scholarly journals Heritage Artefacts in the COVID-19 Era: The Aura and Authenticity of 3D Models

2021 ◽  
Vol 7 (1) ◽  
pp. 519-539
Author(s):  
Thiago Minete Cardozo ◽  
Costas Papadopoulos
Keyword(s):  
User Experience ◽  
Three Dimensional ◽  
3D Models ◽  
Essential Elements ◽  
The Other ◽  
Social Distancing ◽  
The Public ◽  
Affective Experiences ◽  
The One ◽  
Digital Engagement

Abstract Museums have been increasingly investing in their digital presence. This became more pressing during the COVID-19 pandemic since heritage institutions had, on the one hand, to temporarily close their doors to visitors while, on the other, find ways to communicate their collections to the public. Virtual tours, revamped websites, and 3D models of cultural artefacts were only a few of the means that museums devised to create alternative ways of digital engagement and counteract the physical and social distancing measures. Although 3D models and collections provide novel ways to interact, visualise, and comprehend the materiality and sensoriality of physical objects, their mediation in digital forms misses essential elements that contribute to (virtual) visitor/user experience. This article explores three-dimensional digitisations of museum artefacts, particularly problematising their aura and authenticity in comparison to their physical counterparts. Building on several studies that have problematised these two concepts, this article establishes an exploratory framework aimed at evaluating the experience of aura and authenticity in 3D digitisations. This exploration allowed us to conclude that even though some aspects of aura and authenticity are intrinsically related to the physicality and materiality of the original, 3D models can still manifest aura and authenticity, as long as a series of parameters, including multimodal contextualisation, interactivity, and affective experiences are facilitated.

scholarly journals Documentación 3D y visualización multimedia de la Cova del Parpalló (Gandia)

2010 ◽  
Vol 1 (2) ◽  
pp. 123 ◽  
Author(s):  
José Luis Lerma García ◽  
Miriam Cabrelles López ◽  
Santiago Navarro Tarín ◽  
Sergio Galcerá Ustero
Keyword(s):  
Cultural Heritage ◽  
Laser Scanning ◽  
Three Dimensional ◽  
3D Models ◽  
The Other ◽  
Its Analysis ◽  
3D Documentation ◽  
The One ◽  
The Right ◽  
Cultural Heritage Objects

<p>The three-dimensional (3D) documentation by means of laser scanning and photogrammetry eases exhaustive recording, the right lecture of cultural heritage objects and its analysis in order to, on the one hand, adopt appropriate decisions and interventions, on the other hand, move forward the generation of virtual animated replicas of great value and smooth multimedia dissemination. The present paper tackles the different stages of graphic documentation and visualization undertaken in the Parpalló Cave (Cova del Parpalló), Gandia, Valencia. Besides traditional surveying documentation that is based on planimetric and altimetric maps, this paper presents the plotting and animated visualization of the Palaeolithic set not only making use of lights and shadows but also from photorealistic textured 3D models.</p>

State of Fashion: Searching for the New Luxury

APRIA Journal ◽  
2020 ◽  
Vol 1 (1) ◽  
pp. 11-16
Author(s):  
José Teunissen
Keyword(s):  
Twentieth Century ◽  
Daily Life ◽  
Life Cycles ◽  
The Other ◽  
Century Model ◽  
Cocktail Party ◽  
The Public ◽  
Other Hand ◽  
The One

In the last few years, it has often been said that the current fashion system is outdated, still operating by a twentieth-century model that celebrates the individualism of the 'star designer'. In I- D, Sarah Mower recently stated that for the last twenty years, fashion has been at a cocktail party and has completely lost any connection with the public and daily life. On the one hand, designers and big brands experience the enormous pressure to produce new collections at an ever higher pace, leaving less room for reflection, contemplation, and innovation. On the other hand, there is the continuous race to produce at even lower costs and implement more rapid life cycles, resulting in disastrous consequences for society and the environment.

scholarly journals A Public Safety Compliance Model of Safety Behaviors in the Age of the COVID-19 Pandemic

2021 ◽  
Vol 58 ◽  
pp. 004695802110313
Author(s):  
Mohammad Al-Bsheish ◽  
Mu’taman Jarrar ◽  
Amanda Scarbrough
Keyword(s):  
Public Safety ◽  
The Other ◽  
Safety Behaviors ◽  
Economic Sectors ◽  
The Public ◽  
Safety Compliance ◽  
Heavy Burden ◽  
Compliance Model ◽  
Entire World ◽  
The One

The outbreak of COVID-19 has placed a heavy burden on society, threatening the future of the entire world as the pandemic has hit health systems and economic sectors hard. Where time moves fast, continuing curfews and lockdown is impossible. This paper assembles three main safety behaviors, social distancing, wearing a facemask, and hygiene in one model (PSC Triangle) to be practiced by the public. Integrating public safety compliance with these behaviors is the main recommendation to slow the spread of COVID-19. Although some concerns and challenges face these practices, the shifting of public behaviors to be more safety-centered is appropriate and available as an urgent desire exists to return to normal life on the one hand and the medical effort to find effective cure or vaccine that has not yet succeeded on the other hand. Recommendations to enhance public safety compliance are provided.

From i-doc to VR experience: New forms of user engagement in immersive digital documentaries

2020 ◽  
Vol 17 (1) ◽  
pp. 37-48 ◽  
Author(s):  
Florian Mundhenke
Keyword(s):  
User Experience ◽  
Digital Storytelling ◽  
Computer Game ◽  
Spatial Arrangement ◽  
The Other ◽  
User Engagement ◽  
Audience Research ◽  
Head Mounted Displays ◽  
Digital Formats ◽  
The One

Audience research proves that possibilities of interaction in i-docs are often not fulfilled by the user, who is not really part of a ‘work in progress’ (as intended by the makers). With the shift and development of new digital formats (360-degree-films, nonfictional VR experiences, AR apps), the question of the possible interactive potential should be addressed once again. Since VR projects are fully immersive (mostly using head-mounted displays), there is no possible distraction from outside on the one hand. On the other hand, there is a shift from the computer game style aesthetic of early i-docs, with their pure spatial arrangement of events, to a more inclusive digital storytelling modality with the user experiencing his own world-building. This will be discussed with taking into consideration the non-fictional VR experience as a mode of actively combining immersion and storytelling for a satisfactory user experience. Afterwards two very different examples of nonfictional VR production will be presented, and their modalities will be briefly touched; the utilized approach and its user response will be discussed. A look at the future of possible developments concludes the essay.

Scenarios as Tools of the Scientific Imagination: The Case of Climate Projections

2021 ◽  
Vol 29 (1) ◽  
pp. 36-61
Author(s):  
Michael Poznic ◽  
Rafaela Hillerbrand
Keyword(s):  
Scientific Community ◽  
Climate Science ◽  
The Other ◽  
Climate Projections ◽  
Public Realm ◽  
The Public ◽  
Other Hand ◽  
The Difference ◽  
The One ◽  
Scientific Imagination

Climatologists have recently introduced a distinction between projections as scenario-based model results on the one hand and predictions on the other hand. The interpretation and usage of both terms is, however, not univocal. It is stated that the ambiguities of the interpretations may cause problems in the communication of climate science within the scientific community and to the public realm. This paper suggests an account of scenarios as props in games of make-belive. With this account, we explain the difference between projections that should be make-believed and other model results that should be believed.

A Rathole: Foucault, Freud, and the Problem of Isolation

2021 ◽  
Vol 31 (1) ◽  
pp. 1-28
Keyword(s):  
The Other ◽  
Obsessive Compulsive ◽  
Compulsive Disorder ◽  
Psychological Barriers ◽  
Obsessional Neurosis ◽  
Wrong Side ◽  
New Strategy ◽  
Affective Experiences ◽  
The One ◽  
Traditional Strategy

The article discusses the problem of isolation and draws a parallel between two different approaches to it - Michel Foucault’s archeology of power and Sigmund Freud’s psychoanalysis. Foucault’s perspective is exemplified by his critique of the strategies of power as they were applied to the epidemics of leprosy and bubonic plague. For leprosy there was an undifferentiated exclusionary space, while the the plague brought about a segmented space for confinement. The passage from the one strategy to the other marks the development of the disciplinary model of power: leper colonies are transformed into prisons and psychiatric wards. Freud’s approach is examined in his treatment of the Rat Man, the patient whose analysis prompted Freud to formulate his theory of obsessional neurosis, or obsessive-compulsive disorder (OCD). The article emphasizes the relevance of the problem of OCD to the COVID-19 pandemic of 2020. The traditional strategy of power applied to leprosy was isolation by means of exile from towns, while for the plague isolation meant shutting towns down with their inhabitants each in their own place as if imprisoned. COVID-19 brought about a new strategy of self-isolation which entails creating physical and psychological barriers together with social distancing. Obsessional neurosis is evolving from an individual pathology into a kind of collective one: epidemiology influences mentality. In conclusion, the article takes up two literary examples - Roman Mikhailov’s text “The Wrong Side of a Rat,” and Varlam Shalamov’s story “Lepers,” from the Kolyma Stories collection - in which breaking out of isolation, disease and infection are presented as alternative affective experiences.

A Liberating Experience. On Becoming a Work of Art

2020 ◽  
Vol 7 (2) ◽  
pp. 411-430
Author(s):  
Maja Tabea Jerrentrup
Keyword(s):  
Three Dimensional ◽  
The Body ◽  
The Other ◽  
Work Of Art ◽  
Other Hand ◽  
Film Clips ◽  
Long Time ◽  
The One ◽  
Body Painting ◽  
Dimensional Surface

Abstract The art of bodypainting that is fairly unknown to a wider public turns the body into a canvas - it is a frequently used phrase in the field of bodypainting that illustrates the challenge it faces: it uses a three-dimensional surface and has to cope with its irregularities, but also with the model’s abilities and characteristics. This paper looks at individuals who are turned into art by bodypainting. Although body painting can be very challenging for them - they have to expose their bodies and to stand still for a long time while getting transformed - models report that they enjoy both the process and the result, even if they are not confident about their own bodies. Among the reasons there are physical aspects like the sensual enjoyment, but also the feeling of being part of something artistic. This is enhanced and preserved through double staging - becoming a threedimentional work of art and then being staged for photography or film clips. This process gives the model the chance to experience their own body in a detached way. On the one hand, bodypainting closely relates to the body and on the other hand, it can help to over-come the body.

scholarly journals Social engineers and myth-busters: A comparative research on Lithuanian, Norwegian and Serbian language experts

2020 ◽  
pp. 292-344
Author(s):  
Vuk Vukotić
Keyword(s):  
News Media ◽  
Language Ideologies ◽  
Great Majority ◽  
Online News ◽  
The Other ◽  
Striking Similarity ◽  
The Public ◽  
Other Hand ◽  
The Public Sphere ◽  
The One

This article compares the language ideologies of language experts (both academic and non-academic) in online news media in Lithuania, Norway and Serbia. The results will reveal that language is understood in diametrically opposed ways amongst Lithuanian and Serbian academic experts on the one, and Norwegian academic experts on the other hand. Lithuanian and Serbian academic experts are influenced by modernist ideas of language as a single, homogenous entity, whose borders ideally match the borders of an ethnic group. Norwegian academic experts function in the public sphere as those who try to deconstruct the modernist notion of language by employing an understanding of language as a cognitive tool that performs communicative and other functions. On the other hand, non-academic experts in all the three countries exhibit a striking similarity in their language ideologies, as the great majority expresses modernist ideals of language.

scholarly journals La electricidad en las relaciones España-Portugal

Finisterra ◽  
2012 ◽  
Vol 39 (78) ◽  
Author(s):  
Cayetano Espejo Marín
Keyword(s):  
Electric Power ◽  
European Community ◽  
Electricity Market ◽  
Essential Elements ◽  
The Other ◽  
Energy Resources ◽  
Electricity Supply ◽  
The One ◽  
New Phase ◽  
National Borders

From the early 1960s onwards, Spain and Portugal have maintained far-reaching programs for the exchange of electric power. These contacts have afforded, on the one hand, an increase in the security of electricity supply for both countries and, on the other, a better exploitation of their particular energy resources. The likely launching of the Iberian Electricity Market in April 2004 will lead to a new phase in the relations between Portugal and Spain. The new Market is based on three essential elements: i) the expansion of electric links along their shared national borders, ii) the setting up of a lone Operator for the single Iberian Market and iii) the coordination of the two Operators that exist nowadays, RED ELÉCTRICA DE ESPAÑA and REDE ELÉCTRICA NACIONAL. The Iberian Electricity Market will be the first to comprise countries of the European Community only and it will generate one-tenth of the electric power consumed in Europe, being the fourth largest producer.

scholarly journals Política de la supervivencia / Politics of Survival

2017 ◽  
pp. 249 ◽  
Author(s):  
Gabriel Giorgi
Keyword(s):  
Public Space ◽  
Cultural Practices ◽  
Heterogeneous Materials ◽  
The Body ◽  
The Other ◽  
The Public ◽  
Palabras Clave ◽  
Politics Of The Body ◽  
Act Up ◽  
The One

Resumen: Distintas intervenciones desde prácticas activistas y culturales en torno al VIH escenifican poéticas y políticas del resto corporal en las que se juegan, por un lado, una reorganización de los modos en que se dramatiza en umbral entre lo vivo y lo muerto en lo público –redefiniendo así el tejido mismo de lo que llamamos “comunidad”—; y por otro, indican los modos en que estos activismos impulsan una disputa sobre los “marcos de temporalización” desde los cuales lo viviente se vuelve reconocible políticamente y donde la noción de supervivencia adquiere una centralidad decisiva. Combinando materiales heterogéneos el artículo busca iluminar los modos en que los activismos y las culturas en torno al VIH configuran un terreno decisivo para pensar políticas de la supervivencia del presente. Palabras clave: VIH, ACT-UP, Supervivencia, Temporalidades, Biopolítica. Abstract: Different interventions from activist and cultural practices around HIV staged poetics and politics of the body remmant. They implie, on the one hand, a reorganitzation of the dramatization of the threshold between the living and the dead in the public space; and on the other, they indicate the ways in which these activisms mobilize a dispute over the “frames of temporalization” from which the living becomes politically recognizable and where the notion of survival acquires a decisive centrality. Combining heterogeneous materials, the article seeks to illuminate the ways in which activism and cultures on HIV constitute a decisive ground for thinking about the present policies of survival. Keywords: IHV, ACT-UP, Survival, Biopolitics.

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