Folklorist Elmar Daniel Päss (1901–1970) was one of the first researchers who was educated in folklore at the University of Tartu: the Chair of Folklore started work in the autumn of 1919, and Elmar Päss entered university in the autumn of 1922. Already as a student, he attracted the attention of folklore professor Walter Anderson with his study about drinking in Estonian proverbs and folk songs, submitted for a students’ competition in 1924. There was no unified folklore archive in Tartu at the time (it was established in 1927). The study by Päss testified to his diligence (he examined collections of Estonian folklore both in Tartu and in Helsinki) as well as his ability to systematise and analyse voluminous material. He elaborated this study and defended it as his master’s degree in 1926. After a year in military service, he started work as a folklore assistant at the University of Tartu. In 1933 he became a scientific grantee, to work on a dissertation about Estonian and Ingrian Martinmas songs. Although the first version of the manuscript was completed in 1935, he did not defend the thesis. On the one hand, new material on Martinmas customs was constantly piling up, on the other hand, the defence seemed to be postponed due to economic difficulties. The establishment of the Soviet rule in 1940 and the following war further distanced Päss from research work. In 1947 the Institute of Estonian Language and Literature was founded at the Academy of Sciences, and for three years he worked there as a folklore researcher. However, his main occupation was a schoolteacher. So his most fertile scientific career remained in the 1920s–1930s. Three different intertwining directions can be distinguished in Päss’ scientific work: a comparative study of songs, customs related to calendar, wedding, and work, and the lore of border regions. Against the more general background of folkloristics, Päss’ research approaches are up to date: on the one hand, comparative and international research prevailing in the first decades of the century, on the other hand, considering the syncretic and functionalist viewpoint of lore that emerged in the late 1920s and in the 1930s. His studies of the customs and songs of Shrovetide and Martinmas could be part of classical Estonian folkloristics.
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