scholarly journals Identités de Pandore : à la rencontre du paysage comme image de soi

2021 ◽  
Vol 40 ◽  
pp. 251-268
Author(s):  
María Flores-Fernández ◽  
Keyword(s):  
The Body ◽  
The Self ◽  
Femme Fatale ◽  
Theoretical Context ◽  
Self Image ◽  
Francoise D'eaubonne

"Considering the postmodern theoretical context of Maxine Sheets- Johnstone’s corporeal turn and la pensée paysagère (“landscaping thought”) in Augustin Berque, the myth of Pandora’s box is defined here as the self-image of landscape through the ecofeminism of Françoise d’Eaubonne (1974) and the identification of women to nature by Carolyn Merchant (1980). This perspective describes how ecofeminism, landscape philosophy and the imaginary of the body introduce the mutable nature of literary myths and, more precisely, the cosmogonic Pandora’s identities assimilated to the archetypal image of the landscape-woman: from Eve-Pandora as femme fatale, the first woman, to Gaia-Pandora, bearer of hope."

Blind Men Speaking of Colors: Paul's Recollection and the Self-Image of Early Thirteenth-Century Theologians

2014 ◽  
Vol 107 (4) ◽  
pp. 425-446
Author(s):  
Ayelet Even-Ezra
Keyword(s):  
Thirteenth Century ◽  
The Body ◽  
The Self ◽  
First Person ◽  
Knowledge Of God ◽  
The Third ◽  
Self Image ◽  
Third Person ◽  
The Subject ◽  
The Third Person

In the Second Epistle to the Corinthians, Paul writes: It is doubtless not profitable for me to boast. I will come to visions and revelations of the Lord: I know a man in Christ who fourteen years ago—whether in the body I do not know, or whether out of the body I do not know, God knows—such a one was caught up to the third heaven. And I know such a man—whether in the body or out of the body I do not know, God knows—how he was caught up into Paradise and heard inexpressible words, which it is not lawful for a man to utter. Of such a one I will boast; yet of myself I will not boast, except in my infirmities. (2 Cor 12:1–5 nkiv) This brief and enigmatic account is caught between multiple dialectics of power and infirmity, pride and humility, unveiling and secrecy. At this point in his letter Paul is turning to a new source of power in order to establish his authority against the crowd of boasting false apostles who populate the previous paragraphs. He wishes to divulge his intimate, occult knowledge of God, but at the same time keep his position as antihero that is prevalent throughout the epistle. These dialectics are enhanced by a sophisticated play of first and third person. The third person denotes the subject who experienced rapture fourteen years ago, while the first person denotes the narrator in the present. Only after several verses does the reader realize that these two are in fact the same person. This alienation allows Paul the intricate play of boasting, for “of such a one I will boast, yet of myself I will not boast.”

scholarly journals Decoding the Role of Advertisements and Exploring the Motivators that Influence the Perception of Self - Image

2021 ◽  
Vol 11 (4) ◽  
pp. 5392-5404
Author(s):  
Niharika Thapliyal ◽  
Mun Mun Ghosh
Keyword(s):  
Body Image ◽  
Mixed Method ◽  
The Body ◽  
The Self ◽  
Mixed Method Approach ◽  
Self Image ◽  
Perception Of Self ◽  
Method Approach

The study of a person's opinion of their own body is the study of "body image." While the definition was not much complicated, the arguments around the "Body Image" have numerous folds, from weight and size to appearance and normality. There can be a long list of things that can affect a person's body image concept and make them feel good about themselves or even dread being in their bodies. The source can be anything from one’s peers to the brands advertising their products with the help of models and celebrities. In this research, we will focus on the advertisements impacting the self-body image. The advertisers take the help of models and celebrities to impact the minds of their viewers and nudge them to try their product. In today’s world, a consumer’s self-image is targeted by how an advertisement is made. The research used a mixed-method approach to imply the finding of the study. The study validated and established the identified and the proposed construct and implied that the advertisements impact the viewers to attain or aspire for the sure self-body image. However, for a brief period, the effect and impact it creates cannot be overruled entirely.

‘A pinch of unseen, unguarded dust’: The World and Self in Thomas Hardy's Poems

2018 ◽  
Vol 8 (1) ◽  
pp. 49-66
Author(s):  
Monika Szuba
Keyword(s):  
The Body ◽  
The Self ◽  
Phenomenological Philosophy ◽  
The Earth ◽  
The World ◽  
The Universe ◽  
Recurrent Theme ◽  
Body Subject

The essay discusses selected poems from Thomas Hardy's vast body of poetry, focusing on representations of the self and the world. Employing Maurice Merleau-Ponty's concepts such as the body-subject, wild being, flesh, and reversibility, the essay offers an analysis of Hardy's poems in the light of phenomenological philosophy. It argues that far from demonstrating ‘cosmic indifference’, Hardy's poetry offers a sympathetic vision of interrelations governing the universe. The attunement with voices of the Earth foregrounded in the poems enables the self's entanglement in the flesh of the world, a chiasmatic intertwining of beings inserted between the leaves of the world. The relation of the self with the world is established through the act of perception, mainly visual and aural, when the body becomes intertwined with the world, thus resulting in a powerful welding. Such moments of vision are brief and elusive, which enhances a sense of transitoriness, and, yet, they are also timeless as the self becomes immersed in the experience. As time is a recurrent theme in Hardy's poetry, this essay discusses it in the context of dwelling, the provisionality of which is demonstrated in the prevalent sense of temporality, marked by seasons and birdsong, which underline the rhythms of the world.

Zofia Kulik. The Splendor of Myself

2019 ◽  
Author(s):  
Agata Jakubowska
Keyword(s):  
Women Artists ◽  
The Self ◽  
Self Image ◽  
Physical Presence

Narratives about women artists usually point to the obstacles they face in the development of their artistic careers. In her article, the author proposes an analysis that concentrates on how a woman artist – Zofia Kulik – presented herself as the heroine of a successful story of emancipation in the series of works titled The Splendor of Myself (1997, 2015, 2017). The self-image she presents is paradoxical: we deal with both her ostentatious presence and her absence as her physical presence is hidden behind the gorgeous but extremely stiff dress. It corresponds with Kulik’s understanding of her success as directly related with the wealth of images and the mastery of composition.

Epilogue

2017 ◽  
Author(s):  
Joshua S. Walden
Keyword(s):  
The Body ◽  
The Self ◽  
The Individual ◽  
Relationship Of ◽  
The Relationship

The book’s epilogue explores the place of musical portraiture in the context of posthumous depictions of the deceased, and in relation to the so-called posthuman condition, which describes contemporary changes in the relationship of the individual with such aspects of life as technology and the body. It first examines Alfred Hitchcock’s Vertigo to view how Bernard Herrmann’s score relates to issues of portraiture and the depiction of the identity of the deceased. It then considers the work of cyborg composer-artist Neil Harbisson, who has aimed, through the use of new capabilities of hybridity between the body and technology, to convey something akin to visual likeness in his series of Sound Portraits. The epilogue shows how an examination of contemporary views of posthumous and posthuman identities helps to illuminate the ways music represents the self throughout the genre of musical portraiture.

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