scholarly journals Initial prominence and progressive vowel harmony in Tutrugbu

2020 ◽  
Vol 2 (3) ◽  
Author(s):  
Adam McCollum ◽  
James Essegbey

One of the key elements of constraint-based formalisms is their ability to derive a variety of effects from the interaction of general constraints. As for vowel harmony, one persistent question within Optimality Theory is how to encode directionality – directly through directional harmony-driving constraints, or indirectly through asymmetric prominence patterns. This paper presents a typologically unusual case of progressive harmony triggered by prefixes in Tutrugbu. We compare analyzing harmony as purely progressive in a direct sense with an indirect analysis that motivates harmony from initial-syllable prominence. Based on both language-internal and typological evidence, we argue that the prominence-based analysis is superior. We generalize to suggest that progressive harmony should always be reducible to independent factors, and as a result, formalized indirectly through prominence.

Author(s):  
Ibikunle Abiodun Samuel

This paper gives an Optimality Theory (Henceforth OT) account of advanced tongue root (ATR) vowel harmony in ÀÍKAan Edoid language that consists of four speech forms spoken in Akoko-Edo area in Nigeria. The ATR harmony manifests within as well as across morpheme boundaries. The ATR harmony across morphemes affects the subject pronouns, prefixes as well as demonstrative pronouns because they are underspecified for ATR value while object pronouns are underlyingly specified. It is further noted that ATR has a morphological effect on the items it affects as it triggers phonological allomorphy in them. In addition to right-to-left spreading analysis in the literature (Abiodun 1999, Ibikunle 2014, and 2016), this research further reveals that there are pieces of evidence for left-to-right spreading of harmonic value. More importantly, this analysis shows that OT is viable and problem-solving efficient compared with the Non-Linear or traditional generative account on Vowel Harmony system of the language.  


Author(s):  
Mathias Scharinger ◽  
William J. Idsardi ◽  
Samantha Poe

AbstractVowel harmony is a phonotactic principle that requires adjacent vowels to agree in certain vowel features. Phonological theory considers this principle to be represented in one's native grammar, but its abstractness and perceptual consequences remain a matter of debate. In this paper, we are interested in the brain's response to violations of harmony in Turkish. For this purpose, we test two acoustically close and two acoustically distant vowel pairs in Turkish, involving different kinds of harmony violations. Our measure is the Mismatch Negativity (MMN), an automatic change detection response of the brain that has previously been applied for the study of native phoneme representations in a variety of languages. The results of our experiment support the view that vowel harmony is a phonological principle with a language-specific long-term memory representation. Asymmetries in MMN responses support a phonological analysis of the pattern of results, but do not provide evidence for a pure acoustic or a pure probabilistic approach. Phonological analyses are given within Optimality Theory (OT) and within an underspecification account.


2012 ◽  
Vol 6 (9) ◽  
pp. 575-592 ◽  
Author(s):  
Rachel Walker

This paper gives an Optimality Theory (Henceforth OT) account of advanced tongue root (ATR) vowel harmony in ÀÍKA[1], an Edoid[2] language that consists of four speech forms spoken in Akoko-Edo area in Nigeria. The ATR harmony manifests within as well as across morpheme boundaries. The ATR harmony across morphemes affects the subject pronouns, prefixes as well as demonstrative pronouns because they are underspecified for ATR value while object pronouns are underlyingly specified. It is further noted that ATR has a morphological effect on the items it affects as it triggers phonological allomorphy in them. In addition to right-to-left spreading analysis in the literature (Abiodun 1999, Ibikunle 2014, and 2016), this research further reveals that there are pieces of evidence for left-to-right spreading of harmonic value. More importantly, this analysis shows that OT is viable and problem-solving efficient compared with the Non-Linear or traditional generative account on Vowel Harmony system of the language.


Author(s):  
Emily Gasser ◽  
Claire Bowern

Australian languages are famous for their uniform phonological systems. Cross-linguistic surveys of (or including) Australian languages have reinforced this view of Australian inventories and phonotactics. Such uniformity is surprising and unusual given the phylogenetic diversity in the country (28 phylic families). Moreover, although Australianists have assumed that uniformity in phonemic inventory is coupled with unity in phonotactics, this has not been tested.  Here we statistically test the generalizations current in the literature on Australian languages by deriving inventory information from lexical data (rather than grammatical descriptions).  We utilize a comparative database of lexical items from predominantly Pama-Nyungan languages in order to test published generalizations about phoneme inventories, phonotactics, and other phenomena (such as root internal vowel harmony patterns). By using lexical materials to derive inventories and segment frequencies, we are able to assemble a nuanced picture of the diversity of systems present among the languages. Inventory studies confirm, to some degree, the impression of uniformity. However, phoneme frequencies vary substantially across the sample even among languages with similar inventory types. This work is of particular importance to phonological typologies of Australian languages, but it has implications for wider phonological theory as well. The survey used here is the largest comparative database of a single language family. Rarely do we have the opportunity to conduct a large-scale typological investigation of related languages in this way. We also make a contribution to the role of typology in Optimality Theory. A large-scale survey of markedness patterns (in related languages) allows us to study occurring and non-occurring grammars. Finally, we can investigate the predictions of competing theories.


Author(s):  
Douglas Pulleyblank

AbstractPatterns of vowel harmony are frequently interrupted by the presence of neutral segments, segments that are obligatorily realised with only one of the harmonic values. Peripherally, neutral segments appear in two patterns, referred to as relative and absolute alignment. Medially, such neutral segments may be opaque, interrupting the transmission of harmony, or they may be transparent, skipped over by harmony. It is argued that the properties of neutrality result from the interaction of three independently motivated families of constraints: faithfulness, alignment, and grounding. No process-specific constraints distinguishing between the types of alignment or between opacity and transparency are required under the proposed account.


Author(s):  
Arto Anttila

Language is a system that maps meanings to forms, but the mapping is not always one-to-one. Variation means that one meaning corresponds to multiple forms, for example faster ~ more fast. The choice is not uniquely determined by the rules of the language, but is made by the individual at the time of performance (speaking, writing). Such choices abound in human language. They are usually not just a matter of free will, but involve preferences that depend on the context, including the phonological context. Phonological variation is a situation where the choice among expressions is phonologically conditioned, sometimes statistically, sometimes categorically. In this overview, we take a look at three studies of variable vowel harmony in three languages (Finnish, Hungarian, and Tommo So) formulated in three frameworks (Partial Order Optimality Theory, Stochastic Optimality Theory, and Maximum Entropy Grammar). For example, both Finnish and Hungarian have Backness Harmony: vowels must be all [+back] or all [−back] within a single word, with the exception of neutral vowels that are compatible with either. Surprisingly, some stems allow both [+back] and [−back] suffixes in free variation, for example, analyysi-na ~ analyysi-nä ‘analysis-ess’ (Finnish) and arzén-nak ~ arzén-nek ‘arsenic-dat’ (Hungarian). Several questions arise. Is the variation random or in some way systematic? Where is the variation possible? Is it limited to specific lexical items? Is the choice predictable to some extent? Are the observed statistical patterns dictated by universal constraints or learned from the ambient data? The analyses illustrate the usefulness of recent advances in the technological infrastructure of linguistics, in particular the constantly improving computational tools.


Author(s):  
Samuel Akinbo

This paper explores how the domain of vowel harmony can be affected by conditions involving minimality and the requirement for an onset within optimality theory (OT) framework. This work is based on the description and analysis of vowel harmony in Fungwa, an endangered Kainji, Benue-Congo (Niger state, Nigeria) language. In Fungwa, the root vowels trigger backness harmony which targets the vowels of onsetful prefixes and clitics. However, this harmony does not target vowels of onsetless prefixes. In this work, I argue that prosodic word (PWd) is the domain vowel harmony, a minimality condition and an onset condition. The vowel of the onsetful prefixes and clitics undergoing harmony is as a result of the minimality condition which dictates the occurence of the onsetful prefixes and clitics in the PWd. However, the onset condition on PWd results in the misalignment of the onsetless prefixes with the PWd, which is the domain of harmony.


2018 ◽  
Vol 3 (1) ◽  
pp. 4
Author(s):  
Cassidy Henry

Kazan Tatar is a Kipchak language spoken in the Republic of Tatarstan (Ethnologue). Previous literature has described a backness harmony system, with weak rounding harmony in the mid vowels (Comrie 1997, Berta 1998, Poppe 1968). This work utilizes novel data to investigate Tatar’s harmony under an Optimality Theory (OT) (Prince & Smolensky 1993) framework, contributing new observations regarding the lack of rounding harmony in Tatar, contrary to previous accounts. Through investigation of Tatar’s harmony system, we gain insight into the workings of the language’s phonology and find crucial evidence for the gradual decay of rounding harmony in Turkic languages.


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