Individual Sovereignty and Community: Wordsworth’s Prelude

Author(s):  
Zoe Beenstock

Wordsworth understood poetry as a development of political economy. The 1805 Prelude describes his personal growth as a transition from a state of nature to society. Echoing Rousseau’s Second Discourse and Social Contract, Wordsworth presents nature as a socializing force and initially assumes that the French Revolution realizes the general will. When the revolution degenerates into violence, Wordsworth also blames its failure on Rousseau’s theory for its weak account of community. In the final books of the 1805 Prelude Wordsworth qualifies his withdrawal to the private will and to poetic vocation by comparing himself to Adam Smith, David Hume, and Godwin, all of whom he regards as excessively individualistic. In his revisions to the 1850 Prelude and in The Excursion Wordsworth eclipses individual sovereignty and turns to utopian communitarianism. This resolution of the tension between private and general wills explains the lesser popularity of these poems for modern readers. Nonetheless, the 1805 and 1850 Preludes and The Excursion map out an epic concern with the struggle between individual and community as central to Wordsworth’s poetry.

2016 ◽  
Vol 10 (3) ◽  
Author(s):  
Øjvind Larsen

Piketty’s Capital in Twenty-First Century has posed a totally new platform for the discussion of the economy and capitalism. Piketty has reinvented the classical political economy founded by Adam Smith in his 1776 Wealth of Nations. Piketty has shown via massive historical research how growth and inequality have developed since 1793. Piketty’s conclusion is that the French Revolution did not change the existing inequality either in the medium or in the long term. Piketty’s prediction is that a new form of global capitalism will arise, patrimonial capitalism, in which inequality will develop further and the 1% of the World population will control 95% of all wealth in the World.


2021 ◽  
pp. 31-66
Author(s):  
Ryan Walter

This chapter establishes a new context for reading the political economy of Malthus and Ricardo. It is the extended debate over the role of theory and practice in politics and political reform, a contest that Edmund Burke launched by publishing his hostile response to the French Revolution, Reflections on the Revolution in France (1790). In attempting to defend theory, both Mackintosh and Stewart engaged in sophisticated rhetoric that attempted to portray Burke’s veneration of custom and usage as philosophically naïve at the same time as they insisted on the necessity of theory for a science of politics. It is in these defensive postures that both Mackintosh and Stewart came to articulate the idea of a ‘theorist’ of politics.


Author(s):  
R. R. Palmer

In 1792, the French Revolution became a thing in itself, an uncontrollable force that might eventually spend itself but which no one could direct or guide. The governments set up in Paris in the following years all faced the problem of holding together against forces more revolutionary than themselves. This chapter distinguishes two such forces for analytical purposes. There was a popular upheaval, an upsurge from below, sans-culottisme, which occurred only in France. Second, there was the “international” revolutionary agitation, which was not international in any strict sense, but only concurrent within the boundaries of various states as then organized. From the French point of view these were the “foreign” revolutionaries or sympathizers. The most radical of the “foreign” revolutionaries were seldom more than advanced political democrats. Repeatedly, however, from 1792 to 1799, these two forces tended to converge into one force in opposition to the French government of the moment.


Author(s):  
Ruth Scurr

Thomas Carlyle claimed that his history of the French Revolution was ‘a wild savage book, itself a kind of French Revolution …’. This chapter considers his stylistic approaches to creating the illusion of immediacy: his presentation of seemingly unmediated fact through the transformation of memoir and other kinds of historical record into a compelling dramatic narrative. Closely examining the ways in which he worked biographical anecdote into the fabric of his text raises questions about Carlyle’s wider historical purposes. Pressing the question of what it means to think through style, or to distinguish expressive emotive writing from abstract understanding, is an opportunity to reconsider Carlyle’s relation to his predecessors and contemporaries writing on the Revolution in English.


Author(s):  
Timothy Tackett

The book describes the life and the world of a small-time lawyer, Adrien-Joseph Colson, who lived in central Paris from the end of the Old Regime through the first eight years of the French Revolution. It is based on over a thousand letters written by Colson about twice a week to his best friend living in the French province of Berry. By means of this correspondence, and of a variety of other sources, the book examines what it was like for an “ordinary citizen” to live through extraordinary times, and how Colson, in his position as a “social and cultural intermediary,” can provide insight into the life of a whole neighborhood on the central Right Bank, both before and during the Revolution. It explores the day-to-day experience of the Revolution: not only the thrill, the joy, and the enthusiasm, but also the uncertainty, the confusion, the anxiety, the disappointments—often all mixed together. It also throws light on some of the questions long debated by historians concerning the origins, the radicalization, the growth of violence, and the end of that Revolution.


1990 ◽  
Vol 10 (x) ◽  
pp. 287-307
Author(s):  
Richard Cicchillo

The seven colloquia held at New York University’s Institute of French Studies during the Fall 1989 semester offered some new perspectives on the French Revolution, and took stock of various elements of French Society and history two hundred years after the taking of the Bastille.


Author(s):  
James Livesey

This chapter focuses on the French Revolution as one of the most important moments in the entangled history of local cosmopolitanisms. Such ideas as rights, property, and democracy were consciously articulated during the Revolution as universals with cosmopolitan spheres of application, and those ideas had profound global consequences over the following two centuries. Alongside this impact on states and legal structures, the Revolution also had direct effects in every community in France and touched communities outside the hexagon, from India to Ireland. The Revolution transformed the most general contexts, putting the nation-state rather than empire as the organizing principle at the heart of the international order, but it also put the most intimate experiences, such as family and emotion, under new light. The drama of the Revolution exemplified the power of ideas and the ambition to create a rational political order.


2019 ◽  
pp. 57-78
Author(s):  
Robert Chazan

This chapter considers Salo Baron's writings on Jewish history. Recent historians have come to reject the supernaturally grounded assumption of unending Jewish suffering during the supposed third exile; many of them have also distanced themselves from the modern and naturalistic continuations of this sense of interminable Jewish suffering. The first major challenge to the received wisdom came in 1928 from Salo Baron, newly arrived in the United States from his native Europe. In an essay titled “Ghetto and Emancipation: Shall We Revisit the Traditional View?” he undertook a fairly limited assault on traditional Jewish thinking about exilic pain. Focusing on the French Revolution and the beginnings of the process of emancipation of Western Jewry, Baron examined the centuries immediately preceding the revolution and the immediate post-Emancipation period. He argued that the former was nowhere near so horrific as usually projected and that the latter was nowhere near so idyllic.


2017 ◽  
pp. 59-76
Author(s):  
Włodzimierz Szturc

In this paper, the author presents the final period of the French Revolution as interpretated by Andrzej Wajda. The screenplay was prepared by Jean-Claude Carrière based on Stanisława Przybyszewska’s drama (also used by Wajda as a screenplay in many dramas). It helped the director to describe the reality of the intense time of Robespierre’s terror and Jacobin efforts to guillotine Danton and his allies. Wajda reveals the same mechanisms of crime, manipulation and lies which became the backdrop for political events in Poland between 1981-1983 (especially with the introduction of martial law in Poland in 1981). The model of Danton’s fall and the strengthening of totalitarian rule are considered the current model of history, which is based on cruelty and the struggle for power. The film forms the basis for a broader view of history as the tragic entanglement of events, which is the result of hubris and the desire for material goods, and is the origin of totalitarian rule. References to the emblems of the revolution, allegories, and the symbolism of art (paintings of David) are the fundamental ekphrasis of meanings set by the film. Wajda’s analysis of Danton shows some typical ways of understanding and interpreting the signs of culture and history.


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