scholarly journals பாரம்பரியக் கூத்தில் பறையறைவோன் பாத்திரமும் அதன் மீளுருவாக்கமும்

2021 ◽  
Vol 5 (3) ◽  
pp. 13-23
Author(s):  
T Gowrieeshwaran
Keyword(s):  
Gender Discrimination ◽  
Performing Arts ◽  
Research Work ◽  
Great Influence ◽  
Timely Manner ◽  
Art Form ◽  
The Subject ◽  
And Gender ◽  
Traditional Arts ◽  
Caste Structure

The caste structure, which is deeply rooted in the culture of Tamil societies and its inequitable mentality, has a great influence on the traditional forms of performing arts carried on by Tamils.We often see caste inequality and gender discrimination reinforced in traditional chants that are mostly epic and mythologically centered. As a result, traditional performances have become increasingly predictable. The vast majority of artists who seek to speak of the progressive issues of the time are drawn to express their ideas not in the traditional arts but in the modern art form. In this context, the participatory research work on the koothu renaissance carried out at the Eelathu Kootharangu in the years 2002-2003 is proposed as a practical study to recreate the subject of traditional performing arts forms with the participation of the communities that follow them in a timely manner. In this way, this article examines the process by which the Valluvar community, which has been marginalized as a marginalized caste in Tamil culture, and the rhetorical character it represents, have recreated that character in a contemporary manner, questioning the structure of Eelam’s Vadamodik koothu.

Living with Barren Truths: A Tale of Triumphalism and Tribulations of a Technology

2021 ◽  
pp. 097168582110159
Author(s):  
Sital Mohanty ◽  
Subhasis Sahoo ◽  
Pranay Kumar Swain
Keyword(s):  
Gender Discrimination ◽  
New Technologies ◽  
The Body ◽  
Social Scientists ◽  
Social Fact ◽  
Science Technology ◽  
The Subject ◽  
And Gender ◽  
The Relationship

Science, technology and human values have been the subject of enquiry in the last few years for social scientists and eventually the relationship between science and gender is the subject of an ongoing debate. This is due to the event of globalization which led to the exponential growth of new technologies like assisted reproductive technology (ART). ART, one of the most iconic technological innovations of the twentieth century, has become increasingly a normal social fact of life. Since ART invades multiple human discourses—thereby transforming culture, society and politics—it is important what is sociological about ART as well as what is biological. This article argues in commendation of sociology of technology, which is alert to its democratic potential but does not concurrently conceal the historical and continuing role of technology in legitimizing gender discrimination. The article draws the empirical insights from local articulations (i.e., Odisha state in eastern India) for the understandings of motherhood, freedom and choice, reproductive right and rights over the body to which ART has contributed. Sociologically, the article has been supplemented within the broader perspectives of determinism, compatibilism alongside feminism.

scholarly journals FEMALE FORM OF MALE DOMINANT STRUCTURE IN ARTISTIC CONTEXT

2021 ◽  
Vol 9 (62) ◽  
Keyword(s):  
Gender Roles ◽  
Gender Discrimination ◽  
Art History ◽  
Literature Research ◽  
Descriptive Research ◽  
The Arts ◽  
The Subject ◽  
And Gender ◽  
Dominant Structure ◽  
Cultural Structure

Women have always been the subject of art in terms of their biological and physiological characteristics. The compositions that are shaped in accordance with contents have different nuances in terms of form according to the cultural structure in the arts of civilizations with functional practices and sub-meaning interpretations. Despite this, they have common characteristics in terms of woman/body/sexuality on social duty and classification. Such that male domination social gender roles, gender discrimination based on biology bring along some restrictions and exclusion, and that degrades women to the subject of scopophilic. Gender structure in art is exposed with unfair visual codes, disadvantageous images, improper female circumstances and erotic nudity in many compositions. Women body that is turned into a theatrical material, their identity and gender are abstracted, their image, representation, symbol and government connetion shows the demands of male dominant structure. In this frame, the aim of this study is to analyze the affect of gender roles, patterns, the woman themed art pieces in historical process that is oriented towards structuring, building a sustainable woman perception in male dominant systems of societies on art history. Accordingly, the study is important in terms of showing the systematical dominances on woman identity, body, sexuality created by male dominant sense of art and art literature research in terms of turning femininity into a different construction other than its natural positions and clarifying the problem of re-naming and re-structuring the position of woman and body today. Literature research and descriptive research methods are used in this study. Related visuals and written resources are analyzed and the parts that are related to the content of this article are handled in a manner that creates meaningful unity. Keywords: Masculinity/femininity, male statement and work of art, social gender and art

scholarly journals Sinematografi Wayang: Persoalan Transmedia Seni Pertunjukan Tradisional dalam Program Tayangan Televisi

2019 ◽  
Vol 15 (2) ◽  
pp. 137-152
Author(s):  
Arif Eko Suprihono
Keyword(s):  
Cultural Change ◽  
Performing Arts ◽  
Research Work ◽  
Research Process ◽  
Television Industry ◽  
Traditional Art ◽  
The Arts ◽  
The World ◽  
Conflicting Interests ◽  
Traditional Arts

ABSTRAKMerujuk pada proses penelitian delapan tahun terakhir, dan melihat hasil kerja Penelitian Hibah Bersaing, Penelitian Produk Terapan, terungkap kompleksitas pengelolaan kegiatan seni pertunjukan tradisional di masyarakat. Berkait erat dengan budaya industri televisi, terbentang peluang sekaligus ancaman serius bagi eksistensi seni tradisi. Hasil  kerja penelitian dalam rencana makro, disarankan urgensi tindakan konstruktif dan sistematis kepada para pekerja seni untuk mengantisipasi benturan kepentingan industri pertelevisian Indonesia dengan pengelolaan seni pertunjukan tradisional. Persoalan cinematography seni  tradisional  membahas proses dialektika kreatif mengarah pada pemikiran, tindakan, dan produk budaya dengan menyadari kerangka perubahan dan penyesuaian kultural. Diyakini, bahwa kesenian tradisi memiliki nilai luhur, kearifan lokal, identitas karakter masyarakat, menunjuk pada kebhinnekaan dan keunggulan, kekhasan suku bangsa Indonesia, berbeda dibandingkan dengan bangsa-bangsa lain di dunia. Referring to the research process of the last eight years, and looking at the work of the Competitive Grant Research, Applied Product Research, revealed the complexity of managing traditional performing arts activities in the community. Closely related to the culture of the television industry, opportunities and serious threats lie for the existence of traditional arts. The results of research work, suggest the urgency of constructive and systematic action to the arts workers to anticipate the conflicting interests of the Indonesian television with the management of traditional performing arts. The issue of traditional art cinematography refers to the process of creative dialectics leading to thoughts, actions, and cultural products by being aware of cultural change and adjustment frameworks. It is believed, that traditional arts have noble values, local wisdom, the identity of the character of the community, pointing to diversity and excellence, the uniqueness of Indonesian from other nations in the world.

The Coexistence of Violence and Aesthetics in Performance Art

2021 ◽  
pp. 36-49
Author(s):  
İlknur Gümüş
Keyword(s):  
Performance Art ◽  
Gender Discrimination ◽  
Performing Arts ◽  
Communication Model ◽  
Interactive Communication ◽  
The Social ◽  
Ecological Problems ◽  
Marina Abramovic ◽  
And Gender

During the performances based on performance art, the audience and the performers are in interactive communication. Along with the performance art, artistic communication becomes symmetrical and the artist with the audience share an emotional and mutual sharing. Performance art is an important example of artistic communication model. In addition, the art of performance opposes the social, physical, spiritual borders we are in, and deals with issues such as supervision policies, religious and ideological exploits, identity and gender discrimination, diseases, unemployment, economic and ecological problems. It is seen that performance art frequently uses the aesthetics of violence while addressing these issues. In this chapter, two important representatives, who use violent of aesthetics in their performing arts, Marina Abramovic and Hermann Nitsch, will be the subjects.

scholarly journals Sari, Femininity, and Wall Art: A Semiotic Study of GuessWho’s Street Art in Bengaluru

Tripodos ◽  
2021 ◽  
pp. 111-130
Author(s):  
Benson Rajan
Keyword(s):  
Gender Discrimination ◽  
Street Art ◽  
The Public ◽  
Social Resistance ◽  
Art Form ◽  
Production And Consumption ◽  
Historical Monuments ◽  
And Gender ◽  
The City

Graffiti has been conversing with the public for millions of years. In India, this art form is prominent in spaces like historical monuments, schools, colleges, classrooms, public bathrooms, benches, desks, and local transports. With the coming of the Covid 19 pandemic, this art from the streets has come alive in people’s smartphones. This paper explores and interprets the works of GuessWho, a prominent stencil graffiti artist working in the city of Bengaluru, Karnataka, and originally belonging to Kochi, Kerala. This study seeks to understand how the discourse around graffiti can help empower women in their struggle to claim the streets. By focusing on Instagram as a medium of social resistance, the paper explores the role of graffiti and social media in challenging the patriarchal status quo. Semiotics is used to understand the ways in which the production and consumption of forms of street art and graffiti are increasingly shaping the way Bengaluru city negotiates with gender. GuessWho’s graffiti symbolically targets and contests gender discrimination and particularly challenges some of the existing classist, racist, or sexist biases by subverting the use of sari, technology, and gender roles in the artwork.

scholarly journals Quality of service; A view at the food and beverage establishments of a municipality in southern Sonora

2019 ◽  
pp. 1-10
Author(s):  
María Marysol Baez-Portillo ◽  
Andrea Carolina Valenzuela-Cadena ◽  
Oscar Ernesto Hernández-Ponce ◽  
Gilberto Manuel Córdova-Cárdenas
Keyword(s):  
Service Quality ◽  
Research Work ◽  
Quantitative Model ◽  
Level Of Service ◽  
Theoretical Support ◽  
Food And Beverage ◽  
The Subject ◽  
And Gender ◽  
High Level

The main objective of the investigation was to determine the level of quality of the service provided in the food and beverage establishments of Huatabampo Sonora. The methodology used in this research work has a quantitative approach and is descriptive non-experimental cross-section. Therefore, a documentary investigation was carried out to give theoretical support to the selected instrument. He multidimensional quantitative model called Dineserv, developed by Stevens, Knutson and Patton, (1995) cited by Guzmán and Cárcamo (2014), derived from the Servqual or Service Quality methodology of the authors Parasuraman was used to perform the service quality assessment , Zeithaml and Berry (1985). The results showed that the food and beverage establishments evaluated have a high level of service quality. To mention other results you can say that the contingency tables showed no significant differences in the age and gender of the subject in relation to the perception of service quality. Finally, it is observed that there is a significant positive correlation between the dimensions.

scholarly journals An Analysis of Feminism Issues in Veronica Roth's Divergent: A Reader Response Study

2018 ◽  
Vol 6 (1) ◽  
pp. 1
Author(s):  
Andi Darmawanto ◽  
Masulah ◽  
Ari Setyorini
Keyword(s):  
College Students ◽  
Prior Knowledge ◽  
Reader Response ◽  
Gender Discrimination ◽  
Qualitative Method ◽  
The Novel ◽  
Reader Response Theory ◽  
The Subject ◽  
And Gender ◽  
Wolfgang Iser

Since this research mainly uses a reader response approach in which the response from the readers becomes the main data to analyze, two College students with different background and gender become the subject of the research to contribute their interpretation. Moreover, they are engaged in WhatApp group as a mean to discusse about the issues which become the guide of the research. Futhermore, this research has its focus to scrutinize the response of the readers toward feminism issues in Veronica Roths Divergent. Beside that, reader-response theory authored by Wolfgang Iser to be the main theory which guides to determine the type of the readers. Their responses transcribed by the researcher are the main data to complete the aim of the research. By utilizing descriptive qualitative method to describe the interpretation, the yield of this research is that the readers interpret the issues of womens leadership, gender discrimination, and independent female in the novel of Divergent by collaborating their background; experiences, gender and prior knowledge as prime-effect on how they interpret. 

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