scholarly journals AI Powered Holistic Solution for Travelersduring Pandemic

As the world is engulfed with COVID-19 pandemic and the glimpse of vaccine is still a distant dream, taking precautions and maintaining the norms suggested by WHO will keep us safe. With this, we present in this paper a solution that would help travelers induce confidence in traveling while keeping in mind the guidelines that must be followed. The solution focuses on an end to end service that will not only help the travelers to make informed and safe decisions but also allow the hospitality industry to monetize from this application. This paper is focused on a detailed analysis of the solution that is being presented to tackle the problems faced by various industries and their fear of resuming the work. A software-based approach is taken for providing a simple and engaging user experience to the user along with an AI approach to detect and predict the COVID trend in various cities. Along with this, a system that detects if people are wearing a mask or not will also be verified by thealgorithm.

Author(s):  
Dr.Seethal Peenikkal ◽  
Dr.K.Savitha R. Shenoy ◽  
Dr.Sri Nagesh K.A.

Breast Cancer is one of the most common types of malignancy among Indian woman currently. The current increase in the world wide prevalence of this disease suggests an urgent need of detailed analysis, diagnosis and treatment line through Ayurvedic principles. As cancer is least understood in technical terms of Ayurveda, Nidana Panchaka a basic tool to understand and diagnose a Vyadhi, is used to analyze it. Even though a direct diagnostic correlation of breast cancer is not available under the major Vyadhi classifications, it is possible to elicit and formulate Nidana Panchaka based on the references of Sthana Roga, Shopha, Granthi, Arbuda etc. The current article is an effort to formulate Nidana Panchaka for Breast Cancer, from the background of basic principles of Ayurveda, for a better analysis and diagnosis of the Vyadhi.


1962 ◽  
Vol 2 (20) ◽  
pp. 575-580 ◽  
Author(s):  
Anne-Marie Pfister
Keyword(s):  
The Past ◽  

What do we find at the origin of the work which does most honour to mankind, at the roots of a movement which has been spread across the world for the past hundred years? There is of course one man, Henry Dunant, but there is also a book. A slight volume which was soon to stir the hearts and consciences of Europe from end to end, by its fluent style, its stark reality and its warmhearted appeal. This was A Memory of Solferino.


Neophilologus ◽  
2021 ◽  
Author(s):  
Natalie Jones

AbstractThis article examines the iconographic programme of the Last Judgement scene depicted in Christ III. A notable feature of the poem’s detailed visual programme is the way in which it provides the audience with a single, panoramic vision that encompasses the divergent perspectives of the blessed and the damned. It is on account of this dual perspective that the poem, through its precise use of language and imagery, presents the audience with a bifocal vision of Christ as King of Kings and Judge of the World, in keeping with the words of Revelation 19:16. A detailed analysis of the poem’s imagery, however, suggests that its portrait of Christ as Judge is not only informed by scripture and exegetical sources, but is also indebted to contemporary visual imagery, particularly the depiction of Christ as Majestas Domini, or Christ in Majesty. As a result, and by approaching the poem’s imagery from an iconological perspective, it is argued that the poet of Christ III had a detailed knowledge of contemporary Christological motifs. Furthermore, a careful analysis of the language used to describe the Judgement scene, and particularly the depiction of Christ as Judge, suggests that the poet intentionally seeks to evoke a range of specific visual images in the mind of his audience in order to amplify the poem’s instructive and penitential aims.


Author(s):  
Kendra Klages

My research project focuses on folk inspired music of Poland, England, China, and Ireland. In my applied lessons on clarinet, I studied two neoclassical Polish folk pieces, so the question answered in the research is how the two neoclassical Polish pieces compare to folk inspired pieces from other countries. The pieces chosen for this study are mainly pieces that I have heard before. Therefore, I chose the pieces based upon my familiarity with them. Folk music expresses the sounds and rhythms that represent countries all over the world. Over time these sounds and rhythms evolve to reflect the country at that moment. This study will reflect how folk music was implemented into different pieces with a focus on Polish neoclassical folk pieces versus English, Chinese, and Irish folk pieces. There is a detailed analysis focused on two Polish compositions. While the focus of the other global pieces is to allow one to understand how folk music was being used in compositions specific to the country being studied. The purpose of this study is to understand how folk tunes and characteristics can be expressed through larger compositions, and how the different countries and genres approached that. Furthermore, the study compares Polish folk music to the folk music of other countries and where Polish folk composers stand in originality and experimentalism with the composers of England, China, and Ireland.


2016 ◽  
Vol 22 (4) ◽  
pp. 517-548 ◽  
Author(s):  
ANN IRVINE ◽  
CHRIS CALLISON-BURCH

AbstractWe use bilingual lexicon induction techniques, which learn translations from monolingual texts in two languages, to build an end-to-end statistical machine translation (SMT) system without the use of any bilingual sentence-aligned parallel corpora. We present detailed analysis of the accuracy of bilingual lexicon induction, and show how a discriminative model can be used to combine various signals of translation equivalence (like contextual similarity, temporal similarity, orthographic similarity and topic similarity). Our discriminative model produces higher accuracy translations than previous bilingual lexicon induction techniques. We reuse these signals of translation equivalence as features on a phrase-based SMT system. These monolingually estimated features enhance low resource SMT systems in addition to allowing end-to-end machine translation without parallel corpora.


2014 ◽  
Vol 12 (2) ◽  
pp. 342-374 ◽  
Author(s):  
Aleksander Szwedek

In 2011 I proposed a new approach to metaphor analysis and typology, based on the strict distinction between the material and phenomenological worlds. I concluded that the ultimate source domain (experiential basis) is the world of physical objects. The present paper develops these ideas, presenting a more detailed analysis of each of the metaphor types. Thus, I claim that the concrete-to-concrete metaphors are based on metonymy and abstract-to-concrete on the OBJECT schema. Abstract-to-abstract metaphorization falls into two traditional types: structural and orientational metaphors. As to the former, I show that the vague expressions “more concrete domain” or “more abstract domain” can be made clearer by considering the ontological status of the component elements of the domain: the “more concrete” domain has more elements of physical ontology. Orientational metaphors have been found to be only superficially orientational, their true objective being valuation. I conclude that all these metaphor types eventually refer to the world of physical objects for their experiential basis.


Author(s):  
Howard Rheingold

Reprinted from legendary cyberspace pioneer Howard Rheingold's classic, The Virtual Community: Homesteading on the Electronic Frontier, “Daily Life in Cyberspace: How the Computerized Counterculture Built a New Kind of Place” situates the reader in the context of social media before the World Wide Web. Rheingold narrates how he became involved in The WELL community; details community and personalities on The WELL; and documents user experience with the WELL's conferencing system, including how conversations are created and organized and how social media compares to face to face dialog. Rheingold also explores social media-based dialog in terms of reciprocity; “elegantly presented knowledge”; the tradition of conversation in the Athenian agora; and the value of freedom of expression. Introduced by Judy Malloy.


2020 ◽  
pp. 41-62
Author(s):  
Rohan McWilliam

Chapter 3 explores the world of elite leisure in both its high and low forms to uncover how the aristocracy continued to shape the West End in the first half of the nineteenth century. This chapter is devoted to nightlife and is intended to show that one purpose of pleasure districts was to construct the idea of the night-time economy. The chapter explores the world of gentlemens’ clubs and other locations of masculine pleasure before moving into an examination of opera, ballet, and gambling; both sources of aristocratic networks. The second half of the chapter then looks at the world of low life in the Covent Garden and Maiden Lane areas; territory of the ‘flash’ and the bohemians. Affluent gentlemen explored what they saw as the ‘underworld’. Here was a world of disreputable bars and spaces for popular song. There is a detailed analysis of venues such as the Cider Cellars which shaped the development of popular music and culture with its bawdy ballads.


2019 ◽  
pp. 95-130
Author(s):  
Michael Ayers

Detailed analysis is conducted of the different constructions in which ‘know’, ‘believe’, ‘see’, and cognate verbs appear in ordinary or natural language, of their functions and of the relations and differences between them: e.g. noun-clauses of the form ‘that P’ serve different purposes after each of these classes of verb, partly reflected in the proposition–fact distinction—although ‘facts’ are ontologically unsuited to be what it is in the world we know. Some relevant views of Timothy Williamson (e.g. ‘e=k’) are discussed. The emphasis in current epistemology on the ‘know/see that P’ construction is criticized—no construction, and no use of the term ‘evidence’, is philosophically best, since it is no accident that we have them all. The philosophical task is to understand how they work together—the footprints in language of our cognitive relation to reality, manifestations of what knowledge, belief, and perception are.


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