Historia leksemu "badylarz" (na marginesie prac nad "Wielkim słownikiem języka polskiego PAN")

Język Polski ◽  
2020 ◽  
Vol 100 (3) ◽  
pp. 100-112
Author(s):  
Jakub Bobrowski
Keyword(s):  
Popular Culture ◽  
19Th Century ◽  
Interwar Period ◽  
Digital Libraries ◽  
Cultural Memory ◽  
Left Wing ◽  
Lexical Unit ◽  
Use Of Data ◽  
Polish Language ◽  
The 19Th Century

The article explores the semantic and pragmatic evolution of the lexical unit "badylarz" (‘vegetable gardener’). The author challenges the generally accepted opinions about its history, making use of data from dictionaries, digital libraries and corpora of the Polish language. It is commonly believed that the word came into existence during the PRL era and belonged to the typical elements of the discourse of communist propaganda. An analysis of the collected data showed that the word "badylarz" existed as far back as the second half of the 19th century. Originally, it was a neutral lexeme, but in the interwar period it became one of the offensive names of class enemies, often used in left-wing newspapers. After the war, negative connotations of the word were disseminated through literature and popular culture. Nowadays, "badylarz" functions as the lexical exponent of cultural memory of communist times.

Historiography of one city: colonialism, colonization, frontir. On the historiography of the history of functioning of the fortress city of the left wing of the Caucasian cordon line on the example of the history of Kizlyar in the first half of the 19th century

2020 ◽  
Vol 2020 (12-3) ◽  
pp. 250-258
Author(s):  
Mahomed Gasanov ◽  
Abidat Gazieva
Keyword(s):  
19Th Century ◽  
Historical Context ◽  
Left Wing ◽  
Theoretical Concepts ◽  
History Of ◽  
The 19Th Century ◽  
The City

The article is devoted to the analysis of the historiography of the history of the city of Kizlyar. This issue is considered in the historical context of the Eastern Caucasus. The author analyzes the three main theoretical concepts of the problem concerning Russia’s policy in the region, using the example of the city of Kizlyar in the context of historiography.

scholarly journals ZAINTERESOWANIA JĘZYKOZNAWCZE ZYGMUNTA KRASIŃSKIEGO

2020 ◽  
pp. 93-101
Author(s):  
TADEUSZ LEWASZKIEWICZ
Keyword(s):  
National Identity ◽  
19Th Century ◽  
Mother Tongue ◽  
Polish Language ◽  
Strong Attachment ◽  
The 19Th Century

Zygmunt Krasiński devoted much if his attention to the “philosophical” essence of the language and the origins of various tongues. His conjectures, based on speculative and mystic philosophy, are of no scientific importance; rather, they reflect the author’s strong attachment to religion. While not original, his views on the role of a mother tongue in preserving national identity are correct. The writer was interested in spelling and correct grammatical usage of the Polish language. He also focused on assessing the style of texts written in Polish and French. His views were hardly innovative, offering some value in comparison with the 19th century theory of style. Other language-related mentions: the sophistication of Juliusz Słowacki’s language and proposals of baby names based on “inspired” etymological ideas, are inconsequential.

scholarly journals Piśmiennictwo religijne Tatarów Wielkiego Księstwa Litewskiego jako oryginalne źródło do badań polszczyzny północnokresowej

2018 ◽  
Vol 24 (2) ◽  
pp. 85-110
Author(s):  
Joanna Kulwicka-Kamińska
Keyword(s):  
19Th Century ◽  
Slavic Languages ◽  
The North ◽  
Religious Writings ◽  
The World ◽  
History Of ◽  
Polish Language ◽  
The Subject ◽  
Linguistic Analyses ◽  
The 19Th Century

The religious writings of the Tatars constitute a valuable source for philological research due to the presence of heretofore unexplored grammatical and lexical layers of the north borderland Polish language of the 16th-20th centuries and due to the interference-related and transfer-related processes in the context of Slavic languages and Slavic-Oriental contacts. Therefore the basis for linguistic analyses is constituted by one of the most valuable monuments of this body of writing – the first translation of the Quran into a Slavic language in the world (probably representing the north borderland Polish language), which assumed the form of a tefsir. The source of linguistic analyses is constituted by the Olita tefsir, which dates back to 1723 (supplemented and corrected in the 19th century). On the basis of the material that was excerpted from this work the author presents both borderland features described in the subject literature and tries to point the new or only sparsely confirmed facts in the history of the Polish language, including the formation of the north borderland Polish language on the Belarusian substrate. Research involves all levels of language – the phonetic-phonological, morphological, syntactic and the lexical-semantic levels.

scholarly journals Romantyczne wędrówki Polaków po Szwajcarii Saskiej

2019 ◽  
Vol 12 ◽  
pp. 149-175
Author(s):  
Ewa Grzęda
Keyword(s):  
19Th Century ◽  
Travel Literature ◽  
Early 19Th Century ◽  
Polish Literature ◽  
History Of ◽  
Polish Language ◽  
The Aesthetic ◽  
Spatial Imagination ◽  
Aesthetic Sensibility ◽  
The 19Th Century

Romantic wanderings of Poles across Saxon SwitzerlandThe history of Polish tourism in the Elbe Sandstone Mountains as well as the literary and artistic reception of the landscape and culture of Saxon Switzerland have never been discussed in detail. The present article is a research reconnaissance. The beginnings and development of tourism in the region came in the late 18th and early 19th century. The 1800s were marked by the emergence of the first German-language descriptions of Saxon Switzerland, which served as guidebooks at the time. From the very beginning Poles, too, participated in the tourist movement in the area. The author of the article seeks to follow the increasing interest in Saxon Switzerland and the appearance of the first descriptions of the region in Polish literature and culture. She provides a detailed analysis of Polish-language accounts of micro-trips to the Elbe Sandstone Mountains by Andrzej Edward Koźmian, Stanisław Deszert, Antoni Edward Odyniec, Klementyna Hoffman née Tańska and a poem by Maciej Bogusz Stęczyński. As the analysis demonstrates, in the first half of the 19th century Poles liked to visit these relatively low mountains in Central Europe and tourism in the region is clearly part of the history of Polish mountain tourism. Thanks to unique aesthetic and natural values of the mountains, full of varied rocky formations, reception of their landscape had an impact of the development of the aesthetic sensibility of Polish Romantics. Direct contact with nature and the landscape of Saxon Switzerland also served an important role in the shaping of spatial imagination of Polish tourists, encouraging them to explore other mountains in Europe and the world, including the Alps. On the other hand thanks to the development of tourist infrastructure in Saxon Switzerland, facilitating trips in the region and making the most attractive spots available to inexperienced tourists, micro-trips to the Elbe Sandstone Mountains marked an important stage in the development of mountain tourism on a popular-recreational level. Polish-language accounts of trips to Saxon Switzerland from the first half of the 20th century are a noteworthy manifestation of the beginnings of Polish travel literature.

Representing “Awarishness”: Burlesque, Feminist Transgression, and the 19th-Century Pin-up

1999 ◽  
Vol 43 (4) ◽  
pp. 141-162 ◽  
Author(s):  
Maria-Elena Buszek
Keyword(s):  
Nineteenth Century ◽  
Popular Culture ◽  
19Th Century ◽  
The 19Th Century ◽  
Essay Contest

Co-winner, 1998 TDR student essay contest. Nineteenth-century actresses--especially as represented photographically--show many parallels to today's feminist identities. These women rejected the binary “wife-whore” as they sought to define in and for popular culture more varied and nuanced sexualroles for women in society.

scholarly journals Picasso, Alta y Baja Cultura a Final de Siglo

2019 ◽  
Vol 7 (2) ◽  
pp. 114
Author(s):  
Inocente Soto Calzado
Keyword(s):  
Popular Culture ◽  
New Media ◽  
Visual Culture ◽  
19Th Century ◽  
New Information ◽  
The Look ◽  
The One ◽  
The 19Th Century ◽  
First Time

The look of the popular culture to art has always had for the creator the contrariety of the mockery and the reward of the diffusion, to make itself known in the new media of masses multiplying its public, halfway between the admiration and the ridiculous. Painters and sculptors checked it for the first time at the end of the 19th century, between official and specialized criticism and the most popular and apparently less objective of comediansand their humorous interpretations. One of these artists was the young Pablo Ruiz Picasso, with some unknown graphic criticism that give new information on the complexity of his first Spanish artistic stage and theimportance of illustrated magazines in the visual culture of his beginnings and in his professional world. The data collected in the hemerography of the time make up a narrative different from the one officially admitted 

scholarly journals Activities of the Theosophical Society and the Order of the Star in the East in the Czech Lands until 1939

2020 ◽  
Vol 53 (1) ◽  
pp. 49-62
Author(s):  
Józef Szymeczek
Keyword(s):  
19Th Century ◽  
Interwar Period ◽  
Star Order ◽  
Czech Lands ◽  
The 19Th Century

The study shows the penetration of the Theosophical movement into Austro-Hungarian territory, highlighting this process in the Czech lands from the end of the 19th century. It also examines the development of the Theosophical movement in the territory of Czechoslovakia during the interwar period, and analyses the conflict that occurred in the Theosophical circles as the result of accepting or rejecting the teachings of Jiddu Krishnamurti, recognised as the manifestation of Majtreja, but also as the expected Messiah. The analysis also considers the activities of the Star Order in the East, which was founded for the purpose of spreading the teachings of Krishnamurti.

scholarly journals A Rákóczi-szabadságharc emlékezete Jókai Mór műveiben

2018 ◽  
Vol 57 (3-4) ◽  
Author(s):  
Evelin Farkas
Keyword(s):  
19Th Century ◽  
Cultural Memory ◽  
War Of Independence ◽  
The 19Th Century ◽  
The Way

One of the most interesting times of the memory of Rákóczi’s War of Independence was the second half of the 19th century. The period studied begins in 1848, when the close connections between the two War of Independences (Rákóczi’s and ’48/49) determines the way of recalls and as ’48/49 itself became the part of the cultural memory, the memory of the Rákóczi Era changed as well. The paper intends to explore some of the main features of this memories through the study of works and associated organs by Mór Jókai. The paper first examines the Rákóczi related poems from the organ called Életképek, published in 1848 by Sándor Petőfi, János Arany and Kálmán Lisznyai, then one of Jókai’s poem, published in 1883. Two of Jókai’s novels, the A lőcsei fehér asszony and the Szeretve mind a vérpadig also compared by their memory operations of the poems before.

scholarly journals Føljetonromanen og dansk mysterie-litteratur i 1800-tallet

2018 ◽  
Vol 33 (79) ◽  
pp. 31-46
Author(s):  
Ulrik Lehrmann
Keyword(s):  
Popular Culture ◽  
19Th Century ◽  
Literary Culture ◽  
Central Position ◽  
Serial Novels ◽  
Serial Novel ◽  
The 19Th Century

Eugène Sue’s Les Mystères de Paris (The Mysteries of Paris; published in a newspaper from 1842 to 1843) holds a central position among the serial novels in the 19th century. The dominant legitimate literary culture regarded Sue and the French serial literature as bad and unhealthy taste, but nevertheless all over Europe Les Mystères de Paris was read and adapted in local versions. This format exchange is an early example of the transnational reach of popular culture. The article investigates five Danish adaptations, which compared to Sue’s original serial novel appear as clumsy and uninspired. At the same time the production of popular serial literature is seen as a weighty contribution to the general modernization of the Danish literary culture in the second half of the 19th century.

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