Holiday season…There we go!

2022 ◽  
Vol 5 (1) ◽  
pp. 01-01
Author(s):  
Ines Estrada Vigil
Keyword(s):  
New Wave ◽  

The holiday season is usually incredibly stressful. Seems like during this one we will have the extra pressure of having to have a great one. Looks like the world moves from managing the pandemic to having a new wave, less aggressive as the specialists say, but COVID is still here.

Author(s):  
Gerald Pratley

PRODUCTION ACTIVITY It was not so many years ago it seems when speaking of motion pictures from Asia meant Japanese films as represented by Akira Kurosawa and films from India made by Satyajit Ray. But suddenly time passes and now we are impressed and immersed in the flow of films from Hong Kong, Taiwan, China, South Korea, the Philippines, with Japan a less significant player, and India and Pakistan more prolific than ever in making entertainment for the mass audience. No one has given it a name or described it as "New Wave," it is simply Asian Cinema -- the most exciting development in filmmaking taking place in the world today. In China everything is falling apart yet it manages to hold together, nothing works yet it keeps on going, nothing is ever finished or properly maintained, and yes, here time does wait for every man. But as far...


2020 ◽  
Author(s):  
Federico Diotallevi ◽  
Anna Campanati ◽  
Giulia Radi ◽  
Oriana Simonetti ◽  
Emanuela Martina ◽  
...  

UNSTRUCTURED Two months have passed since the World Health Organization (WHO) declared the pandemic of the Coronavirus Disease 19 (COVID-19), caused by the SARS CoV-2 virus, on March 11, 2020. Medical and healthcare workers have continued to be on the frontline to defeat this disease, however, continual changes are being made to their working habits which are proving to be difficult. Since the beginning of the pandemic, a major reorganisation of all hospital wards, including dermatological wards, has been carried out in order to make medical and nursing staff available in COVID wards and to prevent the spread of infection. These strategies, which were also adopted in our clinic, proved to be effective, as no staff members or patients were infected by the virus. Now, thanks to the global decrease in SARS-CovV2 infections, it is necessary to make dermatological wards accessible to patients again, but it is also essential to adopt specific protocols to avoid a new wave of infections.


The nineteenth century saw a new wave of dictionaries, many of which remain household names. Those dictionaries didn’t just store words; they represented imperial ambitions, nationalist passions, religious fervour, and utopian imaginings. The Whole World in a Book explores a period in which globalization, industrialization, and social mobility were changing language in unimaginable ways. Dictionaries in the nineteenth century became more than dictionaries: they were battlefields between prestige languages and lower-status dialects; national icons celebrating the language and literature of the nation-state; and sites of innovative authorship where middle and lower classes, volunteers, women, colonial subjects, the deaf, and missionaries joined the ranks of educated white men in defining how people communicated and understood the world around them. This volume investigates dictionaries in the nineteenth century covering languages as diverse as Canadian French, English, German, Frisian, Japanese, Libras (Brazilian sign language), Manchu, Persian, Quebecois, Russian, Scots, and Yiddish.


2014 ◽  
Vol 678 ◽  
pp. 305-308
Author(s):  
Huai Qiao Ying ◽  
Song Shen ◽  
Jin Ming Liu
Keyword(s):  
New Wave ◽  

This article points out the views from “Software manufacturing Instrument” to “Software manufacturing Everything” and to “software rebuilds, rules, and defines the world ” , as well as shows the agreement and support at home and abroad to “Software manufacturing Everything”. Software is the crystallization of human’s intelligence, and the new wave of software has become the main competitive force of mainstay industry. This article also provides the consequence that the DASP of COINV measured , an the accuracy reached 10^(-17).


2016 ◽  
Vol 1 (19) ◽  
pp. 171-173
Author(s):  
Olga Maksymenko

The tendency to intensify Islamophobia in its various manifestations, from the hostile attitude towards the Muslims to open acts of aggression and calls for hatred and violence against the representatives of this religion - unfortunately, has recently been observed in many countries of the world. Some factors contribute to this: firstly, the inspiration by some unscrupulous media of identifying Muslims with terrorists and extremists, a new wave of fear, caused by reports of numerous crimes by militants of the self-proclaimed "Islamic State" (whose activities generally contradict the spirit of Islam as a peaceful and humanistic religion that recognizes human life of the highest value and equates the killing of one person to the murder of all mankind) and recent attacks with a large number of human victims (in particular, in France and Belgium); and secondly, the reluctance of ordinary people to see in their environment those who differ from them (rejection of "someone else", due to the imaginary division of the world into "we" and "they"). Bearers of another culture are perceived as a threat of violations of the usual way of life, changes in the established system of values. Hence, the sharply negative attitude towards refugees from Syria and other Islamic countries.


2006 ◽  
Vol 7 (1) ◽  
pp. 1-22 ◽  
Author(s):  
RUSSELL J. DALTON

Over 40 years ago, Daniel Bell made the provocative claim that ideological polarization was diminishing in Western democracies, but new ideologies were emerging and driving politics in developing nations. This article tests the End of Ideology thesis with a new wave of public opinion data from the World Values Survey (WVS) that covers over 70 nations representing more than 80 per cent of the world's population. We find that polarization along the Left/Right dimension is substantially greater in the less affluent and less democratic societies than in advanced industrial democracies. The correlates of Left/Right orientations also vary systematically across regions. The twin pillars of economic and religious cleavages remain important in European states; cultural values and nationalism provide stronger bases of ideology in Asia and the Middle East. As Bell suggested, social modernization does seem to transform the extent and bases of ideological polarization within contemporary societies.


2020 ◽  
Vol 144 ◽  
pp. 70-81
Author(s):  
Dmitry V. Kuzin ◽  

The coronavirus pandemic this year has become one of the main topics on the world agenda and is now being analyzed from different angles — biological, medical, economic, political, social, historical. But another aspect to take into account is administrative, since this virus has infected not only individuals but also society, government and business systems. The pandemic is very complex, large-scale and multidimensional and, as is well known, it is hard to control the increasing difficulty and uncertainty, especially when the time factor is involved. There is a principle in methodology: if a problem identified at a certain level of the system’s complexity is not solved by means of the same level, then you need to rise to a higher level. In other words, it is necessary to rise to the metalevel, and this is where the problems of public administration and management are identified, and they are two-sided. The first one is practical — what to do and how to manage the unfolding processes to minimize damage to people, economy and society, what strategy to develop for recovery from this pandemic and how to implement it. This is a focus of everyone’s attention now, but it is too early to fully assess the effectiveness of various current measures and strategies, especially given the new wave of the pandemic. The second side — theoretical — how his problem can be viewed conceptually through the prism of changing the paradigm of the society existence and the paradigm of management. The present article deals with some fundamental aspects of the latter aspect of the problem.


Halloween ◽  
2015 ◽  
pp. 25-36
Author(s):  
Murray Leeder ◽  
Murray Leeder

This chapter discusses how Halloween (1978) was developed and created. John Carpenter's name appears above the title on Halloween, but the project existed before he came on board. Independent film producer Irwin Yablans rightly claims the mantle of ‘The Man Who Created Halloween’, the title of his 2012 autobiography. The project reached Carpenter with the tentative title The Babysitter Murders before it became Halloween shortly thereafter; but Carpenter is still quick to credit Yablans for conceiving the title and the concept. Yablans' marketing and distribution ingenuity played a large role in securing Halloween's success but it went far beyond anyone's expectations, reportedly making back its original budget sixty-fold in its initial release alone. It seems apparent that Halloween was uniquely positioned to benefit from overlapping currents in the New Hollywood, the American independent cinema, ‘youth cinema’, and the horror film. Halloween was also well positioned to benefit from a new wave of academic interest in the horror film.


2009 ◽  
Vol 25 (3) ◽  
pp. 274-288 ◽  
Author(s):  
Nicola Baylis

Corporeal mime and the work of Etienne Decroux are well known in the world of physical theatre, remaining inspirational to those who have studied and explored this complex art form. In the following article Nicola Baylis examines the prevailing misunderstandings that surround corporeal mime, briefly addressing its historical context, and moving on to discuss contemporary applications of Decroux's training system. With the increasing advent of innovative theatre produced by a new wave of actors trained in corporeal mime, she focuses on the current work of artists in Naples, and concludes with reflections on corporeal mime's relevance to present-day experimental performance and on the potential future role of the form within modern theatre. Nicola Baylis is an actor, director, and teacher who has trained in corporeal mime and commedia dell'arte. Before moving to Naples, she worked as a Lecturer in Drama on degree programmes at Bournemouth and Poole College, in conjunction with Bournemouth University. She is currently working on an adaptation of Macbeth which will be performed in London in the autumn.


2005 ◽  
Vol 115 (1) ◽  
pp. 23-32 ◽  
Author(s):  
Lez Cooke

In recent years, American television drama series have been celebrated as ‘quality television’ at the expense of their British counterparts, yet in the 1970s and 1980s British television was frequently proclaimed to be ‘the best television in the world’. This article will consider this critical turnaround and argue that, contrary to critical opinion, the last few years have seen the emergence of a ‘new wave’ in British television drama, comparable in its thematic and stylistic importance to the new wave that emerged in British cinema and television in the early 1960s. While the 1960s new wave was distinctive for its championing of a new working-class realism, the recent ‘new wave’ is more heterogeneous, encompassing drama series such as This Life, Cold Feet, The Cops, Queer as Folk, Clocking Off and Shameless. While the subject-matter of these dramas is varied, collectively they share an ambition to ‘reinvent’ British television drama for a new audience and a new cultural moment.


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