scholarly journals Book Forum

2021 ◽  
Vol 7 (1) ◽  
pp. 198-213
Author(s):  
Lotte Buch Segal ◽  
Emilija Zabiliūtė ◽  
Marco Motta ◽  
Resto Cruz ◽  
Andrew M. Jefferson ◽  
...  
Keyword(s):  
The Moon ◽  
The World

Working with Veena Das’s Textures of the Ordinary: Anthropology after Wittgenstein By Lotte Buch SegalRepairing the World: Ordinary Ethics and the Shadows of Moralism By Emilija ZabiliūtėThe Text’s Texture By Marco MottaThe Residues of Kinship By Resto CruzUncertain Relations with People, Practice, and Ethnographic Knowledge By Andrew M. JeffersonThe Moon Shadows: When Arguments Rest By Veena Das

scholarly journals Interpreting Locked Photographic Data: The Case of Apollo 17 Photo GPN-2000-00113

Designs ◽  
2021 ◽  
Vol 5 (1) ◽  
pp. 8
Author(s):  
Pyrrhon Amathes ◽  
Paul Christodoulides
Keyword(s):  
Experimental Data ◽  
Computer Simulations ◽  
The Moon ◽  
Geometrical Analysis ◽  
Apparent Position ◽  
Apollo Program ◽  
The Earth ◽  
Novel Approach ◽  
The World ◽  
The Moment

Photography can be used for pleasure and art but can also be used in many disciplines of science, because it captures the details of the moment and can serve as a proving tool due to the information it preserves. During the period of the Apollo program (1969 to 1972), the National Aeronautics and Space Administration (NASA) successfully landed humans on the Moon and showed hundreds of photos to the world presenting the travel and landings. This paper uses computer simulations and geometry to examine the authenticity of one such photo, namely Apollo 17 photo GPN-2000-00113. In addition, a novel approach is employed by creating an experimental scene to illustrate details and provide measurements. The crucial factors on which the geometrical analysis relies are locked in the photograph and are: (a) the apparent position of the Earth relative to the illustrated flag and (b) the point to which the shadow of the astronaut taking the photo reaches, in relation to the flagpole. The analysis and experimental data show geometrical and time mismatches, proving that the photo is a composite.

scholarly journals From “the Moon Is Rounder Abroad” to “Bravo, My Country”: How China Misperceives the World

2021 ◽  
Vol 56 (1) ◽  
pp. 112-130 ◽  
Author(s):  
Haifeng Huang
Keyword(s):  
Large Scale ◽  
Chinese Society ◽  
The Moon ◽  
Foreign Countries ◽  
The Social ◽  
The World ◽  
Long Time ◽  
Global Affairs ◽  
Chinese Public

AbstractFor a long time, since China’s opening to the outside world in the late 1970s, admiration for foreign socioeconomic prosperity and quality of life characterized much of the Chinese society, which contributed to dissatisfaction with the country’s development and government and a large-scale exodus of students and emigrants to foreign countries. More recently, however, overestimating China’s standing and popularity in the world has become a more conspicuous feature of Chinese public opinion and the social backdrop of the country’s overreach in global affairs in the last few years. This essay discusses the effects of these misperceptions about the world, their potential sources, and the outcomes of correcting misperceptions. It concludes that while the world should get China right and not misinterpret China’s intentions and actions, China should also get the world right and have a more balanced understanding of its relationship with the world.

scholarly journals XLIV. Variation of the compass, as observed on board the Endeavour Bark, in a voyage round the World

1771 ◽  
Vol 61 ◽  
pp. 422-432 ◽  
Keyword(s):  
The Sun ◽  
The Moon ◽  
The World

The day of the month is noted according to the nautical account, which therefore in all observations noted P. M. is one day forwarder than the civil account. The latitude in is deduced from the last preceding meridian altitude of the Sun; and the longitude in is corrected by the last observations of the distances of the moon from the Sun and stars.

Abruptly Dogen

2022 ◽  
Author(s):  
Kidder Smith
Keyword(s):  
Everyday Life ◽  
Thirteenth Century ◽  
Full Moon ◽  
The Moon ◽  
The World ◽  
The Buddha ◽  
The Way

In the thirteenth century Dogen brought Zen to Japan. His tradition flourishes there still today and now has taken root across the world. Abruptly Dogen presents some of his pith writings—startling, shifting, funny, spilling out in every direction. They come from all seventy-five chapters of his masterwork, the Eye of Real Dharma (Shōbōgenzō 正法眼藏), and roam through mountains, magic, everyday life, meditation, the nature of mind, and how the Buddha is always speaking from inside our heads. An excerpt from chapter 1, “A Case of Here We Are”: Human wisdom is like a moon roosting in water. No stain on the moon, nor does the water rip. However wide and grand the light, it still finds lodging in a puddle. The full moon, the spilling sky, all roosting in a single dewdrop on a single blade of grass. A man of wisdom is uncut, the way a moon doesn’t pierce water. Wisdom in a man is unobstructed, the way the sky’s full moon is unobstructed in a dewdrop. No doubt about it, the drop’s as deep as the moon is high. How long does this go on? How deep is the water, how high the moon?

scholarly journals Water on the Moon

2015 ◽  
Vol 11 (A29B) ◽  
pp. 402-406 ◽  
Author(s):  
Yvonne J. Pendleton
Keyword(s):  
Solar Wind ◽  
Thermal Cycling ◽  
Volcanic Glass ◽  
Glass Beads ◽  
The Moon ◽  
Modern Equipment ◽  
Know How ◽  
The Earth ◽  
The World

AbstractAfter years of thinking the Moon is dry, we now know there are three manifestations in which water appears on the Moon today: 1) Previously hypothesized buried deposits of volatiles at the lunar poles were found at Cabeus crater. There are questions about the origin of such volatiles (i.e., in-falling comets & meteorites, migration of recently formed surficial OH/H2O, and accumulated release from the interior), but there is no doubt the water is there. 2) Widespread, thinly-distributed, surficial OH (or H2O) has been clearly detected across all types of lunar terrain. The consensus is that the OH is derived from solar wind, but we do not know how quickly it forms, nor how mobile it is. 3) The amount of water present soon after the Moon formed is now documented in new analyses of lunar materials in volcanic glass beads, apatites and plagioclase feldspars. Apollo era sample analyses were not precise enough to distinguish between indigenous lunar water and terrestrial contamination. Measurements with modern equipment are more precise (both elemental and isotopic), and can better constrain a host of processes (e.g. diffusion, thermal cycling). Scientists around the world are studying lunar water. Ongoing analyses are informing a number of hypotheses and theories about the connection between the Earth and its wet Moon.

Flights of Imagination: Avicenna’s Phoenix (ʿAnqā) and Bedil’s Figuration for the Lyric Self

2020 ◽  
Vol 2 (1) ◽  
pp. 28-72
Author(s):  
Jane Mikkelson
Keyword(s):  
First Person ◽  
The Sun ◽  
The Moon ◽  
The Earth ◽  
Philosophical System ◽  
Personal Experiences ◽  
The World ◽  
The Phoenix

Abstract The phoenix (ʿanqā) appears in the philosophy of Avicenna (d.1037) as his example of a “vain intelligible,” a fictional being that exists in the soul, but not in the world. This remarkable bird is notable (along with the Earth, the moon, the sun, and God) for being a species of one. In this essay, I read the poetry Bedil of Delhi (d.1720) in conversation with the philosophical system of Avicenna, arguing that the phoenix in Bedil’s own philosophical system functions as a key figuration that allows him simultaneously to articulate rigorous impersonal systematic ideas and to document his individual first-personal experiences of those ideas. The phoenix also plays a metaliterary role, allowing Bedil to reflect on this way of doing philosophy in the first person—a method founded on the lyric enrichment of Avicennan rationalism. Paying attention to the adjacencies between poetry and philosophy in Bedil, this essay traces the phoenix’s transformations from a famous philosophical example into one of Bedil’s most striking figurations in his arguments about imagination, mind, and self.

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