Caroline Goldblum : Françoise d’Eaubonne et l’écoféminisme

2020 ◽  
Vol 39 (1) ◽  
pp. 132
Author(s):  
Constance Rimlinger
Keyword(s):  
2021 ◽  
Vol 94 (3) ◽  
pp. 251-252
Author(s):  
Michel Gueldry
Keyword(s):  

Author(s):  
Alicia Migliaro González

Françoise d’Eaubonne (1920-2005) proposed the term «ecofeminism», between the ‘60s and ‘70s, to explain the necessary convergence between feminism and ecologist as an alternatives to the world crisis. The drifts of ecofeminism is a fascinating path as well as a window to understand the tensions of feminist and ecologist; even more so since the current crisis of reproduction, where feminist struggles in defense of the bodies-territories detain the advanced destroyer of patriarchal and colonial capitalism. However, in these debates, the figure of Françoise d’Eaubonne and the vehemence of her proposals usually remain as a mere encyclopedic reference. The feminist movement, the urgencies of the ecological crisis, and the COVID-19 pandemic, awaken our interest in her work and her figure.


2021 ◽  
Vol 40 ◽  
pp. 251-268
Author(s):  
María Flores-Fernández ◽  

"Considering the postmodern theoretical context of Maxine Sheets- Johnstone’s corporeal turn and la pensée paysagère (“landscaping thought”) in Augustin Berque, the myth of Pandora’s box is defined here as the self-image of landscape through the ecofeminism of Françoise d’Eaubonne (1974) and the identification of women to nature by Carolyn Merchant (1980). This perspective describes how ecofeminism, landscape philosophy and the imaginary of the body introduce the mutable nature of literary myths and, more precisely, the cosmogonic Pandora’s identities assimilated to the archetypal image of the landscape-woman: from Eve-Pandora as femme fatale, the first woman, to Gaia-Pandora, bearer of hope."


2011 ◽  
Vol 2 ◽  
pp. 533-542
Author(s):  
María Tardón Vigil

A lo largo de la historia, la mujer ha sido, entre otras muchas cosas, creadora de conocimientos, productora de materia y guardiana de la biodiversidad. Los rasgos androcéntricos han ido transformando la cultura hasta desembocar en una crisis ecológica, razón de más por la cual se aborda la cuestión medioambiental desde el lado femenino (resaltando los valores de la naturaleza, la mujer, el animal, el sentimiento, la materia y el cuerpo). Fue Françoise d’Eaubonne la primera que usó el término “ecofeminismo” reclamando el cuerpo femenino como propiedad de una misma. Y a partir de esta premisa, diversos grupos de mujeres comenzaron a tomar conciencia sobre los riesgos de su salud, derivados del uso de pesticidas, fertilizantes y excesiva medicalización que repercuten sobre el cuerpo femenino. Y ya Karen Warren hace ecofeminismo desde la filosofía, concibe la diferenciación como inferioridad. La dominación es la peor de las formas de maltrato, y el medioambiente sufre cada día las consecuencias, cierta reflexión habría de impulsar una compasión especial por ese otro que nunca protesta.


2020 ◽  
Vol 25 (2) ◽  
pp. 45-55
Author(s):  
Soledad Gil Portela ◽  
Paloma Blanco Anaya
Keyword(s):  

O artigo explora o papel dos movementos ecofeministas no desenvolvemento da Educación Ambiental, os seus antecedentes, a súa definición e ás mulleres españolas que representan este movemento.Nos anos 70, coincidindo na época na que por primeira vez foi acuñado o termo Educación Ambiental, nace o movemento ecofeminista da man da francesa Françoise d’Eaubonne. Indagando na información das voces ecofeministas españolas, preténdese analizar as orixes e consecuencias do ecofeminismo na sociedade e a súa repercusión na historia da EA española.Existen moitas mulleres que de forma activa levaron a cabo unha ardua loita pola protección do ambiente e da natureza e pola manifestación da importancia que tiña o medio natural no ámbito educativo. Un claro exemplo foron as  irmáns Blanca e Clotilde Catalán ou Leonor Serrano Pablo e Gloria Giner de los Ríos. Na actualidade destacan as ecofeministas Alicia Puleo e Yayo Herrero.


Author(s):  
Nezaket Tekin

This article focuses on the concepts of woman-nature-art, 18.-19. Century has progressed through a structure that extends from women nature artists to today's eco art. First of all, female protagonists in the stories of the writer Andrea Barrett and their historical counterparts, such as Elizabeth Blackwell, were included. Examples of the works of female artists who criticized the male predominance in the art environment of the 1970s were examined. At the same time, it was mentioned that awareness of the environment increased in the 1970s with the influence of scientists, activists and artists. The concept of Ecofeminism, which was first used by Françoise d'Eaubonne in 1974, was defined, and the women and ecology connections of writers such as Vandana Shiva were mentioned. In the last two sections, the works of the women artists selected were examined with the descriptive method. Agnes Varda is discussed in her wheat field project, which she cultivates in the commercial center of New York, as she is the first artist to engage in agriculture as an artistic act and production. Katie Holten has made boulevard trees visible using photographs, drawings, maps, interviews and software. Finally, there is Neri Oxman, who uses nature itself as a design in her projects, which she calls "Material Ecology" combines science, engineering, art and design. <p> </p><p><strong> Article visualizations:</strong></p><p><img src="/-counters-/edu_01/0856/a.php" alt="Hit counter" /></p>


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