scholarly journals Cross-cultural adjustment to the United States: the role of contextualized extraversion change

2015 ◽  
Vol 6 ◽  
Author(s):  
Mengqiao Liu ◽  
Jason L. Huang
2019 ◽  
Vol 43 (3) ◽  
pp. 348-367 ◽  
Author(s):  
Rotem Kahalon ◽  
Orly Bareket ◽  
Andrea C. Vial ◽  
Nora Sassenhagen ◽  
Julia C. Becker ◽  
...  

The madonna-whore dichotomy denotes polarized perceptions of women as either good and chaste or as bad and promiscuous. In the present research, we examined the correlates of madonna-whore dichotomy among samples of heterosexual Israeli, U.S., and German women and heterosexual U.S. and German men. Demonstrating cross-cultural generalizability, madonna-whore dichotomy endorsement correlated with endorsement of patriarchy-supporting ideologies across samples. U.S. (but not German) men’s madonna-whore dichotomy endorsement negatively correlated with their sexual satisfaction in romantic relationships, which in turn predicted lower general relationship satisfaction. Among women, madonna-whore dichotomy endorsement did not correlate with sexual or general relationship satisfaction. These findings (a) support the feminist perspective on the madonna-whore dichotomy, which points to the role of the stereotype in policing women and limiting their sexual freedom; and (b) provide evidence that madonna-whore dichotomy endorsement can have personal costs for men. Increasing awareness to the motivations underlying the madonna-whore dichotomy endorsement and its costs can be beneficial at the social and personal levels for women and men, by providing knowledge that may help in developing focused interventions to change existing perceptions and scripts about sexuality, and perhaps foster more satisfying heterosexual relationships.


Author(s):  
Glenn E. Weisfeld ◽  
Nicole T. Nowak ◽  
Todd Lucas ◽  
Carol C. Weisfeld ◽  
E. Olcay Imamoğlu ◽  
...  

AbstractMiller has suggested that people seek humorousness in a mate because humor connotes intelligence, which would be valuable in a spouse. Since males tend to be the competing sex, men have been more strongly selected to be humorous. To test this notion, we explored the role of humor in marriage cross-culturally, in the United States, the United Kingdom, China, Turkey, and Russia. In the first four societies, husbands were perceived to make wives laugh more than the reverse, but wives were funnier in Russia. Spousal humorousness was associated with marital satisfaction in all cultures, especially the wife's satisfaction. Spousal humorousness was less consistently related to spousal intelligence than to some alternative possibilities: spousal kindness, dependability, and understanding. Furthermore, the relationship between these four variables and marital satisfaction was mediated by spousal humorousness. Humor is gratifying in other social contexts as well. Humorists may gain social credit by providing amusement, and may also use humor to gauge another's mood and to engender liking, perhaps especially in courtship and marriage. Spouses may also take humorousness as a sign of motivation to be amusing, kind, understanding, dependable — as a sign of commitment.


2007 ◽  
Vol 7 (3-4) ◽  
pp. 242-255 ◽  
Author(s):  
Natalie T. Wood ◽  
Caroline Lego Muñoz

After mass media, ethnic-themed restaurants are possibly the second most influential socialising agents of foreign cultures. Whereas the media often depicts foreign cultures in a stereotypical manner, the opportunity exists in the hospitality field to offer consumers a more detailed and accurate insight into a culture. Yet, is this what consumers really want? This paper addresses an important question: How do spaces of consumption affect the perception and representation of ‘authentic’ culture? To explore this, a four-stage, cross-cultural (ie Australia and United States) qualitative study was undertaken to examine the role the Outback Steakhouse chain of restaurants plays in representing Australian culture in the United States. Findings revealed that US subjects were more accepting of the restaurant environment where it matched the images of Australia perpetuated by the media. By contrast, Australian subjects indicated that the image this restaurant provides is a largely stereotypical, outdated, inaccurate representation of their culture. Research implications and recommendations from a marketing, hospitality, and tourism perspective are provided.


2013 ◽  
Vol 83 (1) ◽  
pp. 127-134
Author(s):  
Louise Pascale

In this reflection, Louise Pascale describes the evolution, development, and outcomes of the Afghan Children's Songbook Project, which is reintroducing children's ethnic songs to the children of Afghanistan and Afghan expats as well as to American schoolchildren. Her reflection highlights the potential for music to unify and strengthen community, thus joining people together in a common experience. She explores the suppression and resurgence of musical culture in Afghanistan and the connection of this experience to music education in schools in the United States.


Identity ◽  
2015 ◽  
Vol 15 (4) ◽  
pp. 263-286 ◽  
Author(s):  
James E. Côté ◽  
Shinichi Mizokami ◽  
Sharon E. Roberts ◽  
Reiko Nakama ◽  
Alan Meca ◽  
...  

2008 ◽  
Vol 20 (3) ◽  
pp. 97-105 ◽  
Author(s):  
Smita C. Banerjee ◽  
Kathryn Greene ◽  
Marina Krcmar ◽  
Zhanna Bagdasarov ◽  
Dovile Ruginyte

This study demonstrates the significance of individual difference factors, particularly gender and sensation seeking, in predicting media choice (examined through hypothetical descriptions of films that participants anticipated they would view). This study used a 2 (Positive mood/negative mood) × 2 (High arousal/low arousal) within-subject design with 544 undergraduate students recruited from a large northeastern university in the United States. Results showed that happy films and high arousal films were preferred over sad films and low-arousal films, respectively. In terms of gender differences, female viewers reported a greater preference than male viewers for happy-mood films. Also, male viewers reported a greater preference for high-arousal films compared to female viewers, and female viewers reported a greater preference for low-arousal films compared to male viewers. Finally, high sensation seekers reported a preference for high-arousal films. Implications for research design and importance of exploring media characteristics are discussed.


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