No Going Back: Continuity and Change in Australian Documentary
This chapter discusses how, over the years, Australian filmmakers have responded to the public broadcaster's control over documentary funding, forms, production, and distribution patterns. It assess the evolution of the role of Australian television by focusing on a group of films dealing with asylum seekers, refugees, and immigration. Here, independence is not only understood in terms of production and distribution patterns, but also in terms of political stance and social commitment. The chapter examines two projects: one that sits at the commencement of official government filmmaking, and another, a television series emblematic of recent developments in Australian factual programming. Both of these projects, Mike and Stefani (1952) and Go Back to Where You Came From (2011) address Australian responses to asylum seekers and refugees.