A Consideration on the Role of Television Drama Background Music Through Characters and Narratives of Medical Television Dramas- focusing on The White grand Tower and Romantic Dr. Teacher Kim -

2019 ◽  
Vol 19 (1) ◽  
pp. 7-20
Author(s):  
Hye Youn Park
Keyword(s):  
Background Music ◽  
Television Drama

Modulatory role of background music on cognitive interference task in young people

2020 ◽  
Author(s):  
Kauline Saisha Kumaradevan ◽  
Akhila Balan ◽  
Karuna Khan ◽  
Refaa Mujeeb Alji ◽  
Sareesh Naduvil Narayanan
Keyword(s):  
Young People ◽  
Background Music ◽  
Cognitive Interference ◽  
Interference Task

How autonomous is relative: popular music, the social formation and cultural struggle

Popular Music ◽  
1987 ◽  
Vol 6 (1) ◽  
pp. 77-92 ◽  
Author(s):  
Reebee Garofalo
Keyword(s):  
Popular Culture ◽  
Popular Music ◽  
Background Music ◽  
Political Struggle ◽  
Corporate Structure ◽  
The Social ◽  
Cultural Struggle ◽  
Cultural Commodity

Writing about popular music in 1977 from what I would describe as a ‘classical’ Marxist perspective, Steve Chapple and I proclaimed unequivocally that:The position of the music as an increasingly important cultural commodity within a consumer economy weakened any of the explicit anti-materialist content of the music.… Musicians and the creative personnel within the industry were integrated into an entertainment business now firmly part of the American corporate structure. (Chapple and Garofalo 1977, p. 300)In 1981, four short years later, British sociologist and music critic Simon Frith described the structure and functioning of the music industry in much the same terms that Chappie and I had put forth, but his analysis shifted the emphasis considerably. Declared Frith:Cultural commodities may support the contemporary power of capital, but they have their civilising moments, and even as the most effortless background music, rock is a source of vigour and exhilaration and of good feelings that are as necessary for the next morning's political struggle as for the next day's work. My argument is that rock fun is as much a quality of the music's use as of its form. (Frith 1981, pp. 264–5)Attempting to avoid what he saw as an economically reductive position, Frith de-emphasised the role of monopoly corporations in controlling the marketplace and shaping popular culture. In the tradition of ‘cultural’ Marxism, he focused instead, and somewhat optimistically, on the power of the consumer to reappropriate the music in unintended ways, to ‘resignify’ its meaning, if you will.

scholarly journals The psychology of music in gambling environments: An observational research note

2005 ◽  
Author(s):  
Mark Griffiths ◽  
Jonathan Parke
Keyword(s):  
Observational Study ◽  
Slot Machine ◽  
Slot Machines ◽  
Observational Research ◽  
Background Music ◽  
Gambling Behaviour ◽  
Psychology Of Music ◽  
Leisure Pursuit

Effects of the listening context on responses to music largely have been neglected despite the prevalence of music in our everyday lives. Furthermore, there has been no research on the role of music in gambling environments (e.g., casinos, amusement arcades) despite gambling's increased popularity as a leisure pursuit. An exploratory observational study in gambling arcades was carried out to investigate (i) how music is used as background music in amusement arcades, and (ii) how slot machines utilize music in their design. Results indicated that arcades often have music that caters for their customer demographics and that this may influence gambling behaviour. Furthermore, music from the slot machine itself appears to produce important impression formations about the machine (i.e., quality of the machine, familiarity, distinctiveness, and the sound of winning). It is suggested that music (whether it is in the gambling environment or in the activity itself) has the potential to be important in the acquisition, development, and maintenance of gambling behaviour. Some preliminary ideas and hypotheses to be tested are offered.

Role of executive attention in consumer learning with background music

2017 ◽  
Vol 27 (1) ◽  
pp. 35-48 ◽  
Author(s):  
Esther Kang ◽  
Arun Lakshmanan
Keyword(s):  
Background Music ◽  
Executive Attention ◽  
Consumer Learning
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