‘Intellectual suicides’

2018 ◽  
pp. 64-84
Author(s):  
Christine Crockett Sharp
Keyword(s):  
Nineteenth Century ◽  
The Body

In her essay Christine Crockett Sharp addresses the body as afflicted by a debilitating search for knowledge and truth, which runs against the doctrine of Victorian muscular masculinity. Masturbation, Sharp demonstrates, provoked horror in the nineteenth-century mind because of its association with a deliberate self-incapacitation. The weakness and impotence that it was believed to induce, allied to its suspiciousness as a solitary pursuit, runs counter to the imperatives underpinning imperial and commercial vigour. In Middlemarch, Casaubon is an etiolated husk of a man not primarily because of the impossibility of his intellectual task but because of his self-inflicted moral wound.

“The Blackness of Darkness”

2021 ◽  
Vol 11 (1) ◽  
pp. 2-22
Author(s):  
Lara Langer Cohen
Keyword(s):  
Nineteenth Century ◽  
The Body ◽  
Tourist Attraction ◽  
White Writers ◽  
The World ◽  
Newspaper Articles ◽  
Travel Accounts

Abstract This article considers Kentucky’s Mammoth Cave as an unexpected site for nineteenth-century theorizations of racialized Blackness. Mammoth Cave became a major tourist attraction in the 1840s, generating a host of guidebooks, travel accounts, magazine illustrations, panoramas, newspaper articles, and fiction. Crucial to its fame was the fact that the guides who led visitors through the cave were enslaved men. This article argues that white writers responded to the guides’ knowledge of the cave by reframing it as affinity. In doing so, they transformed Mammoth Cave’s subterranean darkness into a manifestation of racialized Blackness. But the writers’ racialization of Mammoth Cave also had a tendency to slip out of their control. As they associated its spatial darkness with racialized Blackness, the literal underground of Mammoth Cave flickered into an underground that was more than literal—a mysterious Black formation, of unguessed dimensions and certain danger, beneath the world as they knew it. Finally, the article asks what we can glean from the literature of Mammoth Cave about the body of Black thought it sought to disavow: the alternative relations between race and the underground that the guides theorized through their own subterranean explorations.

scholarly journals Shaping Toronto: female economy and agency in the corset industry, 1871-1914

2021 ◽  
Author(s):  
Alanna M. M. McKnight
Keyword(s):  
Nineteenth Century ◽  
Material Culture ◽  
The Body ◽  
Fashion History ◽  
Women's Bodies ◽  
The Gaze ◽  
Female Consumers ◽  
Private And Public ◽  
Female Bodies ◽  
The Relationship

In amplifying the contours of the body, the corset is an historical site that fashions femininity even as it constricts women’s bodies. This study sits at the intersection of three histories: of commodity consumption, of labour, and of embodiment and subjectivity, arguing that women were active participants in the making, selling, purchasing and wearing of corsets in Toronto, a city that has largely been ignored in fashion history. Between 1871 and 1914 many women worked in large urban factories, and in small, independent manufacturing shops. Toronto’s corset manufacturers were instrumental in the urbanization of Canadian industry, and created employment in which women earned a wage. The women who bought their wares were consumers making informed purchases, enacting agency in consumption and aesthetics; by choosing the style or size of a corset, female consumers were able to control to varying degrees, the shape of their bodies. As a staple in the wardrobe of most nineteenth-century women, the corset complicates the study of conspicuous consumption, as it was a garment that was not meant to be seen, but created a highly visible shape, blurring the lines between private and public viewing of the female body. Marxist analysis of the commodity fetish informs this study, and by acknowledging the ways in which the corset became a fetishized object itself, both signaling the shapeliness of femininity while in fact augmenting and diminishing female bodies. This study will address critical theory regarding the gaze and subjectivity, fashion, and modernity, exploring the relationship women had with corsets through media and advertising. A material culture analysis of extant corsets helps understand how corsets were constructed in Toronto, how the women of Toronto wore them, and to what extent they actually shaped their bodies. Ultimately, it is the aim of this dissertation to eschew common misconceptions about the practice of corsetry and showcase the hidden manner in which women produced goods, labour, and their own bodies in the nineteenth century, within the Canadian context.

Genealogy of the Cerebral Subject

Being Brains ◽  
2017 ◽  
Author(s):  
Fernando Vidal ◽  
Francisco Ortega
Keyword(s):  
Nineteenth Century ◽  
Functional Neuroimaging ◽  
The Body ◽  
Self Help ◽  
Brain Structure And Function ◽  
Cerebral Subject ◽  
The Individual ◽  
And Function ◽  
Cerebral Self ◽  
The Brain

The first chapter proposes to trace the distant roots of the cerebral subject to the late seventeenth century, and particularly to debates about the seat of the soul, the corpuscularian theory of matter, and John Locke’s philosophy of personal identity. In the wake of Locke, eighteenth century authors began to assert that the brain is the only part of the body we need to be ourselves. In the nineteenth century, this form of deterministic essentialism contributed to motivate research into brain structure and function, and in turn confirmed the brain-personhood nexus. Since then, from phrenology to functional neuroimaging, neuroscientific knowledge and representations have constituted a powerful support for prescriptive outlooks on the individual and society. “Neuroascesis,” as we call the business that sells programs of cerebral self-discipline, is a case in point, which this chapter also examines. It appeals to the brain and neuroscience as bases for its self-help recipes to enhance memory and reasoning, fight depression, anxiety and compulsions, improve sexual performance, achieve happiness, and even establish a direct contact with God. Yet underneath the neuro surface lie beliefs and even concrete instructions that can be traced to nineteenth-century hygiene manuals.

Lucia and the Auscultation of Disease in Mid-Nineteenth-Century France

2020 ◽  
pp. 1-30
Author(s):  
Mark A. Pottinger
Keyword(s):  
Nineteenth Century ◽  
The Body ◽  
Emotional Symptoms ◽  
Early Nineteenth Century ◽  
Nineteenth Century France ◽  
The Look ◽  
The Individual ◽  
Medical Historian ◽  
Eventual Death ◽  
French Physician

As many scholars have shown, regardless of its popularity today, the ‘mad scene’ of Lucia di Lammermoor was not popular in the several years that followed the premiere in 1835. In fact, audiences, critics and publishers of opera selections for the salon preferred the love duet of act 1 or the final scene of the opera when Edgardo kills himself upon hearing the news that Lucia is dead. In this article, I explore early nineteenth-century notions of hysteria, a disease that manifested with both physical and emotional symptoms. If undiagnosed, the individual suffering from the disease would experience muscle contractions, pupil dilations, delusions, cardiac arrest and eventual death. One of the seminal studies of hysteria in the first half of the nineteenth century was written by the French physician and medical historian Frédéric Dubois d'Amiens (1799–1873), who published in 1833 Histoire philosophique de l'hypochondrie et de l'hystérie, a 500-plus page investigation into the cause and cure of hysterics and hypochondriacs. Through an investigation of the diagnosis of hysteria in d'Amiens's work and the sound and look of hysteria in Donizetti's opera, now made more acute through familiarity with the newly invented stethoscope (1816, René Laennec) and its ability to deliver the internal sounds of the body, we can see how close the opera comes to mirroring the look and sound of the disease, which may explain the lack of enthusiasm and in some cases outright hostility to Lucia's fall into madness in the early reception of the work in France.

Turning Vanity Fair into The Cœlestial City: England’s Legal Narratives of the Body Politic from Bunyan to Thackeray

Pólemos ◽  
2018 ◽  
Vol 12 (1) ◽  
pp. 123-145
Author(s):  
Matteo Nicolini
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Strong Influence ◽  
Body Politic ◽  
The Body ◽  
The Political ◽  
Constitutional History ◽  
Vanity Fair ◽  
Legal Narratives ◽  
English Constitutional History

Abstract The article addresses the different narratives that characterize English constitutional history. It first examines the mainstream narrative, i. e., the retrospective reading of the seventeenth- and eighteenth-century constitutional events dispensed by jurists and politicians in an attempt to pack the Establishment Constitution. It then focuses on the alternative legal narratives about the Constitution elaborated during the Civil War and the Restoration. Among them, it ascertains John Bunyan’s impact on the Establishment Constitution. Bunyan was a member of the New Model Army, a radical, and a Puritan who ended up in prison. Despite this background, he exerted a strong influence on Victorian society and on Thackeray’s representation of the body politic. As a consequence, Bunyan entered the political discourse in the first half of the nineteenth century when politicians started to reform English representative institutions, and therefore became part of the Establishment Constitution.

Science with a Soul

2017 ◽  
Vol 47 (2) ◽  
pp. 246-262
Author(s):  
Deborah K. Manson
Keyword(s):  
Nineteenth Century ◽  
The Body ◽  
Human Being ◽  
Experimental Science ◽  
Historical Society ◽  
Active Participant ◽  
Religious Ideology ◽  
Individual Character ◽  
Divinity School ◽  
The Mind

From the 1840s through to the end of his life in 1888, James Freeman Clarke’s influence permeated newspapers, churches, and lecture halls in Boston. A graduate of Harvard Divinity School, Clarke was an educated and active participant in his community and a respected voice amongst Boston intellectuals. At a time when sciences of the mind were rapidly expanding, Clarke neither ceded authority nor turned a blind eye. Instead, he studied emerging psychologies himself, approaching them as ways to enhance his understanding of the human being—body, soul, and spirit. In his private writings, including journals and letters, Clarke discusses his applications of experimental science, and he appears especially enthusiastic about mesmerism. However, from the pulpit and the lectern, Clarke was almost silent on the topic. This article examines Clarke’s private letters, journals, and sermon notes, accessed in the archives at the Massachusetts Historical Society, for evidence of the role mesmerism played in Clarke’s religious ideology, specifically his concept of man’s physical and spiritual constitution. For Clarke, mesmerism allowed an intimate incorporation of the body with theology, for through it the body became a conduit to the soul and to individual character. Clarke’s interest in and practice of mesmerism reveals it as an underground force that not only shaped his thoughts and theology, but also influenced a number of fellow theologians and intellectuals during the mid-nineteenth century.

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