  
Art Practices ◽  
The One

This concluding chapter charts the continuing significance of the early postwar moment in Olson’s later work, particularly The Maximus Poems. The philosophical and political concerns of the American avant-garde between 1946 and 1951 play out across The Maximus Poems just as they inform later American art practices. The search of the early postwar American independent left for a source of political action rooted in the embodied individual is seen, on the one hand, to have been personified in the figure of Maximus. At the same time, Maximus’s radical ‘practice of the self’ charts a sophisticated alternative to the Enlightenment humanist subject widely critiqued in the United States in the immediate postwar period.

Fat as a Floating Signifier

2019 ◽  
pp. 143-163
Author(s):  
Sabrina Strings
Keyword(s):  
United States ◽  
Discourse Analysis ◽  
The United States ◽  
Anglo Saxon ◽  
National Belonging ◽  
Time Period ◽  
Irish Women ◽  
Stuart Hall ◽  
Fat Phobia ◽  
Fat Stigma

Studies on the development of fat stigma in the United States often consider gender, but not race. This chapter adds to the literature on the significance of race in the propagation of fat phobia. I investigate representations of voluptuousness among “white” Anglo-Saxon and German women, as well as “black” Irish women between 1830 and 1890—a time period during which the value of a curvy physique was hotly contested—performing a discourse analysis of thirty-three articles from top newspapers and magazines. I found that the rounded forms of Anglo-Saxon and German women were generally praised as signs of health and beauty. The fat Irish, by contrast, were depicted as grotesque. Building on the work of Stuart Hall, I conclude that fat was a “floating signifier” of race and national belonging. That is, rather than being universally lauded or condemned, the value attached to fatness was related to the race of its possessor.

“An Indigenous Sovereignty of the Imagination”: Reenvisioning the Great Australian Novel in Alexis Wright's Carpenteria

Genre ◽  
2021 ◽  
Vol 54 (2) ◽  
pp. 195-219
Author(s):  
Liz Shek-Noble
Keyword(s):  
Third Space ◽  
Indigenous Communities ◽  
The Other ◽  
Mutual Understanding ◽  
The Novel ◽  
Two Cultures ◽  
Women Novelists ◽  
Homi Bhabha ◽  
White Settler ◽  
The One

Alexis Wright's second novel, Carpentaria, received critical acclaim upon its publication by Giramondo in 2006. As the recipient of the Miles Franklin Literary Award in 2007, Carpentaria cemented Wright's position as the country's foremost Indigenous novelist. This article places Carpentaria within contemporary discussions of “big, ambitious novels” by contemporary women novelists by examining the ways the novel simultaneously invites and resists its inclusion into an established canon of “great Australian novels” (GANs). While critics have been quick to celebrate the formal innovations of Carpentaria as what makes it worthy of GAN status, the novel nevertheless opposes the integrationist and homogenizing myths that accompany canonization. Therefore, the article finds that Wright's vision of a future Australia involves moments of antagonism and mutual understanding between white settler and Indigenous communities. This article uses the work of Homi Bhabha to argue that Carpentaria demonstrates the emergence of a third space wherein negotiation between these two cultures produces knowledge that is “new, neither the one nor the other.” In so doing, Wright shows the resilience of Indigenous knowledge even as it is subject to transformation upon contact with contradictory ideological and epistemological frameworks.

scholarly journals The commuting behavior of workers in the United States: Differences between the employed and the self-employed

2018 ◽  
Vol 66 ◽  
pp. 19-29 ◽  
Author(s):  
J. Ignacio Gimenez-Nadal ◽  
Jose Alberto Molina ◽  
Jorge Velilla
Keyword(s):  
United States ◽  
The United States ◽  
The Self
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