scholarly journals Consuming figures: a comparative study of visual conventions in fashion, advertising, and pornography

2021 ◽  
Author(s):  
Jennifer L. Johnson

This thesis is concerned with the complex relations between consumerism, visual representations, and sex evident in the comparison of pornography and mainstream fashion advertising. Vogue, Cosmopolitan, and Playboy are the primary materials used to identify representational tactics unique to, and common between, pornography and fashion magazines. Multiple methods are used to analyze and engage with the visual conventions found in examples of each genre's source materials. Claims of diffusion between the genres are assessed through quantitative content analysis, which is in turn examined through semiotics, and ultimately interpreted through artistic practice. This is in order to gain general insight into how desire and meaning are transmitted through the photographic imagery popularized by each genre. The purpose of this study is to illuminate how sexualized images are reproduced and manipulated to stimulate, satiate, and direct desire for divergent commercial purposes.

2021 ◽  
Author(s):  
Jennifer L. Johnson

This thesis is concerned with the complex relations between consumerism, visual representations, and sex evident in the comparison of pornography and mainstream fashion advertising. Vogue, Cosmopolitan, and Playboy are the primary materials used to identify representational tactics unique to, and common between, pornography and fashion magazines. Multiple methods are used to analyze and engage with the visual conventions found in examples of each genre's source materials. Claims of diffusion between the genres are assessed through quantitative content analysis, which is in turn examined through semiotics, and ultimately interpreted through artistic practice. This is in order to gain general insight into how desire and meaning are transmitted through the photographic imagery popularized by each genre. The purpose of this study is to illuminate how sexualized images are reproduced and manipulated to stimulate, satiate, and direct desire for divergent commercial purposes.


2016 ◽  
Vol 45 (1) ◽  
pp. 59-85 ◽  
Author(s):  
Marko Dragojevic ◽  
Dana Mastro ◽  
Howard Giles ◽  
Alexander Sink

AbstractAccent is a potent cue to social categorization and stereotyping. An important agent of accent-based stereotype socialization is the media. The present study is the first quantitative content analysis to comprehensively examine accent portrayals on American primetime television. We focused our analysis on portrayals of Standard American (SA), Nonstandard American (NSA), Foreign-Anglo (FA), and Foreign-Other (FO) accents. Results provide clear evidence that American media's portrayals of different accents are biased, reflecting pervasive societal stereotypes. Whereas SA and FA speakers are over-represented on television, NSA and FO speakers are effectively silenced, by virtue of their sheer absence and gross under-representation. Moreover, when NSA and FO speakers do rarely appear on television, they tend to be portrayed less favorably on status-related traits and physical appearance than SA and FA speakers. These findings provide insight into the potential influence of media consumption on consumers’ social perceptions of different linguistic groups. (Accents, media, language attitudes, stereotypes, content analysis)*


Author(s):  
Stephen Monteiro

Cinema plays a major role in contemporary art, yet the deeper influence of its diverse historical forms on artistic practice has received little attention. Working from a media and cultural studies perspective, Screen Presence explores the intersections of film, popular media, and art since the 1950s through the examples of four pivotal figures – Andy Warhol, Robert Rauschenberg, Mona Hatoum and Douglas Gordon. While their film-related works may appear primarily as challenges to conventional cinema, these artists draw on overlooked forms of popular film culture that have been commonplace, and even dominant, in specific social contexts. Through analysis of a range of examples and source materials, Stephen Monteiro demonstrates the dependence of contemporary artists on cinema’s shifting applications and interpretations, offering a fresh understanding of the enduring impact of everyday media on how we make and view art.


2021 ◽  
pp. 004728162110078
Author(s):  
Shanna Cameron ◽  
Alexandra Russell ◽  
Luke Brake ◽  
Katherine Fredlund ◽  
Angela Morris

This article engages with recent discussions in the field of technical communication that call for climate change research that moves beyond the believer/denier dichotomy. For this study, our research team coded 900 tweets about climate change and global warming for different emotions in order to understand how Twitter users rely on affect rhetorically. Our findings use quantitative content analysis to challenge current assumptions about writing and affect on social media, and our results indicate a number of arenas for future research on affect, global warming, and rhetoric.


2021 ◽  
Vol 13 (5) ◽  
pp. 2646
Author(s):  
Saeid Abbasian

The following study is the first Swedish study on Halal tourism in Sweden. The purpose of this exploratory research is to get insight into the perception of Halal tourism in Sweden among representatives of tourism stakeholders. The overall methodology approach in this research is qualitative, consisting of 25 qualitative questionnaires, 21 short letters, four follow-up interviews, and a web observation, and content analysis was employed. The results indicate that there is a low knowledge of Halal tourism in Sweden including Swedish tourism industry. The concept is very challenging, and profits are low. It might result in problem scenarios such as detrimental effects on non-Halal tourism, cultural difficulties and increased risk of xenophobia, anti-Islamism, and tension in the society. There is low interest for Sweden among Muslim tourists as the interest and priority for Halal tourism is rather low from Swedish tourism industry. Despite Halal tourism’s importance internationally, these representatives are rather cautious and doubtful about promotion of Sweden towards this niche. Still, a majority seems to be positive to a lighter version of Muslim-friendly tourism with secular/moderate Muslims as a target group.


2020 ◽  
Vol 45 (s1) ◽  
pp. 765-787
Author(s):  
Alfonso Corral ◽  
Leen d’Haenens

AbstractThe aim of this article is to analyze how the Spanish newspapers covered an international event such as the Egyptian spring from 2011 to 2013. From the perspective of the representation of Arab-Islamic issues, this study carries out a quantitative content analysis on the four reference newspapers in Spain (ABC, El Mundo, El País, and La Vanguardia) to find out whether there was an Islamophobic or Islamophilic treatment during the Egyptian revolution. The results of the 3,045 articles analyzed show that Spanish newspapers were remarkably interested in Egyptian events and that cultural discourses were not relevant in the coverage. However, it is necessary to specify these outcomes by newspaper, because each paper proposed its own take on the matter based on information provided by press agencies.


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