scholarly journals Language Discourse in James Joyce’s Short Stories The Grace and The Araby: A Cultural Studies

2020 ◽  
Vol 3 (1) ◽  
pp. 411-420
Author(s):  
Safoura Eskandari
Keyword(s):  
Short Stories ◽  
Cultural Studies ◽  
James Joyce ◽  
Cultural Practices ◽  
Literary Texts ◽  
Personal Lives ◽  
Inner World ◽  
Raymond Williams ◽  
Constructing Meaning ◽  
The City

This study aims to investigate how the notion of language as cultural practices which construct social and cultural products function in James Joyce selected short stories, The Grace and The Araby within the framework of cultural materialism. Language is major concern of cultural studies and language is as the symbol of power. Language in literary texts plays a major role in constructing meaning and reflecting the author`s intention. James Joyce could be placed among the most dominant cultural authors whose concern is the material life, social class, social identity and cultural crisis. As an outstanding author, Joyce is well known for his typical depiction, musical decoration as well as his sticking to proper cultural and social materials and issues such as religious matters. His selected short stories of Dubliners, revolve around the lifestyle of the Irish middle-class in Dublin around the late 1800s and early 1900s. James Joyce is not so much a writer as he is a painter of words. His works appear simplistic at first glance, but under analysis they reveal the inner world of a character and the reality of the common man through symbols, metaphors, and sensory analysis. Dublin is the city of silence which threads its way through the lives of the Dubliners, for this reason Joyce‘s characters are presented in a silent state. Such silence denotes the sterility of communication and the absence of the art of conversation. Most of Dubliners characters are portrayed as having the ability of verbal activity and they can speak, yet in most cases this ability fails them and they become tongue-tied .The only way which is left for them is speak in a whispering voice. In the modern age, life has completely changed and the city has become a modernized one. This latter is the epitome of such change that has a great effect upon the modern life, bringing with it the trauma and frustration of modern failure. Joyce’s attempts to harness the effects of language and, increasingly with time, languages, may arguably be selected as the feature of his writing which mostly conditioned its technical transformations. Language is only one of those practices implicated in the symptoms of the crisis of late capitalist society. Faced with the ideological mystification of personal lives, Raymond Williams stressed the imperative of establishing connections by emphasizing the role of means of communication, he speaks of "productive communication in shaping community.

scholarly journals The Role of social Identity in James Joyce`s Dubliners within the Light of Cultural Materialism

2019 ◽  
Vol 2 (2) ◽  
pp. 89-99
Author(s):  
Mojgan Gaeini ◽  
Fatemeh Sadat Basirizadeh ◽  
Mahnaz Soqandi MA
Keyword(s):  
Social Class ◽  
Social Identity ◽  
James Joyce ◽  
Short Story ◽  
Cultural Practices ◽  
Dominant Factor ◽  
Cultural Issues ◽  
Cultural Materialism ◽  
Material Life ◽  
Raymond Williams

Language, Social identity and Religion are three major concerns of cultural studies. Language in literary texts plays a major role in constructing meaning and reflecting the author`s intention. Likewise religion as a cultural politics is a dominant factor in shaping mind as well in affecting the framework of literary text. Religion is one of the emerging issues in the modern era and forms the backbone of most literary works. Religion as a theme is seen to influence the operation of those who believe in it. It forms the functional framework that predetermines ones actions and behavior. Furthermore, social identity decides on the status of the social class and their material life situation.  Social identity relates to how we identify ourselves in relation to others according to what we have in common. All these issues are interrelated since they all cooperate and construct a social and cultural materiality. James Joyce could be placed among the most dominant cultural authors whose concern is the material life, social class, social identity and cultural crisis. As an outstanding author, Joyce is well known for his typical depiction, musical decoration as well as his sticking to proper cultural and social materials and issues such as religious matters. His major short story collection, Dubliners, revolves around the lifestyle of the Irish middle-class in Dublin around the late 1800s and early 1900s. This collection is decorated with violated norms and ritualistic behavior that are part of social constructs. Addressing social, religious and cultural issues, cultural materialists believe that “literature can serve as an agent of change”, since a culture`s hegemony is unstable. Raymond Williams views culture as a “productive process” that is, part of the means of production, and cultural materialism often identifies what he called “residual”, “emergent” and “oppositional” cultural elements. Seemingly, James Joyce`s Dubliners pertains to the notion of language, social identity and religion as cultural practices within the framework of cultural materialism. This study aims to clarify how James Joyce`s Dubliners reflects the notions of language, social identity and religion as cultural practices and how they construct social and cultural products within the framework of cultural materialism to show how James Joyce criticizes Irish culture at the beginning of the Twentieth century.

scholarly journals The Role of Language and its Analysis in James Joyce`s Dubliners within the Light of Cultural Materialism

2019 ◽  
Vol 2 (2) ◽  
pp. 16-26
Author(s):  
Mojgan Gaeini ◽  
Mahnaz Soqandi ◽  
Fatemeh Sadat Basirizadeh
Keyword(s):  
Social Class ◽  
Social Identity ◽  
James Joyce ◽  
Short Story ◽  
Cultural Practices ◽  
Dominant Factor ◽  
Cultural Issues ◽  
Cultural Materialism ◽  
Material Life ◽  
Raymond Williams

Language, Social identity and Religion are three major concerns of cultural studies. Language in literary texts plays a major role in constructing meaning and reflecting the author`s intention. Likewise religion as a cultural politics is a dominant factor in shaping mind as well in affecting the framework of literary text. Religion is one of the emerging issues in the modern era and forms the backbone of most literary works. Religion as a theme is seen to influence the operation of those who believe in it. It forms the functional framework that predetermines ones actions and behavior. Furthermore, social identity decides on the status of the social class and their material life situation.  Social identity relates to how we identify ourselves in relation to others according to what we have in common. All these issues are interrelated since they all cooperate and construct a social and cultural materiality. James Joyce could be placed among the most dominant cultural authors whose concern is the material life, social class, social identity and cultural crisis. As an outstanding author, Joyce is well known for his typical depiction, musical decoration as well as his sticking to proper cultural and social materials and issues such as religious matters. His major short story collection, Dubliners, revolves around the lifestyle of the Irish middle-class in Dublin around the late 1800s and early 1900s. This collection is decorated with violated norms and ritualistic behavior that are part of social constructs. Addressing social, religious and cultural issues, cultural materialists believe that “literature can serve as an agent of change”, since a culture`s hegemony is unstable. Raymond Williams views culture as a “productive process” that is, part of the means of production, and cultural materialism often identifies what he called “residual”, “emergent” and “oppositional” cultural elements. Seemingly, James Joyce`s Dubliners pertains to the notion of language, social identity and religion as cultural practices within the framework of cultural materialism. This study aims to clarify how James Joyce`s Dubliners reflects the notions of language, social identity and religion as cultural practices and how they construct social and cultural products within the framework of cultural materialism to show how James Joyce criticizes Irish culture at the beginning of the Twentieth century.

The Role of Social Identity in James Joyce’s Dubliners Within the Light of Cultural Materialism

2019 ◽  
Vol 1 (1) ◽  
pp. p1
Author(s):  
Mojgan Gaeini ◽  
Fatemeh Sadat Basirizadeh ◽  
Mahnaz Soqandi
Keyword(s):  
Social Class ◽  
Social Identity ◽  
James Joyce ◽  
Short Story ◽  
Cultural Practices ◽  
Dominant Factor ◽  
Cultural Issues ◽  
Cultural Materialism ◽  
Material Life ◽  
Raymond Williams

Language, Social identity and Religion are three major concerns of cultural studies. Language in literary texts plays a major role in constructing meaning and reflecting the author,s intention. Likewise religion as a cultural politics is a dominant factor in shaping mind as well in affecting the framework of literary text. Religion is one of the emerging issues in the modern era and forms the backbone of most literary works. Religion as a theme is seen to influence the operation of those who believe in it. It forms the functional framework that predetermines ones actions and behavior. Furthermore, social identity decides on the status of the social class and their material life situation. Social identity relates to how we identify ourselves in relation to others according to what we have in common. All these issues are interrelated since they all cooperate and construct a social and cultural materiality. James Joyce could be placed among the most dominant cultural authors whose concern is the material life, social class, social identity and cultural crisis. As an outstanding author, Joyce is well known for his typical depiction, musical decoration as well as his sticking to proper cultural and social materials and issues such as religious matters. His major short story collection, Dubliners, revolves around the lifestyle of the Irish middle-class in Dublin around the late 1800s and early 1900s. This collection is decorated with violated norms and ritualistic behavior that are part of social constructs. Addressing social, religious and cultural issues, cultural materialists believe that “literature can serve as an agent of change”, since a culture’s hegemony is unstable. Raymond Williams views culture as a “productive process” that is, part of the means of production, and cultural materialism often identifies what he called “residual”, “emergent” and “oppositional” cultural elements. Seemingly, James Joyce’s Dubliners pertains to the notion of language, social identity and religion as cultural practices within the framework of cultural materialism. This study aims to clarify how James Joyce’s Dubliners reflects the notions of language, social identity and religion as cultural practices and how they construct social and cultural products within the framework of cultural materialism to show how James Joyce criticizes Irish culture at the beginning of the Twentieth century.

Joyce, James (1882–1941)

2018 ◽  
Author(s):  
Katherine Ebury
Keyword(s):  
Short Stories ◽  
James Joyce ◽  
Major Event ◽  
Finnegans Wake ◽  
Real People ◽  
The World ◽  
The City

James Joyce (1882–1941) was an Irish modernist author famous for his experimentalism and for writing about Dublin. All of his major works – from the short stories of Dubliners (1914), through the ironic bildungsroman A Portrait of the Artist as a Young Man (1916) and the encyclopaedic Ulysses (1922), to the linguistic play of Finnegans Wake (1939) – are set in and around Dublin, filled with real people and incidents from Joyce’s life in that city. This does not mean that Joyce’s relationship with Dublin is uncomplicated – he lived in self-imposed exile in Europe for most of his life and early in his career identified the city as a ‘centre of paralysis’. Further, although Joyce’s books were not formally banned in Ireland, his work was widely disapproved of and neglected. The Bloomsday celebration, which re-enacts events from Ulysses, is a fairly recent phenomenon, pioneered in 1954, and only becoming a major event decades later. Joyce explained his use of Dublin to his friend as, crucially, a question of technique, by saying that ‘If I can get to the heart of Dublin I can get to the heart of all the cities of the world’.

Surviving The Jungle Book: Trans-temporal Ventriloquism in Ian Iqbal Rashid's Surviving Sabu

2018 ◽  
Vol 15 (4) ◽  
pp. 532-552 ◽  
Author(s):  
Ana Cristina Mendes
Keyword(s):  
Short Stories ◽  
Cultural Studies ◽  
First Century ◽  
Short Film ◽  
Source Text ◽  
Temporal Ventriloquism ◽  
The Past ◽  
Film Maker ◽  
Global Power ◽  
Political Intervention

The process of screen adaptation is an act of ventriloquism insofar as it gives voice to contemporary anxieties and desires through its trans-temporal use of a source text. Screen adaptations that propose to negotiate meanings about the past, particularly a conflicted past, are acts of ‘trans-temporal ventriloquism’: they adapt and reinscribe pre-existing source texts to animate contemporary concerns and anxieties. I focus on the acts of trans-temporal ventriloquism in Ian Iqbal Rashid's Surviving Sabu (1998), a postcolonial, turn-of-the-twenty-first century short film that adapts Zoltan and Alexander Korda's film The Jungle Book (1942), itself an adaptation of Rudyard Kipling's collection of short stories by the same name. Surviving Sabu is about the survival and appropriation of orientalist films as a means of self-expression in a postcolonial present. Inherent in this is the idea of cinema as a potentially redemptive force that can help to balance global power inequalities. Surviving Sabu's return to The Jungle Book becomes a means both of tracing the genealogy of specific orientalist discourses and for ventriloquising contemporary concerns. This article demonstrates how trans-temporal ventriloquism becomes a strategy of political intervention that enables the film-maker to take ownership over existing media and narratives. My argument examines Surviving Sabu as an exemplar of cultural studies of the 1980s and 1990s: a postcolonial remediation built on fantasy and desire, used as a strategy of writing within rather than back to empire.

Landscape and Ecology

2020 ◽  
pp. 342-368
Author(s):  
Daniel M. Grimley
Keyword(s):  
Nineteenth Century ◽  
Economic Development ◽  
Cultural Transformation ◽  
Colonial Era ◽  
Musical Thought ◽  
The Social ◽  
Representational Practice ◽  
Raymond Williams ◽  
The City ◽  
Privileged Site

Images of landscape lie at the heart of nineteenth-century musical thought. From frozen winter fields, mountain echoes, distant horn calls, and the sound of the wind moving among the pines, landscape was a vivid representational practice, a creative resource, and a privileged site for immersion, gothic horror, and the Romantic sublime. As Raymond Williams observed, however, the nineteenth century also witnessed an unforeseen transformation of artistic responses to landscape, which paralleled the social and cultural transformation of the country and the city under processes of intense industrialization and economic development. This chapter attends to several musical landscapes, from the Beethovenian “Pastoral” to Delius’s colonial-era evocation of an exoticized American idyll, as a means of mapping nineteenth-century music’s obsession with the idea of landscape and place. Distance recurs repeatedly as a form of subjective presence and through paradoxical connections with proximity and intimacy.

Linguostilistic analysis of the short story by Leonid Andreev "Petka at the Dacha" (to the 150th anniversary of the birth)

2021 ◽  
Vol 82 (4) ◽  
pp. 31-44
Author(s):  
M. R. Shumarina
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Narrative Structure ◽  
150Th Anniversary ◽  
Time Space ◽  
Language Representation ◽  
Inner World ◽  
Plot Structure

The paper attempts to perform philological commenting on one of the most well-known Leonid Andreev’s short stories "Petka at the Dacha". Linguostylistic analysis enabled the author to discuss the specific features of the images of time, space and the characters in their language representation. The system of the conceptual oppositions "non-childhood – childhood", "dirty – clean", "gloomy – light", "dead – alive", "slow – fast", "ignorance – awareness", "existence – life" is the centrepiece of the inner text composition. The description of the boy’s behaviour, his relationships with those around him and the changes in his inner world creates the basic opposition of the two spheres in the protagonist’s life – "childhood" versus "non-childhood". Shifting viewpoints, subjectivation of the author’s speech and the use of imperfect predicates are important for the narrative structure organisation. Studying the key images of the work and comparing the elements which comprise its circular plot structure (the introduction and ending) allow the author to conclude that the ending strikes an optimistic note and generates a life-asserting pathos.

scholarly journals The Spaces of Nostalgia(s) and the Politics of Belonging in Contemporary Chernivtsi, Western Ukraine

2018 ◽  
Vol 33 (1) ◽  
pp. 218-237 ◽  
Author(s):  
Karolina Koziura
Keyword(s):  
Cultural Practices ◽  
Second World War ◽  
City Center ◽  
Symbolic Resources ◽  
The Social ◽  
Western Ukraine ◽  
The City ◽  
Second World

This article is part of the special cluster titled Bukovina and Bukovinians after the Second World War: (Re)shaping and (re)thinking a region after genocide and ‘ethnic unmixing’, guest edited by Gaëlle Fisher and Maren Röger. This article explores ways in which Habsburg nostalgia has become an important factor in contemporary place-making strategies in the city of Chernivtsi, Western Ukraine. Through the analysis of diasporic homecomings, city center revitalization, and nationalist rhetoric surrounding the politics of monuments, I explore hybrid and diverse ways in which Habsburg nostalgia operates in a given setting. Rather than a static and homogenous form of place attachment, in Chernivtsi different cultural practices associated with Habsburg nostalgia coexist with each other and depending on the political context as well as the social position of the “nostalgic agents” manifest themselves differently. Drawing from my long-term ethnographic fieldwork, I argue that in order to fully understand individuals’ attachment to space, it is necessary to grasp both the subtle emotional ways in which the city is experienced by individuals as well as problematize the role of the built environment in the visualization of collective memory and emotions of particular groups. The focus on changing manifestations of the Habsburg nostalgia can bring then a better understanding of the range and scope of the city’s symbolic resources that might be mobilized for various purposes.

scholarly journals Countryside within the City: A Motivating Vision behind Civic Green Area Stewardship in Warsaw, Poland

2020 ◽  
Vol 12 (6) ◽  
pp. 2313 ◽  
Author(s):  
Joanna Sanecka ◽  
Stephan Barthel ◽  
Johan Colding
Keyword(s):  
Sense Of Community ◽  
Shared Vision ◽  
Theory Approach ◽  
Motivating Factors ◽  
Global Sustainability ◽  
Green Area ◽  
Direct Benefits ◽  
Inner World ◽  
The City ◽  
Grounded Theory Approach

In the midst of the epoch of the Urban Anthropocene, citizen engagement is an important step on the path of creating local and global sustainability. However, the factors that motivate civic urban dwellers to become voluntary stewards of nature environments inside cities need research. This is an empirical study based on deep interviews and a grounded theory approach focused on the “inner world” of people in Warsaw, Poland, that engage in green area stewardship. Our approach reveals a commonly shared vision as the prime motivator powering agency in green area stewardship. This vision was articulated as creating a countryside within the city characterized by a stronger sense of community, a shared sense of place and an enhanced connection with nature. While other studies have found inner values or direct benefits as motivating factors for engaging in urban stewardship, we instead found a green vision for re-designing what the “urban” could be like as the prime motivator for transformation—a vision with potential global sustainability implications.

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