scholarly journals Szervezeti relációk a japán ipari vállalkozási kultúrában

2020 ◽  
Vol 11 (2019/2) ◽  
Author(s):  
Mónika Balogh
Keyword(s):  
Present Article ◽  
Social Groups ◽  
Japanese Company ◽  
Cultural Elements ◽  
Short Overview ◽  
Everyday Lives ◽  
Industrial Organizations ◽  
The Everyday ◽  
Shame And Guilt ◽  
Critical Approaches

The present article develops a practical operational view of Ruth Benedict’s shame and guilt culture concept as one of the attributes which might characterize the structure and operation of Japanese social groups. After giving a short overview of critical approaches to this concept, several norm-forming, normoperating and sanctioning practices are examined in relation to the aspect of shame and guilt reactions from the everyday lives of intercultural industrial organizations (companies) located in Hungary, featuring Japanese company cultural elements in their operation. The evaluation and analysis of several related phenomena are conducted on the basis of fieldwork, involving further sociological concepts such as relational subjectivism, kanjin 閑人, shikaku 資格 and ba 場, chū 忠 and kō 孝, giri 義理 and ninjō 人情, wa 和, amae 甘えand others.

Different types of creativity on the two sides of shutters

2014 ◽  
Vol 22 (1) ◽  
pp. 109-123 ◽  
Author(s):  
Maurice Bloch
Keyword(s):  
Present Article ◽  
Social Isolation ◽  
Everyday Lives ◽  
The Everyday ◽  
Different Types ◽  
The Moment ◽  
Two Sides ◽  
General Concern

A charitable sale housed in the Paris showrooms of Christie’s displayed works created by European artists. These were painted over or on the backs of specially commissioned carved house shutters typical of the Zafimaniry region of Madagascar. The present article considers and contrasts the two types of creativity juxtaposed at the Christie’s sale. The European work stresses the artist’s individual originality and social isolation from the everyday lives of those who come to admire or buy the works. The process of the art’s production ends abruptly at the moment of exhibition and sale. In contrast, the work of the Malagasy carvers is contained within a general concern of continuing the life and growth of their families. Their art intends to harden and beautify the houses that represent the continuation of the families’ life. There is no disconnection between the carver and those who will see and use the shutters similar to that of the European artists, and there is no clear beginning or end to the process of creation similar to the point of exhibition and sale. The Malagasy carvers do not want to be different from their predecessors; they want to continue the work and lives of those they are in contact with.

Introduction

2018 ◽  
Author(s):  
Peter Hopkins
Keyword(s):  
Final Section ◽  
Short Note ◽  
Current Situation ◽  
Research Projects ◽  
Everyday Lives ◽  
Early Settlement ◽  
The Everyday ◽  
Initial Research

The chapters in this collection explore the everyday lives, experiences, practices and attitudes of Muslims in Scotland. In order to set the context for these chapters, in this introduction I explore the early settlement of Muslims in Scotland and discuss some of the initial research projects that charted the settlement of Asians and Pakistanis in Scotland’s main cities. I then discuss the current situation for Muslims in Scotland through data from the 2011 Scottish Census. Following a short note about the significance of the Scottish context, in the final section, the main themes and issues that have been explored in research about Muslims in Scotland.

Cross-dialectal diversity in Mukrī Kurdish I: Phonological and phonetic variation

2021 ◽  
pp. 1-12
Author(s):  
Hiwa Asadpour
Keyword(s):  
Language Development ◽  
Present Article ◽  
Geographical Distribution ◽  
Social Groups ◽  
Phonetic Variation ◽  
Sociological Factors ◽  
Triggering Factors ◽  
And Shifts

Abstract This article provides a comparative overview of phonological and phonetic differences of Mukrī Kurdish varieties and their geographical distribution. Based on the examined data, four distinct varieties can be distinguished. In each variety area, different phonological patterns are analyzed according to age, gender, and social groups in order to establish cross-regional and cross-generational developments in relation to specific phonological distributions and shifts. The variety regions which are examined in the present article include West Mukrī (representing an archaic form of Mukrī), Central Mukrī (representing a linguistically peripheral dialect), East Mukrī (representing mixed archaic and peripheral dialect features), and South Mukrī (sharing features of both Mukrī and Ardałānī). The study concludes that variation in the Mukrīyān region depends on phonological developments, which in turn are due to geographical and sociological factors. Moreover, contact-induced change and internal language development are also established as triggering factors distinguishing regional variants.

scholarly journals “This one Grandma knew, too, exactly this one!” Processes of Canonization in Children’s Music

2017 ◽  
Vol 6 (2) ◽  
Author(s):  
Ingeborg Lunde Vestad ◽  
Petter Dyndahl
Keyword(s):  
Day Care ◽  
Real Life ◽  
Care Staff ◽  
Best Interest ◽  
Children's Music ◽  
Everyday Lives ◽  
The Everyday ◽  
Care Facilities ◽  
Different Levels ◽  
Musical Activities

Processes of musical canonization occur at different levels of culture and society. People have a strong propensity to categorize, differentiate, and evaluate the music that is important to them, and music is ascribed value in action by people in real-life settings. Based in these premises, the article discusses two questions: First, how does the idea of a canon of children’s music influence the daily musical activities and repertoires used in children’s day care facilities and family homes? Second, in what ways is music legitimized in the everyday lives of children? Our data is collected by observation and interviews conducted in two pedagogical day care facilities and nine family homes. Children, day care staff and parents participated in the study. We find that a discussion of canonization in children’s music along the following four paths of legitimation is meaningful: the “good, old stuff,” the need for renewal, the inclusion of other types of music other than that aimed at a child audience, and the need for a wide array of genres and sentiments. Finally, we argue that although the legitimation and canonization in children’s music obviously involve considerations of musical aspects, separating these canonization processes from the prevailing socio-cultural ideas of childhood and children’s best interest is impossible.  

scholarly journals Serialised Novels in the Polish Emigré Press in the USA, 1881–1918

2022 ◽  
Vol 124 ◽  
pp. 207-238
Author(s):  
Elżbieta Nowosielska
Keyword(s):  
United States ◽  
United States Of America ◽  
The United States ◽  
Editorial Boards ◽  
Everyday Lives ◽  
Financial Difficulties ◽  
The Everyday ◽  
The Usa ◽  
Historical Themes

This article discusses serialised novels published before 1918 in the Polish émigré press in the United States of America. These works were a popular feature of dailies and weeklies, but the periodicals’ regular financial difficulties meant that it was books published several years or indeed several decades earlier in Europe which were most often serialised. Consequently, most of the works that appeared in the periodicals failed to reflect contemporary literary trends while also overlooking subjects relevant to the everyday lives of Poles abroad. Still, the prevailing patriotic and historical themes complemented the values that many editorial boards subscribed to.

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