Approaches to Dance (2): Influences

2011 ◽  
Vol 29 (2) ◽  
pp. 246-250 ◽  
Author(s):  
Marion Kant
Keyword(s):  
The Political ◽  
Dance Studies ◽  
Historical Approach ◽  
Comic Opera ◽  
Artistic Activity ◽  
Humboldt University ◽  
East German ◽  
And Performance ◽  
Weimar Culture ◽  
Intellectual Formation

This statement is an attempt to reflect on my intellectual formation and how certain influences, both from home (a place suspended between Germany with the remnants of its Weimar culture and Britain as the place of exile) and from subsequent experiences, led me to adopt an historical approach to dance studies and to emphasise the context in which artistic activity unfolds. My education at Berlin's Humboldt University and the Comic Opera shaped my perspectives on theatre and performance. The East German milieu in general forced me to confront the immediate past and think about the political and ideological legacies of the cultures in which I grew up.

Form as Weapon: the Political Function of Song in Urban Zimbabwean Theatre

2000 ◽  
Vol 16 (2) ◽  
pp. 148-154
Author(s):  
Martin Rohmer
Keyword(s):  
San Francisco ◽  
The Political ◽  
Political Protest ◽  
Colonial Rule ◽  
Cultural Management ◽  
Political Function ◽  
Humboldt University ◽  
Forced Labour ◽  
And Performance ◽  
The University

In Zimbabwean society, what may not be spoken sometimes becomes acceptable in song – whether to avoid social taboos and enable a wife to complain against her mother-in-law, or in broadening the boundaries of political protest. In this article, Martin Rohmer looks back to the ways in which song enabled forms of protest against forced labour and other aspects of colonial rule – in times of outward compliance as well as of direct struggle – and considers how urban theatre groups in independent Zimbabwe have adapted the tradition to their own, contemporary ends. Martin Rohmer spent almost two years studying Zimbabwean theatre when a research assistant at the University of Bayreuth, and completed his doctorate on Theatre and Performance in Zimbabwe at the Humboldt University, Berlin, in 1997. Since then he has been working in the field of cultural management for the Young Artists' Festival in Bayreuth. The present paper was first presented at the Annual Meeting of the African Studies Association in San Francisco in November 1996.

Dance, Politics & Co-Immunity

2015 ◽  
Vol 47 (3) ◽  
pp. 106-109 ◽  
Author(s):  
Jens Richard Giersdorf
Keyword(s):  
Cultural Studies ◽  
Judith Butler ◽  
The Political ◽  
Dance Studies ◽  
Community Dance ◽  
Theatre Studies ◽  
And Performance ◽  
The Aesthetic ◽  
Relationship Of ◽  
The Relationship

Dance, Politics & Co-Immunity developed out of a symposium organized by the Master in Choreography and Performance at the Justus-Liebig-University Giessen, Germany, which was held with a joint symposium Thinking—Resisting—Reading the Political organized by the Graduate Center for the Study of Culture at the same university in 2010. Whereas the cultural studies symposium asked, “What specific perspectives and methodological consequences arise for the study of culture that are informed by recent deliberations on the relationship of the political and the aesthetic?” (2010), the dance symposium invited participants and contributors to the anthology “to think about the multiple connections between politics, community, dance, and globalization from the perspective of Dance and Theatre Studies, History, Philosophy, and Sociology” (13). As indicated by the title of the cultural studies symposium and some of the key speakers, including Jacques Rancière, Chantal Mouffe, and Judith Butler, the term political is not used as broadly as it might be used in U.S.-based dance studies discourse. Rather, the political is predominantly investigated by both symposia for its resistive potential and from a liberal or post-Marxist stance.

New German Dance Studies

2012 ◽  
Keyword(s):  
Eighteenth Century ◽  
Visual Culture ◽  
German Democratic Republic ◽  
Democratic Republic ◽  
Dance Studies ◽  
Global Circulation ◽  
History Of ◽  
And Performance ◽  
Weimar Culture

This book offers fresh histories and theoretical inquiries that resonate across fields of the humanities. Sixteen chapters range from eighteenth-century theater dance to popular contemporary dances in global circulation. In a trans-Atlantic dialogue that demonstrates the complexity and multilayered history of German dance, American and European scholars and artists elaborate on definitive performers and choreography, focusing on three major thematic areas: Weimar culture and its afterlife, the German Democratic Republic, and recent conceptual trends in theater dance. The book aims to offer fresh histories and theoretical inquiries that will resonate not only for scholars working in the field of dance, but also for scholars working on literature, film, visual culture, theater, and performance. It details the intellectual and artistic trends over the last thirty years that have shaped the scholarship featured in New German Dance Studies.

scholarly journals Evaluating the Role of Government Collaboration in the Perceived Performance of Community-Based Nonprofits: Three Propositions

2020 ◽  
Author(s):  
José Nederhand
Keyword(s):  
The Political ◽  
Network Ties ◽  
Community Based ◽  
Role Of Government ◽  
Perceived Performance ◽  
Political Network ◽  
And Performance ◽  
Nonprofit Collaboration ◽  
The Relationship

Abstract The topic of government-nonprofit collaboration continues to be much-discussed in the literature. However, there has been little consensus on whether and how collaborating with government is beneficial for the performance of community-based nonprofits. This article examines three dominant theoretical interpretations of the relationship between collaboration and performance: collaboration is necessary for the performance of nonprofits; the absence of collaboration is necessary for the performance of nonprofits; and the effect of collaboration is contingent on the nonprofits’ bridging and bonding network ties. Building on the ideas of governance, nonprofit, and social capital in their respective literature, this article uses set-theoretic methods (fsQCA) to conceptualize and test their relationship. Results show the pivotal role of the nonprofit’s network ties in mitigating the effects of either collaborating or abstaining from collaborating with government. Particularly, the political network ties of nonprofits are crucial to explaining the relationship between collaboration and performance. The evidence demonstrates the value of studying collaboration processes in context.

The (W)hole in the Archive

Paragraph ◽  
2014 ◽  
Vol 37 (3) ◽  
pp. 387-402 ◽  
Author(s):  
Annie Ring
Keyword(s):  
The Political ◽  
Secret Police ◽  
East German ◽  
Stark Contrast

This article turns its attention to the accounts that Foucault and Derrida made following their encounters with archives, and it relates these accounts to the files of the former East German secret police. Derrida and Foucault located differing qualities of authority in the archives that they consulted, yet they are shown here to converge around a problem of non-integrity in the structuration of the archive as supposed guarantor of epistemological sovereignty. A terminology of sovereign integrity dominates the Stasi's files, so that they sit in stark contrast with the literary and cinematic texts that grapple with the Stasi's legacy — texts that are beset with images of inconsistency and perforation. When read in dialogue with the poststructuralist accounts of the archive, these spy files and the cultural works that emerged after their opening enable new reflection on the ethics of visiting archives, as an act of doing justice that nonetheless risks collapsing the fragments of complex pasts into the narrative wholes of the political present.

scholarly journals Run Runet Runaway: The Transformation of the Russian Internet as a Cultural-Historical Object

2020 ◽  
pp. 277-296
Author(s):  
Gregory Asmolov ◽  
Polina Kolozaridi
Keyword(s):  
The Political ◽  
Technical Object ◽  
Historical Approach ◽  
History Of ◽  
The Media

AbstractThe history of Runet is not just a chronological account of the major events in the Russian Internet space. We take a historical approach in order to identify the boundaries of Runet as an object of investigation. This chapter offers a framework for the examination of Runet as a constantly changing socio-technical object. Due to the participatory nature of its continuous construction, Runet has been addressed as a “runaway object” (Engeström, 2008). In order to follow the development of this “runaway Runet,” we identify and follow five interrelated vectors: the technological vector, the cultural vector, the media vector, the user vector and the political vector. This allows us not only to describe the history of Runet but also to contribute to an understanding of what it is and whether there is an “end to Runet.”

scholarly journals Luck, Policy or Something Else Entirely? Vietnam's Economic Performance in 2009 and Prospects for 2010

2009 ◽  
Vol 28 (4) ◽  
pp. 71-94 ◽  
Author(s):  
Adam J. Fforde
Keyword(s):  
Economic Performance ◽  
Global Financial Crisis ◽  
Policy Implications ◽  
The Political ◽  
Middle Income ◽  
State Sector ◽  
Political Concern ◽  
Income Status ◽  
And Performance ◽  
The Global Financial Crisis

Vietnam's economic performance in 2009 is seen by the Vietnamese government and representatives of the Western donor communities as good, with the effects of the global financial crisis relatively mild. The paper notes a lack of contestation of these mainstream views and locates them within an assessment of major trends in 2009, and medium-term issues. Particular focus is placed upon the policy implications of rural development and the need for a strong rationalisation of the state sector. Remarks upon the political economy of change then permit comments upon interactions between economic performance and gathering social and political concern with the political challenges of transition to so-called ‘middle income’ status, which in many countries has posed novel and tricky problems of adjustment, often requiring major social and political adjustments that have not always been successful. The paper concludes by suggesting that, as in the past, Vietnam's style of change finds some things easy and others hard, and that this has its reflection in economic policy and performance.

Patronage and Performance: Factors in the Political Mobility of Provincial Leaders in Post-Deng China

2012 ◽  
Vol 212 ◽  
pp. 965-981 ◽  
Author(s):  
Eun Kyong Choi
Keyword(s):  
Economic Performance ◽  
Career Mobility ◽  
The Other ◽  
The Political ◽  
Performance Factors ◽  
Other Hand ◽  
And Performance ◽  
The Impact

AbstractThis paper attempts to estimate the impact of both factional ties and economic performance on the promotion of provincial Party secretaries and governors by analysing a person–year dataset of their career mobility for inclusive years 1989 to 2009. We found that for provincial Party secretaries whose promotion meant rising to a top national position, both factional ties and good economic performance increased their chance for promotion. On the other hand, for provincial governors whose promotion meant rising to a ministry-level position, only economic performance mattered for their promotion. Among provincial Party secretaries, the extent to which performance affected the likelihood of promotion was not different between factional members and non-members. This suggests that even factional members needed to show good performance to enhance the likelihood of their promotion.

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