Maximilian Schuh 4 Making Renaissance Humanism Popular in the Fifteenth-Century Empire: The studi

2016 ◽  
Traditio ◽  
1996 ◽  
Vol 51 ◽  
pp. 257-286 ◽  
Author(s):  
Christopher S. Celenza

There are many still unstudied aspects of the cultural history of early Quattrocento Rome, especially if we consider the years before 1443, the date of the more or less permanent re-entry into the civitas aeterna of Pope Eugenius IV. The nexus between the still ephemeral papacy and the emerging intellectual movement of Italian Renaissance humanism is one of these aspects. It is hoped that this study will shed some light on this problem by presenting a document that has hitherto not been completely edited: the original will of Cardinal Giordano Orsini. As we shall see, this important witness to the fifteenth century provides valuable information on many fronts, even on the structure of the old basilica of Saint Peter. The short introduction is in three parts. The first has a discussion of the cardinal's cultural milieu with a focus on the only contemporary treatise specifically about curial culture, Lapo da Castiglionchio's De curiae commodis. The second part addresses the textual history of the will as well as some misconceptions which have surrounded it. The third part contains a discussion of the will itself, along with some preliminary observations about what can be learned from the critical edition of the text here presented for the first time.


1981 ◽  
Vol 17 ◽  
pp. 59-76
Author(s):  
Derek Baker

When I accepted, a year ago, Professor Hay’s invitation to join ‘his team of main speakers, and contribute a paper to this volume it was not without hesitation and trepidation. Religion, in some of its aspects, I knew a little about: of Humanism virtually nothing. Like many another historian I use the term in discussion of twelfth-century renaissance, but hardly in any articulated fashion, or with any precise meaning, and from time to time I have paid a passing acknowledgement to Renaissance humanism—a nodding acquaintance at best. I was, however, reassured by the prospect of a sabbatical term, and by the proximity of Professor Hay himself: at leisure and with proper guidance all would be made clear in time for this first paper of the new decade. In fact, otium has been replaced by negotium, and however much the fifteenth-century humanist might approve the change, the whole glory of man lying in activity, as Vittorino de Feltre observed, I find myself in little better state now than I was a year ago—like Auden’s ‘Artistic souls that lie out in the weed and pollen belt the need for sympathy is felt’.


2021 ◽  
pp. 137-169
Author(s):  
Matthew Kempshall

Conceptions of space and time have conventionally lent themselves to characterizations of late medieval Europe as an ‘Age of Discovery’. These characterizations underpin an account of historical ‘progress’ which is technological, intellectual, and social. Coupled with other retrospective ‘modern’ projections—Renaissance humanism and the rise of ‘the state’—they present a teleological narrative of empirical, rational, and scientific discovery at the waning, even the end, of ‘the Middle Ages’. By qualifying and revising such a narrative, this chapter invites appreciation of a more complex historical reality, a necessarily plural and fragmented picture of socially and culturally conditioned ways of seeing space, measuring time, and understanding the connections between them. The discoveries of the fifteenth century emerge, as a result, not as the reflection of a brave new vision of the world, a shift from ‘religion’ to ‘science’ or from ‘medieval’ to ‘modern’, but rather as a reconfiguration of representations of what was already known. This was certainly an age of conceptual change and development but one which was characterized as much by refining, re-ordering, and reconnection as it was by innovation and discovery.


2021 ◽  
Vol 14 (1) ◽  
pp. 71-96
Author(s):  
Erik Z. D. Ellis

Petrarch’s letter de Ascensu Montis Ventosi has long served as the founding document of “renaissance humanism”. Since thebeginning of renaissance studies in the mid-nineteenth century, the letter has become almost a talisman for summoning the new, secular spirit of humanism that spontaneously arrived in Italy in the fourteenth century, took hold of the hearts and minds of Europeans in the fifteenth century, and led to cataclysmic cultural, religious, and political changes in the sixteenth, seventeenth, and eighteenth centuries. This reading, still common among non-specialists, especially in the English-speaking world, is overly simplistic and ignores Petrarch’s profound debt to classical and Christian tradition, obscuring the fundamentally religious character of the letter. This article examines how scholars came to assign the letter so much importance and offers an interpretation that stresses Petrarch’s continuity with tradition and his desire to revitalize rather than reinvent the traditions of Christian scholarship and contemplation.


2005 ◽  
Vol 10 (1) ◽  
pp. 1-35 ◽  
Author(s):  
Hiro Hirai

AbstractInspired by Christian Platonism as developed in the late fifteenth-century Florentine milieu, the French physician Jean Fernel proposed a particular interpretation of Galen in a medico-philosophical work entitled On the Hidden Causes of Things (Paris, 1548). With this interpretation, he responded to the serious and urgent need for a reconciliation of the newly reconstituted Galen of Renaissance humanism with Christian faith. The present study examines Fernel's strategy and method in constructing this singular Galenic body of doctrine, special attention being given to the roles attributed to the Creator, the formative force, and the soul. Subsequently, an analysis of the notions of spirit and of its innate heat as indispensable instruments of Fernel's physiology will uncover the very target of his criticism of materialism.


Author(s):  
John Monfasani

The early nineteenth-century German educator, F.J. Niethammer, coined the word ‘humanism’, meaning an education based on the Greek and Latin classics. The Renaissance (for our purposes, Europe from about 1350 to about 1650) knew no such term. The Renaissance had, instead, the Latin phrase studia humanitatis (literally ‘the studies of humanity’), best translated ‘the humanities’. The Renaissance borrowed the phrase from classical antiquity. Cicero used it a few times, but it was the later grammarian Aulus Gellius who clearly equated the Latin word humanitas with Greek paideia, that is, with the classical Greek education of liberal learning, especially literature and rhetoric, which was believed to develop the intellectual, moral and aesthetic capacities of a child (pais in Greek; hence paideia). Renaissance humanists understood by studia humanitatis a cycle of five subjects: grammar, rhetoric, poetry, history and moral philosophy, all based on the Greek and Latin classics. A humanist was an expert in the studia humanitatis. The dominant discipline was rhetoric. Eloquence was the highest professional accomplishment of the Renaissance humanists, and rhetorical interests coloured humanists’ approach to the other parts of the studia humanitatis. The Renaissance humanists were the successors of the medieval rhetorical tradition and the resuscitators of the classical rhetorical tradition. Renaissance humanism was, in the words of P.O. Kristeller, ‘a characteristic phase in what may be called the rhetorical tradition in Western culture’ ([1955] 1961: 11). Renaissance humanism was neither a philosophy nor an ideology. It reflected no fixed position towards religion, the state, or society. Rather it was a cultural movement centred on rhetoric, literature and history. Its leading protagonists held jobs primarily as teachers of grammar and literature. Outside academia, they served as secretaries, ambassadors and bureaucrats. Some were jurists. The Renaissance humanists reasserted the importance of the humanities against the overwhelming dominance of philosophy and science in medieval higher education. As humanism penetrated the wider culture, it was combined with other disciplinary interests and professions so that one found humanist philosophers, physicians, theologians, lawyers, mathematicians and so forth. Ideologically humanists were a varied lot. Some were pious, some were not. Some were interested in philosophy, most were not. Some became Protestants, others remained Catholic. Some scorned the vernacular while others made important contributions to it. Humanism influenced virtually every aspect of high culture in the West during the Renaissance. Depending on the humanist under discussion, one can legitimately speak of Christian humanism, lay humanism, civic humanism, Aristotelian humanism and other combinations. Humanism had a profound effect on philosophy. Writing outside the philosophical establishment, humanists sought to make philosophy more literary in presentation and more amenable to rhetorical concerns. No less importantly, they recovered and translated into Latin a large reservoir of Greek classical texts unknown or ignored in the Middle Ages. Platonism, Stoicism, Epicureanism and scepticism all experienced revivals. The humanists challenged medieval Aristotelianism by offering new Latin translations of Aristotle that in some respects amounted to fresh interpretations. They also significantly enriched the Aristotelian corpus by translating the Poetics and the late ancient Greek commentators on Aristotle. Renaissance humanism arose out of the peculiar social and cultural circumstances of thirteenth-century Italy. It came to maturity in Italy in the fifteenth century and spread to the rest of Europe in the sixteenth. It gradually lost its vitality in the seventeenth and eighteenth centuries as its focus on Latin eloquence became out of date in a world increasingly won over to the vernacular literatures and new science. In the nineteenth century, it did not so much die as become metamorphosed. Renaissance humanism sloughed off its rhetorical impulse and became modern scholarly classicism. Today the word humanism has taken on new connotations, but the heritage of Renaissance humanism runs deep in our culture. As long as we continue to value literature and history, and the functional skills and cultural perspective attached to these disciplines, every educated person by training will be a humanist in the Renaissance sense.


1964 ◽  
Vol 11 ◽  
pp. 7-45
Author(s):  
Charles Trinkaus

Due attention has long been given to philosophia moralis , claimed as the fifth studia humanitatis by Italian humanists from the early fifteenth century, and as such subject properly theirs. Scholars have been interested in 'The Moral Thought of Renaissance Humanism' (as Professor Kristeller entitled his recent survey) primarily for the special attitudes of humanists toward ‘man', toward 'nobility', toward ‘wisdom', toward ‘happiness', toward ‘civic' activity and good citizenship. They have paid attention to attempts the humanists made to reconcile ancient philosophies with Christianity, principally those stemming from Florentine Neoplatonism.


1998 ◽  
Vol 53 (3) ◽  
pp. 328-363
Author(s):  
Anna K. Nardo

George Eliot's novel of fifteenth-century Florence, Romola, represents her struggles with both the history of Western culture and her real and literary fathers by reimagining Milton's life and thought. As heir to both Renaissance humanism and Reformation zeal, as a central historical link between fifteenth-century Florence and Victorian England, as the patriarch of English letters, and as the father of rebellious daughters, Milton is the unacknowledged father in Romola, and the stories of his family are woven into the fabric of the novel. Recovering the cultural history of these stories-retold by biographers for two centuries and fictionalized throughout the nineteenth century-allows us to historicize and expand Sandra M. Gilbert and Susan Gubar's insight that Milton is present in Romola, but also to confute their widely accepted conclusion (quoting Harold Bloom) that Milton was for Eliot, as for other women writers, "the great Inhibitor, the Sphinx who strangles even strong imaginations in their cradles."


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