Orthodoxy and Cultural Identity through Music in the English Interregnum

2020 ◽  
pp. 75-138
Author(s):  
Joseph Arthur Mann
Keyword(s):  
Religious Beliefs ◽  
Political Power ◽  
The Other ◽  
Court Culture ◽  
Charles I ◽  
Current State ◽  
Worship Services ◽  
Antebellum Period ◽  
The Face ◽  
Musical Propaganda

After the Parliamentarian faction defeated, captured, and executed Charles I in the last years of the 1640s, their quest for political power shifted to establishing and maintaining a new cultural orthodoxy based in Calvinist morality and to solidifying their new-found political power. At the same time, the recently defeated and oppressed Royalist faction sought to maintain their own culture in the face of this new Calvinist orthodoxy. Chapter two examines and exposes how both of these groups made use of musical propaganda to support these conflicting agendas. Parliamentarians hired propagandists or otherwise sanctioned and promoted publications that endorsed psalm-singing (an integral part of the new orthodoxy) and defended it from the even more radical religious beliefs of the Quakers, who were even against psalm-singing in worship services. Royalists, on the other hand, kept the court culture of wine, pastoral imagery, and (now covert) support for the monarchy alive while also reliving their glorious antebellum period through the publication of old antebellum songs and masque libretti and the publication of new songs that comment on the current state of their community, urging perseverance and unity in the face of oppression.

scholarly journals Xanthus Stele’s Epigram

Axon ◽  
2018 ◽  
Author(s):  
Margherita Facella
Keyword(s):  
Political Power ◽  
The Other ◽  
Hellenistic Period ◽  
Greek Language ◽  
The Face

One of the most well-known monuments of the so-called acropolis of Xanthos (Lycia) is a large pilaster originally supporting a burial chamber and the statue of the deceased. On the sides of the pillar are two fragmentary inscriptions in Lycian A and B (Milyan), beside a Greek epigram of 12 lines. The epigram celebrates Harpagus, who excelled in sporting and military competitions and was devoted to gods and in particular to Zeus. The name of this dynast is only partially preserved, but can be confidently restored as Gergis and identified with Kheriga who appears on the Lycian texts. Comparison with the other texts of the stele, where Darius II, Artaxerxes II, Tissaphernes, Amorges and other people are mentioned, allows us to date the inscription at the end of the 5th century. The epigram shows that Greek was already used in Lycia before the Hellenistic period; the choice of the Greek language by a dynasty tracing itself back to the powerful Kuprlli shows the intention to state its prestige and political power also in the face of a Greek or Hellenized public.

scholarly journals The current state of science on aphasia

2020 ◽  
Vol V (3) ◽  
pp. 67-78
Author(s):  
G. Idelson
Keyword(s):  
Motor Function ◽  
Direct Consequence ◽  
The Other ◽  
Opposite Hemisphere ◽  
Remarkable Case ◽  
Current State ◽  
Sensory Disorders ◽  
Right Hand ◽  
The Face ◽  
The Right

We very often come across agraphy as a complication in any form of rupture disorder. This even in some forms of verbal speech is a direct consequence of it. For most people, even for many who have been, the right hand has the ability to write; it, therefore, is located under the influence of the center, which innervates the movements of the right hand. The paralysis of the right hand, in the face of a lesion in the center of the upper limb (the middle third of both central gyri), will, of course, destroy the careful movement necessary for writing. Sometimes, on the other hand, agraphia without the slightest damage to the motor function of the hand is subject to even greater doubt. Even Pitres's remarkable case showed mild motor and sensory disorders. Such disorders, perhaps, are easier to detect on the hands, than similar disorders with local aphasia on the lips, tongue, etc., since there can be corrected in the result of external infiltration from the opposite hemisphere, which is impossible here. But in any case, there is a connection on one side of the r between the normal state of the hand and the ability to write on the other side between agraphia and paralysis of the right hand.

Mimetic Monsters

2010 ◽  
Vol 4 (1) ◽  
pp. 85-93
Author(s):  
Timothy Beal
Keyword(s):  
The Other ◽  
Jewish Tradition ◽  
Book Of Job ◽  
Edge Of Chaos ◽  
The Face ◽  
The Relationship

This article reads between two recent explorations of the relationship between religion, chaos, and the monstrous: Catherine Keller’s Face of the Deep and Author's Religion and Its Monsters. Both are oriented toward the edge of chaos and order; both see the primordial and chaotic as generative; both pursue monstrous mythological figures as divine personifications of primordial chaos; both find a deep theological ambivalences in Christian and Jewish tradition with regard to the monstrous, chaotic divine; both are critical of theological and cultural tendencies to demonize chaos and the monstrous; and finally, both read the divine speech from the whirlwind in the book of Job as a revelation of divine chaos. But whereas one sees it as a call for laughter, a chaotic life-affirming laughter with Leviathan in the face of the deep, the other sees it as an incarnation of theological horror, leaving Job and the reader overwhelmed and out-monstered by God. Must it be one way or the other? Can laughter and horror coincide in the face of the deep?

Óscar Romero and the Politics of Sainthood

2011 ◽  
Vol 5 (3) ◽  
pp. 265-291
Author(s):  
Manuel A. Vasquez ◽  
Anna L. Peterson
Keyword(s):  
Human Rights ◽  
Civil War ◽  
El Salvador ◽  
The Other ◽  
Post Colonial ◽  
Holy See ◽  
The Poor ◽  
The Face ◽  
Crisis Of Modernity ◽  
The One

In this article, we explore the debates surrounding the proposed canonization of Archbishop Oscar Romero, an outspoken defender of human rights and the poor during the civil war in El Salvador, who was assassinated in March 1980 by paramilitary death squads while saying Mass. More specifically, we examine the tension between, on the one hand, local and popular understandings of Romero’s life and legacy and, on the other hand, transnational and institutional interpretations. We argue that the reluctance of the Vatican to advance Romero’s canonization process has to do with the need to domesticate and “privatize” his image. This depoliticization of Romero’s work and teachings is a part of a larger agenda of neo-Romanization, an attempt by the Holy See to redeploy a post-colonial and transnational Catholic regime in the face of the crisis of modernity and the advent of postmodern relativism. This redeployment is based on the control of local religious expressions, particularly those that advocate for a more participatory church, which have proliferated with contemporary globalization

“My Power is in My Infirmity”: Illness and Death of Yu.F. Samarin

2019 ◽  
Vol 54 ◽  
pp. 412-431
Author(s):  
Svetlana I. Skorokhodova
Keyword(s):  
The Other ◽  
Russian Philosopher ◽  
Bodily Resurrection ◽  
The Face

This article is devoted to the insufficiently known topic of the disease and death of Y. F. Samarin, a great Russian philosopher, ascetic and warrior, politician and scientist. On the basis of the extensive archival materials the author of the article presents the events panorama that allows to reconstruct certain fragments of Samarin’s life. According to the author, the strongest aspects of Samarin’s personality, supported by his belief in bodily resurrection, were revealed in the face of bodily affliction and death. His love for congenial people, relatives, and Russia dominated all the other feelings of the philosopher both during his life and at the time of his departure. The article shows that something mysterious and undisclosed still remains in Samarin s death.

The Hierophanic Facets of the Seraphic Hymns

Trictrac ◽  
2018 ◽  
Vol 10 ◽  
Author(s):  
Petru Adrian Danciu
Keyword(s):  
Mutual Recognition ◽  
The Other ◽  
Human Being ◽  
Material World ◽  
Face To Face ◽  
The People ◽  
Musical History ◽  
The Face ◽  
The One

Starting from the cry of the seraphim in Isaiahʹ s prophecy, this article aims to follow the rhythm of the sacred harmony, transcending the symbols of the angelic world and of the divine names, to get to the face to face meeting between man and God, just as the seraphim, reflecting their existence, stand face to face. The finality of the sacred harmony is that, during the search for God inside the human being, He reveals Himself, which is the reason for the affirmation of “I Am that I Am.” Through its hypnotic cyclicality, the profane temporality has its own musicality. Its purpose is to incubate the unsuspected potencies of the beings “caught” in the material world. Due to the fact that it belongs to the aeonic time, the divine music will exceed in harmony the mechanical musicality of profane time, dilating and temporarily cancelling it. Isaiah is witness to such revelation offering access to the heavenly concert. He is witness to divine harmonies produced by two divine singers, whose musical history is presented in our article. The seraphim accompanied the chosen people after their exodus from Egypt. The cultic use of the trumpet is related to the characteristics and behaviour of the seraphim. The seraphic music does not belong to the Creator, but its lyrics speak about the presence of the Creator in two realities, a spiritual and a material one. Only the transcendence of the divine names that are sung/cried affirms a unique reality: God. The chant-cry is a divine invocation with a double aim. On the one hand, the angels and the people affirm God’s presence and call His name and, on the other, the Creator affirms His presence through the angels or in man, the one who is His image and His likeness. The divine music does not only create, it is also a means of communion, implementing the relation of man to God and, thus, God’s connection with man. It is a relation in which both filiation and paternity disappear inside the harmony of the mutual recognition produced by music, a reality much older than Adam’s language.

Challenging Gender Hierarchies in Narratives of the Nation: Representations of Women in Zintgraff and the Battle of Mankon and Hard Choice

Imbizo ◽  
2020 ◽  
Vol 11 (2) ◽  
Author(s):  
Naomi Epongse Nkealah ◽  
Olutoba Gboyega Oluwasuji
Keyword(s):  
The Other ◽  
Literary Texts ◽  
Gender Differentiation ◽  
Hard Choice ◽  
Other Hand ◽  
Gender Hierarchies ◽  
The Face ◽  
The One ◽  
Representations Of Women ◽  
Do So

Ideas of nationalisms as masculine projects dominate literary texts by African male writers. The texts mirror the ways in which gender differentiation sanctions nationalist discourses and in turn how nationalist discourses reinforce gender hierarchies. This article draws on theoretical insights from the work of Anne McClintock and Elleke Boehmer to analyse two plays: Zintgraff and the Battle of Mankon by Bole Butake and Gilbert Doho and Hard Choice by Sunnie Ododo. The article argues that women are represented in these two plays as having an ambiguous relationship to nationalism. On the one hand, women are seen actively changing the face of politics in their societies, but on the other hand, the means by which they do so reduces them to stereotypes of their gender.

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