scholarly journals Equation of State of Four- and Five-Dimensional Hard-Hypersphere Mixtures

Entropy ◽  
2020 ◽  
Vol 22 (4) ◽  
pp. 469 ◽  
Author(s):  
Mariano López de Haro ◽  
Andrés Santos ◽  
Santos B. Yuste
Keyword(s):  
Molecular Dynamics ◽  
Monte Carlo Simulation ◽  
Equation Of State ◽  
Hard Sphere ◽  
Virial Coefficient ◽  
Three Dimensional ◽  
The Other ◽  
Third Virial Coefficient ◽  
Simulation Results ◽  
The One

New proposals for the equation of state of four- and five-dimensional hard-hypersphere mixtures in terms of the equation of state of the corresponding monocomponent hard-hypersphere fluid are introduced. Such proposals (which are constructed in such a way so as to yield the exact third virial coefficient) extend, on the one hand, recent similar formulations for hard-disk and (three-dimensional) hard-sphere mixtures and, on the other hand, two of our previous proposals also linking the mixture equation of state and the one of the monocomponent fluid but unable to reproduce the exact third virial coefficient. The old and new proposals are tested by comparison with published molecular dynamics and Monte Carlo simulation results and their relative merit is evaluated.

scholarly journals Heritage Artefacts in the COVID-19 Era: The Aura and Authenticity of 3D Models

2021 ◽  
Vol 7 (1) ◽  
pp. 519-539
Author(s):  
Thiago Minete Cardozo ◽  
Costas Papadopoulos
Keyword(s):  
User Experience ◽  
Three Dimensional ◽  
3D Models ◽  
Essential Elements ◽  
The Other ◽  
Social Distancing ◽  
The Public ◽  
Affective Experiences ◽  
The One ◽  
Digital Engagement

Abstract Museums have been increasingly investing in their digital presence. This became more pressing during the COVID-19 pandemic since heritage institutions had, on the one hand, to temporarily close their doors to visitors while, on the other, find ways to communicate their collections to the public. Virtual tours, revamped websites, and 3D models of cultural artefacts were only a few of the means that museums devised to create alternative ways of digital engagement and counteract the physical and social distancing measures. Although 3D models and collections provide novel ways to interact, visualise, and comprehend the materiality and sensoriality of physical objects, their mediation in digital forms misses essential elements that contribute to (virtual) visitor/user experience. This article explores three-dimensional digitisations of museum artefacts, particularly problematising their aura and authenticity in comparison to their physical counterparts. Building on several studies that have problematised these two concepts, this article establishes an exploratory framework aimed at evaluating the experience of aura and authenticity in 3D digitisations. This exploration allowed us to conclude that even though some aspects of aura and authenticity are intrinsically related to the physicality and materiality of the original, 3D models can still manifest aura and authenticity, as long as a series of parameters, including multimodal contextualisation, interactivity, and affective experiences are facilitated.

A Liberating Experience. On Becoming a Work of Art

2020 ◽  
Vol 7 (2) ◽  
pp. 411-430
Author(s):  
Maja Tabea Jerrentrup
Keyword(s):  
Three Dimensional ◽  
The Body ◽  
The Other ◽  
Work Of Art ◽  
Other Hand ◽  
Film Clips ◽  
Long Time ◽  
The One ◽  
Body Painting ◽  
Dimensional Surface

Abstract The art of bodypainting that is fairly unknown to a wider public turns the body into a canvas - it is a frequently used phrase in the field of bodypainting that illustrates the challenge it faces: it uses a three-dimensional surface and has to cope with its irregularities, but also with the model’s abilities and characteristics. This paper looks at individuals who are turned into art by bodypainting. Although body painting can be very challenging for them - they have to expose their bodies and to stand still for a long time while getting transformed - models report that they enjoy both the process and the result, even if they are not confident about their own bodies. Among the reasons there are physical aspects like the sensual enjoyment, but also the feeling of being part of something artistic. This is enhanced and preserved through double staging - becoming a threedimentional work of art and then being staged for photography or film clips. This process gives the model the chance to experience their own body in a detached way. On the one hand, bodypainting closely relates to the body and on the other hand, it can help to over-come the body.

scholarly journals Plasma environment of magnetized asteroids: a 3-D hybrid simulation study

2006 ◽  
Vol 24 (1) ◽  
pp. 407-414 ◽  
Author(s):  
S. Simon ◽  
T. Bagdonat ◽  
U. Motschmann ◽  
K.-H. Glassmeier
Keyword(s):  
Solar Wind ◽  
Three Dimensional ◽  
Hybrid Simulation ◽  
Interaction Region ◽  
Bow Shock ◽  
The Other ◽  
Simulation Code ◽  
Kinetic Effects ◽  
Intrinsic Magnetic Moment ◽  
The One

Abstract. The interaction of a magnetized asteroid with the solar wind is studied by using a three-dimensional hybrid simulation code (fluid electrons, kinetic ions). When the obstacle's intrinsic magnetic moment is sufficiently strong, the interaction region develops signs of magnetospheric structures. On the one hand, an area from which the solar wind is excluded forms downstream of the obstacle. On the other hand, the interaction region is surrounded by a boundary layer which indicates the presence of a bow shock. By analyzing the trajectories of individual ions, it is demonstrated that kinetic effects have global consequences for the structure of the interaction region.

Equations of state for fluids based on hard sphere repulsion

2015 ◽  
Vol 29 (13) ◽  
pp. 1550089 ◽  
Author(s):  
Minhui Shan ◽  
Jianxiang Tian
Keyword(s):  
Equation Of State ◽  
Thermodynamic Properties ◽  
Hard Sphere ◽  
Equations Of State ◽  
The Past ◽  
Complex Interactions ◽  
Structures And Properties ◽  
The One ◽  
Real Fluids

As is well-known, the structures and thermodynamic properties of fluids are determined by the complex interactions, i.e., the repulsive one and the attractive one, among particles. The simplest equation-of-state (EOS) model maybe the one of hard sphere repulsion plus or multiplying some attraction. Followed by the rapid promotion of the accuracy of hard sphere EOS in the past dozens of years, one question rises as whether more accurate hard sphere repulsion derives better prediction of the structures and properties of fluids with a special attraction. In this work, we used two repulsions with clearly different accuracy and some attractions to construct series equations of state (EOSs) for real fluids, and then we discussed the saturated properties at liquid–gas equilibrium. We found that the answer to the question aforementioned is not definitely standing.

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