Encounters from the Twentieth Century: Introduction

2019 ◽  
pp. 39-41
Author(s):  
Jan Bryant
Keyword(s):  
Twentieth Century ◽  
Case Studies ◽  
Intellectual History ◽  
Italo Calvino ◽  
Maurice Blanchot ◽  
The Political ◽  
Henri Lefebvre ◽  
Political Aesthetics ◽  
History Of Art ◽  
History Of

The disappointments that flowed from the squashing of the student uprisings in 1968 is discussed as a way to underline a rupture in progressive thinking in the latter years of last century. Of particular concern for Marxists was a loss of faith in the proletariat as the revolutionary subject. It introduces three case studies that form the content of the next chapters, each revealing intellectual differences which became apparent the post 1968 era: (1) Paolo Pasolini and Italo Calvino; (2) Henri Lefebvre and Maurice Blanchot; and (3) the political aesthetic of Neue Slowenische Kunst (NSK). The aim is to offer detailed encounters between left thinkers, not only to reveal a clash of approaches to resisting forms of power, but to offer an alternative for understanding how recent intellectual history has informed contemporary political aesthetics. It is also a way to avoid restaging another history of art, or received canon, to offer instead a non-totalising picture of history. [157]

Introduction

2020 ◽  
pp. 1-30
Author(s):  
William Ghosh
Keyword(s):  
Twentieth Century ◽  
Intellectual History ◽  
Caribbean Region ◽  
The Political ◽  
The World ◽  
Colonial Experience ◽  
History Of ◽  
The Caribbean ◽  
Formed Part ◽  
Historical Past

V.S. Naipaul is one of the most internationally acclaimed twentieth-century writers from the Caribbean region. Yet it is usually assumed that he was neither much influenced by the Caribbean literary and intellectual tradition, nor very influential upon it. This chapter argues that these assumptions are wrong. It situates Naipaul’s life and work within the political, social, and intellectual history of the twentieth-century Caribbean. Naipaul’s work formed part of a larger historical debate about the sociology of slavery in the Caribbean, the specificity of Caribbean colonial experience, and the influence of that historical past on Caribbean life, culture, and politics after independence. The chapter closes with a reading of Naipaul’s late, retrospective book about Trinidad, A Way in the World.

FROM NOSTALGIA TO UTOPIA: A GENEALOGY OF FRENCH CONCEPTIONS OF SUPRANATIONALITY (1848–1948)

2019 ◽  
Vol 17 (3) ◽  
pp. 707-736
Author(s):  
HUGO CANIHAC
Keyword(s):  
Twentieth Century ◽  
European Union ◽  
International Law ◽  
Intellectual History ◽  
The Political ◽  
The European Union ◽  
Intellectual Origins ◽  
History Of ◽  
Late Nineteenth ◽  
International Thought

AbstractThis essay investigates the intellectual history of one of the purportedly most “revolutionary” concepts of post-1945 international thought—the concept of supranationality. While the literature has generally analyzed the concept as a direct continuation of progressive cosmopolitan ideas, or, to the contrary, as a political watchword formulated after 1945 to promote the European project, this essay highlights other, more ambiguous origins for the concept. It retraces the early uses of the concept in French debates. It argues that the irruption of supranationality in the political and legal vocabulary was far from revolutionary, as is typically claimed—without referring directly to the writings of the great classical philosophers. Rather, the concept drew on earlier discourses whose emergence can be identified in late nineteenth- and early twentieth-century debates, ranging from Catholic thought to international law. To retrace the genealogy of supranationality in the decades preceding the supranational vogue of the 1950s contributes to illuminating the complex intellectual origins of the European Union and of international thought more generally.

Introduction

2017 ◽  
Author(s):  
James Whitehead
Keyword(s):  
Twentieth Century ◽  
Literary Criticism ◽  
Cultural History ◽  
Intellectual History ◽  
Historical Sociology ◽  
Cultural Representations ◽  
History Of ◽  
Television Film ◽  
Popular Image

The introductory chapter discusses the popular image of the ‘Romantic mad poet’ in television, film, theatre, fiction, the history of literary criticism, and the intellectual history of the twentieth century and its countercultures, including anti-psychiatry and psychoanalysis. Existing literary-historical work on related topics is assessed, before the introduction goes on to suggest why some problems or difficulties in writing about this subject might be productive for further cultural history. The introduction also considers at length the legacy of Michel Foucault’s Folie et Déraison (1961), and the continued viability of Foucauldian methods and concepts for examining literary-cultural representations of madness after the half-century of critiques and controversies following that book’s publication. Methodological discussion both draws on and critiques the models of historical sociology used by George Becker and Sander L. Gilman to discuss genius, madness, deviance, and stereotype in the nineteenth century. A note on terminology concludes the introduction.

Twentieth Century Painting: Compass History of Art

Art Education ◽  
1965 ◽  
Vol 18 (8) ◽  
pp. 29
Author(s):  
Francis V. O'Connor ◽  
H. L. C. Jaffe
Keyword(s):  
Twentieth Century ◽  
History Of Art ◽  
History Of

Italian-Jewish Patrons of Modern Art in Nineteenth- and Twentieth-Century Italy

2020 ◽  
Vol 16 (1) ◽  
pp. 3-29
Author(s):  
Luisa Levi D’Ancona Modena
Keyword(s):  
Twentieth Century ◽  
Case Studies ◽  
Social History ◽  
Modern Art ◽  
European Countries ◽  
The Social ◽  
History Of ◽  
Public Museums

With a focus on art donations, this article explores several case studies of Jewish Italian patrons such as Sforni, Uzielli, Sarfatti, Castelfranco, Vitali, and others who supported artists of movements that were considered modern at their time: the Macchiaioli (1850-1870), the Futurists (1910s), the Metaphysical painters (1920s), the Novecento group (1920-1930s), and several post WWII cases. It reflects on differences in art donations by Jews in Italy and other European countries, modes of reception, taste, meanings and strategy of donations, thus contributing to the social history of Italian and European Jewry and the history of collections and donations to public museums.

BANDITS, ELVIS, AND OTHER MYSTICS: An Interview with Paul Vanderwood

2012 ◽  
Vol 68 (4) ◽  
pp. 563-592
Author(s):  
Eric Van Young
Keyword(s):  
Twentieth Century ◽  
Cultural History ◽  
San Diego ◽  
Professor Emeritus ◽  
The Political ◽  
State University ◽  
History Of ◽  
San Diego State University ◽  
Power Of God

Paul Vanderwood, Professor Emeritus of History at San Diego State University, died in San Diego onOctober 10, 2011, at the age of 82. A distinguished and innovative historian of modern Mexico, Vanderwood authored or co-authored several books, mostly dealing with the political, social, and cultural history of Mexico between about 1860 and the mid-twentieth century. The four works for which he is best known are Disorder and Progress (1982), The Power of God Against the Guns ofGovernment (1998), Juan Soldado (2004), and Satan's Playground (2010), and they are discussed extensively in this interview.

On History in Southwest Archaeology

2017 ◽  
Author(s):  
Severin Fowles ◽  
Barbara Mills
Keyword(s):  
Twentieth Century ◽  
Resource Management ◽  
Intellectual History ◽  
Turn Of The Century ◽  
Southwest Archaeology ◽  
American Military ◽  
Archaeological Practice ◽  
History Of Research ◽  
Historical Turn ◽  
History Of

As an introduction to the Handbook, this chapter examines the question of history in Southwest archaeology in two senses. First, it traces the intellectual history of research in the region: from the nineteenth-century inauguration of Southwest archaeology as an extension of American military conquest, to the museum-oriented expeditions of the turn of the century, to the scientific advances and the growth of culture resource management during the twentieth century, to the impacts of Indigenous critiques and the development of collaborative approaches most recently. Second, the chapter explores the shifting status of “history” as a central goal of archaeological practice. How have archaeologists constructed—or resisted—narratives to account for the contingent unfolding of Indigenous and colonial societies in the region? What bodies of method and theory have guided these efforts? In addressing these questions, the chapter marks and participates in a growing historical turn in Southwest archaeology.

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