From Cerisy to Oubapo

2021 ◽  
Vol 14 (1) ◽  
pp. 21-40
Author(s):  
Thierry Groensteen
Keyword(s):  
Media Environment ◽  
Cross Media ◽  
Bande Dessinee ◽  
Art Form ◽  
History Of ◽  
Early Exploration

Thierry Groensteen’s memoir recalls the intellectual ferment of colloquia held at Cerisy-la-Salle in Normandy, subsequently the venue for two conferences organised by Groensteen himself. The first, the ground-breaking Bande dessinée, récit et modernité [Comics, Narrative and Modernity] in 1987, was a key moment in the history of the theorisation of comics as art form. Groensteen’s own presentation explored the threshold of narrativity in comics, and other noteworthy contributions included those of the philosopher Henri Van Lier and Marc Avelot, whose reading of Martin Vaughn-James’s La Cage rescued this masterpiece from obscurity. This conference also laid the foundations for the Oubapo movement, the production of comics under constraint, whose later development Groensteen chronicles. The second, ‘La Transécriture’, in 1993, was an early exploration of comics as part of a cross-media environment.

From Cerisy to Oubapo

2021 ◽  
Vol 14 (1) ◽  
pp. 21-40
Author(s):  
Thierry Groensteen
Keyword(s):  
Media Environment ◽  
Cross Media ◽  
Bande Dessinee ◽  
Art Form ◽  
History Of ◽  
Early Exploration

Thierry Groensteen’s memoir recalls the intellectual ferment of colloquia held at Cerisy-la-Salle in Normandy, subsequently the venue for two conferences organised by Groensteen himself. The first, the ground-breaking Bande dessinée, récit et modernité [Comics, Narrative and Modernity] in 1987, was a key moment in the history of the theorisation of comics as art form. Groensteen’s own presentation explored the threshold of narrativity in comics, and other noteworthy contributions included those of the philosopher Henri Van Lier and Marc Avelot, whose reading of Martin Vaughn-James’s La Cage rescued this masterpiece from obscurity. This conference also laid the foundations for the Oubapo movement, the production of comics under constraint, whose later development Groensteen chronicles. The second, ‘La Transécriture’, in 1993, was an early exploration of comics as part of a cross-media environment.

Glorious Apollo: Poetic and Political Themes in the First Opera

1979 ◽  
Vol 32 (4) ◽  
pp. 485-513 ◽  
Author(s):  
Barbara Russano Hanning
Keyword(s):  
Art Form ◽  
History Of ◽  
The Subject ◽  
The Universe ◽  
Early Opera

Historians of early opera have occasionally noted the appropriateness of Orpheus’ appearance as artistic spokesman for the new art form. Poet-singer par excellence of antiquity, whose music shook the very depths of the universe as he retrieved Eurydice from the Underworld, Orpheus surely appealed to the early opera composers and their humanist program—to recreate the moving power of an entirely sung drama by forging a new union of poetry, music, and gesture.In the history of opera, however, primacy of place must be given to the god Apollo, for the legend of Apollo and Daphne was the subject of the first favola per musica, La Dafne, written by Ottavio Rinuccini, with music composed by Jacopo Corsi and Jacopo Peri, and first performed in 1598 at Corsi's home in Florence.

Adaptation and Opera

2017 ◽  
Author(s):  
Linda Hutcheon ◽  
Michael Hutcheon
Keyword(s):  
New Media ◽  
Musical Score ◽  
Romantic Period ◽  
Art Form ◽  
History Of

The tried and tested, not the new and original, became the norm early in the over-400-year history of opera, the Ur-adaptive art: because opera is a costly art form to produce, misjudging one’s audience can be disastrous. This may explain the persistence of a version of that familiar, limiting fidelity theory that has gone out of fashion in recent years in other areas. Since the Romantic period, opera’s tradition of Werktreue has demanded authenticity in realizing the operatic work authenticated by tradition. This has made the critical acceptance of adaptations of opera to film, for instance, a challenge. This essay theorizes not only adaptation into opera but also the adaptation of operas to both old and new media. The first, opera as adaptation, is especially complex, for it involves a series of stages: adapted text to libretto; libretto set to musical score; both libretto and score put on stage.

scholarly journals A family of falsehoods: Deception, media hoaxes and fake news

2018 ◽  
Vol 39 (3) ◽  
pp. 350-361 ◽  
Author(s):  
Teri Finneman ◽  
Ryan J. Thomas
Keyword(s):  
Social Media ◽  
Fake News ◽  
Public Officials ◽  
False Information ◽  
Media Environment ◽  
News Organizations ◽  
Information Spread ◽  
History Of

“Fake news” became a concern for journalists in 2017 as news organizations sought to differentiate themselves from false information spread via social media, websites and public officials. This essay examines the history of media hoaxing and fake news to help provide context for the current U.S. media environment. In addition, definitions of the concepts are proposed to provide clarity for researchers and journalists trying to explain these phenomena.

Cut and paste

2018 ◽  
pp. 25-65
Author(s):  
Anna Dahlgren
Keyword(s):  
Twentieth Century ◽  
Visual Culture ◽  
Historical Perspective ◽  
Avant Garde ◽  
Victorian Britain ◽  
Art Form ◽  
Close Study ◽  
History Of ◽  
Illustrated Press

Chapter 1 considers the mechanisms of breaks and continuities in the history of photocollage with regard to gender, genre and locations of display. Collage is commonly celebrated as a twentieth-century art form invented by Dada artists in the 1910s. Yet there was already a vibrant culture of making photocollages in Victorian Britain. From an art historical perspective this can be interpreted as an expression of typical modernist amnesia. The default stance of the early twentieth century’s avant-garde was to be radically, ground-breakingly new and different from any historical precursors. However, there is, when turning to the illustrated press, also a trajectory of continuity and withholding of traditions in the history of photocollage. This chapter has two parts. The first includes a critical investigation of the writings on the history of photocollage between the 1970s and 2010s, focusing on the arguments and rationales of forgetting and retrieving those nineteenth-century forerunners. It includes examples of amnesia and recognition and revaluation. The second is a close study of a number of images that appear in Victorian albums produced between 1870 and 1900 and their contemporary counterparts in the visual culture of illustrated journals and books.

Canards, Fausses Nouvelles, Paranoid Style

2019 ◽  
pp. 119-132
Author(s):  
Peppino Ortoleva
Keyword(s):  
19Th Century ◽  
Honore De Balzac ◽  
Fake News ◽  
Conspiracy Theories ◽  
Media Environment ◽  
Gerard De Nerval ◽  
History Of ◽  
History Of Journalism ◽  
Paranoid Style ◽  
The Great War

Fake news has been cyclically surfacing in the history of journalism and public opinion. In the vein of some classic authors, the chapter identifies ideas that are surprisingly useful in the present media environment. It interweaves three historical threads relevant to today’s fake news: (1) the growth of canards in 19th-century Paris, observed by both Honoré de Balzac and Gérard de Nerval as the habitual invention of news when facts were not sufficiently attractive for readers; (2) the diffusion of fausses nouvelles during the Great War, described by Marc Bloch and propelled by the tendency, in times of crisis, to search for oracles more than information proper; (3) the propensity, suggested by Richard Hofstadter, to spread conspiracy theories, notably in the development of McCarthyism.

Early exploration of the Aluto geothermal field, Ethiopia (History of discovery well LA-3)

Geothermics ◽  
2017 ◽  
Vol 66 ◽  
pp. 73-84 ◽  
Author(s):  
Manfred P. Hochstein ◽  
Befekadu Oluma ◽  
Hagen Hole
Keyword(s):  
Geothermal Field ◽  
History Of ◽  
Early Exploration

Uygur Architectural Decorative Patterns Classification and the Development and Application of Information Technology

2013 ◽  
Vol 409-410 ◽  
pp. 372-376
Author(s):  
Guang Li
Keyword(s):  
Information Technology ◽  
Modern Society ◽  
Modern Information Technology ◽  
Chinese Traditional Culture ◽  
Art Form ◽  
Architectural Patterns ◽  
Positive Meaning ◽  
History Of ◽  
Modern Information ◽  
The One

Uygur architectural decorative patterns is an important part of Chinese traditional culture , which is reflect the history of the nation's art form. It also take advantage of modern information technology on the inheritance, development of traditional ethnic culture and promote regional economic development. It has a positive meaning for building a harmonious society. Uygur traditional architectural pattern types characterization and application status, bringing about the development and applications of traditional Uygur architectural patterns and modern information technology. Through development of information technology, on the one hand, Uygur architectural patterns to obtain a certain sense, do not change with the time permanent presence in the form, on the other hand, the Uighur architecture and decorative patterns with a modern design, combining modern media more closely foundation to finding a continuation in the modern society and the way of the development of national culture.

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