Modernity

Keyword(s):  

The text of this section is taken from Henri Meschonnic’s Modernité Modernité (Lagrasse: Verdier, 1988). It constitutes the introduction to Meschonnic’s dealings with the debate on modernity and, by extension, on post-modernity. He thus attacks the strong post-modern movement of the time as a misconception of the modern, against which he accentuates the ongoing validity of a certain understanding of modernity, an understanding which operates beyond the categories of chronology and newness. The notion of modernity, as Meschonnic understands it after a rereading of Baudelaire and Rimbaud, overflows the binarism and couplings of the sign and shows its limitations. In Meschonnic’s definition, a critique of modernity implies an understanding of what a subject is.

Author(s):  
Aisha A. Upton ◽  
Joyce M. Bell

This chapter examines women’s activism in the modern movement for Black liberation. It examines women’s roles across three phases of mobilization. Starting with an exploration of women’s participation in the direct action phase of the U.S. civil rights movement (1954–1966), the chapter discusses the key roles that women played in the fight for legal equality for African Americans. Next it examines women’s central role in the Black Power movement of 1966–1974. The authors argue that Black women found new roles in new struggles during this period. The chapter ends with a look at the rise of radical Black feminism between 1974 and 1980, examining the codification of intersectional politics and discussing the continuation of issues of race, privilege, and diversity in contemporary feminism.


2021 ◽  
pp. 2-3
Author(s):  
Ana Tostões

Devoted to the theme of single-family houses, given the key role they played in the ideal definition of the Modern Movement architecture, as a symbolic and functional affirmation of the utopian turning of dreams into reality, the aim of this issue is to consider the transformation of daily life, and to address the architectural challenges that arose from the joy contained in what we might call the “architecture of happiness.” As we continue to endure a pandemic that has now lasted for more than a year, docomomo wishes to declare that “till the moment, the best vaccine to prevent contagion was invented by architects: the house”. Thus, in response to the question “How should we live?”, it is intended to debate the house and the home agenda as an important topic at the core of Modern Movement architecture. Nowadays, the growing emphasis on wellbeing goes beyond the seminal ideas that modern houses were “machines à habiter” and is closer to an idealistic vision of a stimulating shell for humans, which is shaped by imagination, experimentation, efficiency, and knowledge.


1983 ◽  
Vol 7 (5-6) ◽  
pp. 311-326
Author(s):  
Dennis Sharp
Keyword(s):  

2018 ◽  
Vol 10 (0) ◽  
pp. 1-7
Author(s):  
Huriye Armagan DOGAN

Memento value in heritage is one of the most essential characteristics facilitating the association between the environment and its users, by connecting structures with space and time, moreover, it helps people to identify their surroundings. However, the emergence of the Modern Movement in the architectural sphere disrupted the reflection of memory and symbols which serve to root the society in its language. Furthermore, it generated an approach that stood against the practice of referring to the past and tradition, which led to the built environment becoming homogeneous and deprived of memento value. This paper focuses on the impact of memento value on the perception and evaluation of cultural heritage. Furthermore, it investigates the notions which are perceived to influence the appraisal of cultural heritage by applying them to the Kaunas dialect of the Modern Movement with an empirical approach.


Spatium ◽  
2014 ◽  
pp. 39-46 ◽  
Author(s):  
Dzemila Beganovic

Contemporary urban development has changed the traditional cities all over the world. In our region, the typical Balkan cities of oriental origin, structure and outlook were almost totally transformed in the second half of the 20th century. Modern movement brought new models of urban organization, different communication concepts and a variety of concepts of modern buildings. Among others, the idea of complex urbarchitectonic structures in urban tissue spread under specific influences and models. After a short review of modern urban development and the idea of complex urban structures, this paper explores urban transformation of less researched cities such as Pristina and Novi Pazar. The focus is on the phenomenon of complex urbarchitectonic structures built in related cities in a short period from 1969-1989. Four complex urbarchitectonic structures will be presented: Kicma and complex in JNA Street in Pristina and Lucne buildings and Jezero buildings in Novi Pazar.


1972 ◽  
Vol 28 (4) ◽  
pp. 439-450
Author(s):  
Henry P. Van Dusen

“Up to the eve of the nineteenth century, hardly a single organized Christian fellowship existed, let alone organization across denominational lines; in contrast, at mid-point in the twentieth century, there are thousands of vigorously functioning agencies of trans-denominational collaboration. In these latter days, the practice of Christians with respect to the unity of Christ's church has begun to accord with their profession. How can we account for this newness, the novelty of the modern movement of Christian unity? What are the underlying causes, the explanation of this amazing, wholly unprecedented reversal of previous practice?”


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