scholarly journals ОБРЯДОВА ПРАКТИКА ЯК ЗАСІБ ЗБЕРЕЖЕННЯ КОЛЕКТИВНОЇ ПАМ’ЯТІ: УКРАЇНСЬКИЙ ВИМІР

2018 ◽  
pp. 57-71
Author(s):  
О. В. Богомолець

Developing the strategies for conserving and rendering the social experience, and hence the basis of group identity, was unchangeable corner stone for social outlook at all stages of social development. In the meantime, it is acquiring a special significance in recent years, primarily because the globalization substantially undermines the basics of national identity, thereby causing an increase of public attention to the problems of the collective, and above all, ethnocultural identity, the mechanisms of its reproduction and legitimation.These problems are especially topical for modern Ukrainian society, which, on the one hand, is the fruit of a civilizational split and, on the other hand, of the internal and external political elites manipulative policy and low living standards.To preserve its political boundaries, the society requires not only economic stability, but also new, more effective mechanisms and strategies for social consolidation. The latter, as shown by A. Bayburin and P. Conner, can effectively be provided by thoroughly developed or historically formed spectrum of typical behavior programs that regulate all spheres of human life in society, thus forming some socially significant norms. In other words, according to the above-mentioned researchers, it is stereotypical behavior that guarantees a community existence in time as some distinct ethnographic group.Оne of the most prominent examples of stereotyped behavior is ritual practice. Possessing the established set of behavior patterns, it is able to maintain the community’s accomplished image even when its proper values lose their social significance, but continue to exist as a habit. Thus, this work highlights the role of traditional ritual practice in the process of forming the modern Ukrainian identity. In particular, the idea is defended that ritual practice is not only an inseparable element of people’s collective memory, but also the means of forming the group identity, which is perfectly confirmed by Ukrainian family ritual practice’s pecularities.It is revealed that the timeless and expressive character of ceremonial actions has a decisive importance for preserving the group identity and the established social order. Despite of the irrecurring nature, which provides the connection to the past, it always means the beginning and the end at the same time. An illustrative example in this context may be wedding, maternity and economic ceremonies. All of them are permanent and repetitive transitions from one state to another. At the same time, ritual practice gives the sense to the whole spectrum of non-ritual actions, thus defining the future’s perspective.In general, the work considers ritual practice as a specific kind of the social one. It is characterized by the set of formalized and stylized symbolic actions of the community, usually aimed at preserving the established social or by means of forming certain ideas and feelings in a person. In the course of research work, it was emphasized that the formalized, stylized and, most importantly, the repeatable nature of the ritual practice, which manifests itself through commemoration of certain historical events, memorable days or heroes, ensures its clear intention to perpetuate the connection with the past. Thus, it plays an important role in the process of preserving the collective memory. On the other hand, the formation of the community’s value system is taking place, thus contributing to the preservation of its unity.Considering the consolidating significance of the ritual practice in terms of blurring the Ukrainian cultural identity, the studying and popularization of ritual practices seems to be important and promising, which would be accompanied by commemoration of their symbolic part. Such an activity could become a significant factor in the revival of the ethno-cultural identity of the Ukrainians and promote social consolidation

1953 ◽  
Vol 33 (3-4) ◽  
pp. 193-202 ◽  
Author(s):  
E. Martin Burgess

In a previous article the writer described the technique used by the armourers of the past to make mail. Very little is known about the craftsmen who made it. It is not yet possible to date pieces of mail with the same degree of accuracy with which pieces of plate armour can be dated. There are several reasons for this lack of knowledge. In the first place mail is a structure which does not lend itself to the use of armourer's marks, and though pieces are marked in one way and another, experts are so far unable to trace them to their sources. Secondly, a mail garment is not necessarily restricted to one known wearer, but because of its stretching and contracting qualities will fit almost anyone reasonably well. Thirdly, at the time when mail-making was at its height the armourer's craft had not developed to the same extent and had not yet acquired the social and decorative importance which it was to have in later years. Thus the mail-maker was more obscure and his work had no characteristic sculptural quality by which it could be recognized. On the other hand, in the early days of armour, mail garments were few and very valuable with the result that they frequently changed hands, the stretching quality permitting their use by different owners. Lastly, mail suffers from rust because it exposes a vast surface of metal to the air. When it is worn the constant friction between one ring and another wears it out comparatively quickly even if it is never permitted to get rusted. For this reason the rings in mail shirts are often thinner round the hips than on shoulders, chest, or back. Most of the early mail has been destroyed by wear and time and only fragments remain. It is not possible to say with certainty to what type of garment these fragments once belonged.


2017 ◽  
Vol 13 (3) ◽  
pp. 548-558
Author(s):  
Ignacio Brescó de Luna

Collective memory and identity so often go hand in hand with conflicts. Alongside the use of violence, conflicts unfold against the backdrop of different narratives about the past through which groups constantly remind themselves of the supposed origin of the conflict, and consequently, what position individuals are expected to take as members of the group. Narratives – as symbolic tools for interpreting the past and the present, as well as happenings that have yet to occur – simultaneously underpin, and are underpinned by, the position held by each warring faction. Drawing on previous works, this paper compares different versions of the 2016 truce period in the Basque Country stemming from three subjects identified, to varying degrees, with the main political actors involved in that conflict. These three cases have been selected from a total of 16 participants who were asked to define the Basque conflict and to provide an account of the 2006 truce period by using 23 documents taken from different Spanish newspapers. On the one hand, the results show two narratives reproducing the versions of two of the main political actors involved in the conflict, and on the other hand, a narrative characterized by a more personal and ironic appropriation of those versions. Results are discussed vis-à-vis the use of irony in history teaching in increasingly plural societies.


2020 ◽  
Vol 10 (1) ◽  
pp. 176-189
Author(s):  
Ioana Petcu ◽  
Teodora Medeleanu

AbstractOne looks, on the one hand with a slight amazement, and on the other hand with the confidence of a temporary master of the European cultural thesaurus, at how tragic poem, more than two thousand years old, vibrates under the directorial wands in the present times. One analyses the Ancient verse, the plots of the founding mythologies or the figures that seem turned into stone by the passing of time and witnesses, through the scenic hypostasis of today, that the voices of the past, singular or united in a Chorus, reach them, generating, in a single spectator or in an entire wave of interception, the feeling of nexus. But also the inquisitiveness of encountering the peculiar. Due to the fact that cultural identity, and also the conducting threads of the universalis arise like a fascinating, rich, high terrain, and one cannot see them from afar, in this century. If, thematically speaking, The Suppliants, by Aeschylus resonated with directors such as Olivier Py, Silviu Purcărete, Ramin Gray or Jean-Luc Bansard, one can notice how cultural identity is reflected in the Ancient writings, which are also multiplied on the stages of the World in minimalist of theatrical (re)interpretations. The performance of one that becomes multiple and, eventually, restrains itself, closely looked at, becomes fascinating.


Author(s):  
Vered Vinitzky-Seroussi ◽  
Chana Teeger

This chapter elaborates on prior work to outline the role of silence not only in forgetting but also in memory. It documents two forms of silence: overt silence and covert silence and discusses how each can be used to enhance either memory or forgetting. In its overt manifestations, silence is characterized by a complete absence of speech. Such silence can foster forgetting by obliterating any mention of particular events or people. Overt silences, however, can also foster memory by demarcating a sacred space for quiet contemplation. Covert silences, on the other hand, inhere in—and are often veiled by—much mnemonic talk. These silences are found in commemorative activities where agents of memory want to recollect the past while minimizing its potentially conflictual elements. They can also be used by agents of forgetting who wish to erase the past while presenting the appearance of commemorating it. The chapter concludes by discussing the various ways in which each of these forms of silence can be broken. In outlining these processes, it highlights the central role played by silence in both collective memory and forgetting.


2019 ◽  
Vol 27 (2) ◽  
pp. 162
Author(s):  
Rohmansyah Rohmansyah

This article aims to explain the understanding of K.H. Sholeh Darat in the Majmū'ah al-Syarī'ah al-Kaifiyah lil Awwām book by looking at the social context that occurred in the past when the hadith was delivered. This paper uses a descriptive-analytical method with a sociological-historical approach and syarh hadith. The findings show that K.H. Sholeh Darat is an ulama from Java who was present in the midst of a society is closely related with the traditions of a plural society both santri, priyai and abangan. He tends to understand the hadith textually under certain conditions, but on the other hand it tends to be contextual depending on the situation and environmental conditions he experiences or ṣāliḥun li kulli zamānin wa makānin. Besides, it is undeniable that the understanding is less from the methodology of hadith understanding that was initiated by contemporary hadith experts such as textual understanding of tasyabbuh hadith and hadith of pilgrimage to the Prophet's tomb. However, he understands the hadith about intercession contextually


2020 ◽  
Vol 64 (1) ◽  
pp. 61-82
Author(s):  
Dorota Rancew-Sikora

The research material included about 300 episodes from 30 published sources. A targeted selection was made according to a combination of three criteria: a diversity of social positions among the authors, the biographies of the authors, and the detail of description. An analysis of the material was conducted in order to contribute to a better understanding of the social significance of hospitality. Theoretical assumptions about hospitality in conditions of stability and social crisis were advanced. The analysis showed that in times of relative stability, hospitality was biographically important when it allowed a person to transition between positions in the social structure (usually between close levels) and involved some form of promotion. On the other hand, in conditions of intensified change and crises, the order was disturbed: on the one hand, visits to the homes of persons occupying more distant positions in the hierarchy (both up and down the social ladder) became more common, but on the other hand, there could be a challenge to or rejection of traditional requirements of hospitality. The first situation occurs especially at the beginning of a crisis, and with the depletion of resources, the increase in the number of negative experiences, and socialization to a long-term threat, a survival strategy begins to take shape in which only the closest circles prevail. Such findings suggest that a more cautious look should be taken at both the theoretical concepts in which hospitality is considered a useful social invention especially in times of increased need and at the Polish self-stereotype as a nation with a culture based on hospitality, invariable generosity, and an inclination to selflessness.


Stylistyka ◽  
2020 ◽  
Vol 29 ◽  
pp. 79-92
Author(s):  
Marta Wójcicka

The memory genre as a model of text serves to memorize (shape) and remember (pass on) images of the past, which reproduces the picture of the past. The article is an attempt at providing typology of religious memory genres. In the first part of the article, the concept of the memory genre is presented and an attempt is made at typology of religious memory genres, making use of the conceptions of Jan Assmann who distinguished communicative and cultural kinds within collective memory. According to the author, the religious genres of cultural memory include the liturgical prayer and the fixed prayer. On the other hand, instances of the religious genres of communicative memory are the universal prayer and parish announcements. Beside these two types, the author indicates also religious genres of inter-cultural memory, which constitute a connection of different types of memory: communicative and cultural or cultural and individual. Examples of this genre are the examination of conscience and a pastoral letter. Certain genres (e.g. the liturgical prayer) are stored in collective memory in full and should be tied to, primarily, remembering – one of the four phases of memory. Then they make genres of cultural memory. Others are connected with recalling (examination of conscience, a pastoral letter, parish announcement) and are genres of communicative or inter-cultural memory.


This chapter explores the construction of the Terror as a difficult past after 9 Thermidor. It addresses a curious tension in the sources. On the one hand, there were recurring proclamations that the Terror was over, that the violence of Year II was a thing of the past. On the other hand, there was an awareness that this past could not be laid to rest so easily, that the traces of revolutionary violence were everywhere, in the landscape and in the minds of people. The chapter relates this tension in the sources to changes in the way Europeans processed and responded to catastrophic events and to the new relationship between violence and the social order, which was inaugurated by the French Revolution. Special attention is devoted to Louis-Marie Prudhomme’s history of revolutionary violence, published in 1796.


2010 ◽  
Vol 51 (1-2) ◽  
pp. 215-224
Author(s):  
Alexander Carpenter

This paper explores Arnold Schoenberg’s curious ambivalence towards Haydn. Schoenberg recognized Haydn as an important figure in the German serious music tradition, but never closely examined or clearly articulated Haydn’s influence and import on his own musical style and ethos, as he did with many other major composers. This paper argues that Schoenberg failed to explicitly recognize Haydn as a major influence because he saw Haydn as he saw himself, namely as a somewhat ungainly, paradoxical figure, with one foot in the past and one in the future. In his voluminous writings on music, Haydn is mentioned by Schoenberg far less frequently than Bach, Mozart, or Beethoven, and his music appears rarely as examples in Schoenberg’s theoretical texts. When Schoenberg does talk about Haydn’s music, he invokes — with tacit negativity — its accessibility, counterpoising it with more recondite music, such as Beethoven’s, or his own. On the other hand, Schoenberg also praises Haydn for his complex, irregular phrasing and harmonic exploration. Haydn thus appears in Schoenberg’s writings as a figure invested with ambivalence: a key member of the First Viennese triumvirate, but at the same time he is curiously phantasmal, and is accorded a peripheral place in Schoenberg’s version of the canon and his own musical genealogy.


2018 ◽  
Vol 47 (2) ◽  
Author(s):  
Kempe Ronald Hope

Countries with positive per capita real growth are characterised by positive national savings—including government savings, increases in government investment, and strong increases in private savings and investment. On the other hand, countries with negative per capita real growth tend to be characterised by declines in savings and investment. During the past several decades, Kenya’s emerging economy has undergone many changes and economic performance has been epitomised by periods of stability, decline, or unevenness. This article discusses and analyses the record of economic performance and public finance in Kenya during the period 1960‒2010, as well as policies and other factors that have influenced that record in this emerging economy. 


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