Arseny Tarkosvky’s small cycles: The artistic history and principles of text preparation

2021 ◽  
pp. 151-165
Author(s):  
D. P. Bak

The article analyses the publication problem of A. Tarkovsky’s so-called ‘small cycles’ — poems sharing a common storyline and theme, which were not, however, published as poetic cycles in Tarkovsky’s lifetime, even though he had planned them as such and leſt respective handwritten collections. According to the critic, Tarkovsky created these poetic compilations irrespective of the actual possibility (or impossibility) of their publication. His entire experience of ‘living in literature,’ long years of failed attempts to publish abook of original poetry, the type of forbidding censorship policy prevailing at the time — everything indicated that one should better give up attempts toget published in the heavily supervised literary sector. Bak concludes that a publisher of Tarkovsky’s works should focus on reconstruction of the corpus that was not meant for censors, as the two compilations of his lyric oeuvre— the one prepared for publication and the other preserved in manuscripts only— exist in a sort of ‘alternative complementation,’ as if in parallel to each other, and should both be considered for preparation of scholarly publications.

The author had already stated, in a former communication to the Royal Society, his having noticed that for several days previous to the settling of a swarm of bees in the cavity of a hollow tree adapted to their reception, a considerable number of these insects were incessantly employed in examining the state of the tree, and particularly of every dead knot above the cavity which appeared likely to admit water. He has since had an opportunity of observing that the bees who performed this task of inspection, instead of being the same individuals as he had formerly supposed, were in fact a continual succession of different bees; the whole number in the course of three days being such as to warrant the inference that not a single labouring bee ever emigrates in a swarm without having seen its proposed future habitation. He finds that the same applies not only to the place of permanent settlement, but also to that where the bees rest temporarily, soon after swarming, in order to collect their numbers. The swarms, which were the subjects of Mr. Knight’s experiments, showed a remarkable disposition to unite under the same queen. On one occasion a swarm, which had arisen from one of his hives, settled upon a bush at a distance of about twenty-five yards; but instead of collecting together into a compact mass, as they usually do, they remained thinly dispersed for nearly half an hour; after which, as if tired of waiting, they singly, one after the other, and not in obedience to any signal, arose and returned home. The next morning a swarm issued from a neighbouring hive, and proceeded to the same bush upon which the other bees had settled on the preceding day; collecting themselves into a mass, as they usually do when their queen is present. In a few minutes afterwards a very large assemblage of bees rushed from the hive from which the former swarm had issued, and proceeded directly to the one which had just settled, and instantly united with them. The author is led from these and other facts to conclude that such unions of swarms are generally, if not always, the result of previous concert and arrangement.


1929 ◽  
Vol 25 (2) ◽  
pp. 219-221
Author(s):  
T. M. Lowry

Two alternative views have been expressed in regard to the configuration of quadrivalent atoms. On the one hand le Bel and van't Hoff assigned to quadrivalent carbon a tetrahedral configuration, which has since been confirmed by the X-ray analysis of the diamond. On the other hand, Werner in 1893 adopted an octahedral configuration for radicals of the type MA6, e.g. inand then suggested that “the molecules [MA4]X2 are incomplete molecules [MA6]X2. The radicals [MA4] result from the octahedrally-conceived radicals [MA6] by loss of two groups A, but with no function-change of the acid residue…. They behave as if the bivalent metallic atom in the centre of the octahedron could no longer bind all six of the groups A and lost two of them leaving behind the fragment [MA4]” (p. 303).


1862 ◽  
Vol 7 (40) ◽  
pp. 461-494 ◽  
Author(s):  
Henry Maudsley

As it has ever been the custom of man to act as if he were eternal, and lavishly to scatter the limited force which he embodies as though the supply were inexhaustible, it produces no unaccustomed surprise to witness the useless expenditure of force which is so frequently made at the present time. It may even, perhaps, be deemed a token of some modesty, that the being, who since his first formation has been continually occupied in metaphysical regions with the investigation of the origin of all things, should be content for a while to amuse himself with physical theories concerning his own origin. That which is to be regretted in the new and comparatively praiseworthy occupation is the old evil of hasty theorizing on the one hand, and on the other hand, the evil, scarcely less ancient, of an impetuous eagerness to demolish any theory, however plausible, which comes athwart a favourite prejudice. What though the anatomist does discover a very close resemblance and very slight differences between the structure of a gorilla and the structure of a human being; there is no need, on that account, that mankind in a feeling of injured dignity should angrily rouse up and disclaim the undesired relationship. Whatever may be said or written, it is quite plain after all that a man is not a gorilla, and that a gorilla is not a man; it is furthermore manifest that gorillas do not breed men now-a-days, and that we have not the shadow of any evidence to guide us in forming; an opinion as to what they may have clone in times past. The negative testimony of Du Chaillu, who says that he searched in vain in the gorilla region for any intermediate race or link between it and man, scarcely adds anything to the conviction of the non-existence of any such link, which has long been universally entertained.*


2006 ◽  
Vol 14 (3) ◽  
pp. 332-335 ◽  
Author(s):  
Benoît Rihoux

Social scientists who strive to reflect on their research “while they're doing it” (Becker 1998) live in very fortunate times. On the one hand, it seems as if an increasing number of scholars want to do a little more than simply apply ready-made recipes. On the other hand, a few key volumes have recently been published that move beyond ready-made recipes. In my personal top three, I would most probably place Mahoney and Rueschemeyer (2003), George and Bennett (2005), and—last but not least—the volume discussed in this symposium. What distinguishes Rethinking Social Inquiry (RSI) from the two other volumes, in my view, is that it has a broader agenda and hence a broader ambition.


Author(s):  
Seth Brodsky

In the quarter century since the collapse of East Germany, the uncountable reflections that flower the media landscape inevitably turn to music. And when they do, they waffle. There is something untimely, and uncanny, about this waffling. It is as if the tensions structuring music's role in the heady days of the late 1960s were being therapeutically replayed twenty years later: 1968 yet again as the fetish object. On the one hand, music here is the fantasmatic sound of revolution itself, of truth speaking to power, and power falling to pieces under the weight of truth's irrefutable audibility, equal parts libido and righteousness. On the other hand, it is the traumatic reminder of failure, and the disenchanting premise that this “society of the spectacle” was not so powerful after all—that the revolution, in merely appearing, failed to show up. Judging from the examples of Hasselhoff, Rostropovich, and Bernstein, this chapter argues that music seems woven perfectly into a master's discourse: a process of shoring up a sovereign, of suturing itself to an empty signifier, producing a split subject, and precipitating an excessive enjoyment in the form of an object of desire.


Author(s):  
Laurence Sterne
Keyword(s):  
The One ◽  

MY uncle Toby and the Corporal had gone on separately with their operations the greatest part of the campaign, and as effectually cut off from all communication of what either the one or the other had been doing, as if they had been separated from...


Gesture ◽  
2008 ◽  
Vol 8 (3) ◽  
pp. 348-366 ◽  
Author(s):  
Adam Kendon

In recent discussions there has been a tendency to refer to ‘gesture’ and ‘sign’ as if these are distinct categories, sometimes even as if they are in opposition to one another. Here I trace the historical origins of this distinction. I suggest that it is a product of the application to the analysis of sign languages of a formalist model of language derived from structural linguistics, on the one hand, and, on the other, of a cognitive-psychological view of ‘gesture’ that emerged in the latter half of the twentieth century. I suggest that this division between ‘gesture’ and ‘sign’ tends to exaggerate differences and obscure areas of overlap. It should be replaced by a comparative semiotics of the utterance uses of visible bodily action. This will be better able to articulate the similarities and differences between how kinesics is used, according to whether and how it is employed in relation to other communicative modalities such as speech.


Philosophy ◽  
1928 ◽  
Vol 3 (9) ◽  
pp. 78-85 ◽  
Author(s):  
F. C. Bartlett

At first sight it may seem as if Imagination can easily be characterized as a continuous process of having images; but this is very soon found to be inadequate and misleading. On the one hand we have a great number of good witnesses who insist that in their best imaginative work they have made use of no images, or of very few; and on the other, everybody makes distinction between flights of fancy, for example, which certainly involve successions of images, and true imagination. Perhaps a better method of approach is found when we examine how the material dealt with in the imaginative process is built together. In the flight of fancy image follows image, and the transition from one to the next seems to be determined by something in the nature of each individual step of the whole chain, or by each individual act of imaging. Thus the train as a whole is very apt, to the outsider, to appear jerky, ill-connected,


2004 ◽  
Vol 46 (1) ◽  
pp. 7-10 ◽  
Author(s):  
Reva Brown ◽  
Sean McCartney

All too often discussion of Capability proceeds as if it is clear what ‘Capability’ is: and that all that is required is the ascertaining of means for developing it. This paper seeks to explore the meanings of Capability. It provides two broad meanings, and discusses the paradoxes inherent in the application of these to the real world of management and business. On the one hand, Capability is defined as Potential, what the individual could achieve. Potential is an endowment, which is realised by the acquisition of skills and knowledge, i.e. the acquisition of Content. On the other hand, Capability is defined as Content: what the individual can (or has learned to) do. This Content has been acquired by, or input into, the individual, who then has the Potential to develop further. So there are different routes to Capability, depending on the definition of Capability one chooses. All of this impinges on the development of Capability. This leads us on to a consideration of whether the ‘Development of Capability’ is a meaningful concept.


1993 ◽  
Vol 6 (1) ◽  
pp. 81-99 ◽  
Author(s):  
Graeme Garrett

This article seeks to restate the idea of the inspiration of scripture in the context of contemporary debates about authority. It is argued that an adequate theory of scripture must be constructed as part of a comprehensive theology of the “word of God”, on the one hand, and a dynamic theology of the Spirit, on the other. In short, the doctrine of the inspiration of scripture cannot be stated in isolation, as if the Bible could be treated as an isolated object, whole and complete in itself. Only as the word of God empowered by the Spirit of God is comprehended in all its dimensions, and as the reception and interpretation of each dimension is apprehended in dialogical relation to the others, can we grasp what is the unique and irreplaceable part that biblical literature plays in the economy of God's self-declaration in human history.


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