scholarly journals Applying a Bayesian Network Methodology to an Offshore gas Turbine Driven Power Generator to Demonstrate the Cause and Effect Relationship of the Turbine Running Over-speed and the Associated Switchboard Failures

Author(s):  
S. Loughney ◽  
J. Wangb ◽  
B. Matellini
Author(s):  
Bibeth Sharma ◽  
Saibal Kumar Saha ◽  
Ajeya Jha

Floriculture based economy is slowly increasing throughout the world. Orchids, which were once found only in the wild are now being widely cultivated and being sold in the market. In this chapter, an attempt has been made to understand the inter-relational dynamics of different factors impacting the cymbidium orchids-based economy in Sikkim, India using DEMATAL. A total of 14 factors were identified in this regard and based on expert opinion, these factors were rated and analysed using DEMATAL. The cause and effect relationship of the different factors was established in the process. It was found that policy, technology, e-commerce, floricultural parks, certification and infrastructure are the causes while cold chain, quality, pricing, promotion, market development, product development, entrepreneurs, and farming are the effects.


1978 ◽  
Vol 15 (2) ◽  
pp. 284-292 ◽  
Author(s):  
Dale A. Russell ◽  
Chaitanya Singh

A major microfloral change takes place at the top of the Nevis coal seam in south-central Alberta. This change corresponds to a regional microfloral break recorded at the Cretaceous–Paleocene boundary in the northwestern interior of the United States. However, dinosaurs cf. Tyrannosaurus rex and Triceratops albertensis have been found in strata between the Nevis and Ardley coal seams at a stratigraphically higher level than that at which palynofloral change occurs in Alberta. This indicates that the floral extinctions slightly preceded the dinosaurian extinction and also implies that the two events were not linked in a direct cause and effect relationship. The presence of dinosaur remains a few metres above the level of microfloral change signifies that the floral change occurred slightly before the end of Cretaceous time. In the northwestern interior of the United States, however, the dinosaurian extinction apparently coincides with the regional palynofloral change recorded at the Cretaceous–Paleocene boundary. It seems that the lime relationship of the microfloral change and the dinosaurian extinction cannot be clearly seen in condensed sections, where they appear to coincide. This relationship becomes more evident in expanded clastic intervals, rapidly deposited under fluviatile sedimentary regimes, in which the datum marking the microfloral change clearly precedes the reptilian extinctions. The corroborative evidence of radiometric age, youngest dinosaur remains and regional microfloral change favours placing of the Cretaceous–Paleocene boundary at the base of the Ardley seam No. 14 in Alberta.


2020 ◽  
Vol 1 (8) ◽  
pp. 258-271
Author(s):  
K. A. Potashova

The author analyses the visual metaphors of K. N. Batyushkov’s poetry, in which he acts as the creative heir to the artistic style of G. R. Derzhavin. The urgency of the problem is connected with the need to clarify the features of the creative method of K. N. Batyushkov in the aspect of his assimilation of the Derzhavin tradition. The novelty of the research is connected with the expansion of ideas about the poetics of the visual in Russian poetry of the early 19th century, in particular, in the work of K. N. Batyushkov. It is proved that K. N. Batyushkov represents vision as a process of cognition of the world. The mechanisms of K. N. Batyushkov’s transformation of visually perceived world in an artistic image are considered, the artistic thinking of the poet is reconstructed. It is revealed that the model of creating a visual verbal image in K. N. Batyushkov’s work is based on the poetic formula “I see.” It is shown that K. N. Batyushkov emphasizes the position of the observer, reflecting at the same time on the diversity and greatness of God’s world, on the cause-and-effect relationship of reality phenomena. It is established that a special place is given to the representation of historical events in the work of the poet: through the poetic formula “I see” K. N. Batyushkov places himself inside the picture, which corresponds to the emerging aesthetics of romanticism with its cult of personal perception of reality.


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