scholarly journals Zoltán Ambrus, l’un des premiers propagateurs de Charles Baudelaire et de Gustave Flaubert en Hongrie

Carnets ◽  
2021 ◽  
Author(s):  
Enikő Bauernhuber
Keyword(s):  
Gustave Flaubert ◽  
Charles Baudelaire

scholarly journals Fiction as a Medium of Social Communication in 19th Century France

2014 ◽  
Vol 2 (1) ◽  
pp. 123-144
Author(s):  
Sabina Pstrocki-Sehovic ◽  
Sabina Pstrocki-Sehovic
Keyword(s):  
19Th Century ◽  
Social Communication ◽  
Gustave Flaubert ◽  
Emile Zola ◽  
Charles Baudelaire ◽  
Madame Bovary ◽  
Comedie Humaine ◽  
19Th Century France ◽  
The 19Th Century ◽  
Fleurs Du Mal

This article will present the extent to which literature could be viewed as means of social communication – i.e. informing and influencing society – in 19thcentury France, by analysing the appearance of three authors at different points:  the beginning, the middle and the end of the century. The first is the case of Balzac at the beginning of the 19th Century who becomes the most successful novelist of the century in France and who, in his prolific expression and rich vocabulary, portrays society from various angles in a huge opus of almost 100 works, 93 of them making his Comédie humaine. The second is the case of Gustave Flaubert whose famous novel Madame Bovary, which depicts a female character in a realist but also in a psychologically conscious manner, around the mid-19th century reaches French courts together with Les Fleurs du Mal by Charles Baudelaire and is exposed as being socially judged for its alleged immorality. The last is the political affair of Dreyfus and its defender Emile Zola, the father of naturalism. This case confirms the establishment of more intense relations between writer and politics and builds a solid way for a more conscious and everyday political engagement in the literary world from the end of the 19th century onwards. These three are the most important cases which illustrate how fiction functioned in relation to society, state and readership in 19th century France.

Gustave Flaubert and Charles Baudelaire—Their Correspondence

PMLA ◽  
1934 ◽  
Vol 49 (2) ◽  
pp. 630-644
Author(s):  
L. Gardner Miller
Keyword(s):  
Gustave Flaubert ◽  
Charles Baudelaire ◽  
Latin Poetry ◽  
Alexandre Dumas ◽  
Literary Expression ◽  
French Romanticism

Charles Baudelaire was born April 9, 1821; Gustave Flaubert, December 12 in the same year. Their families belong to a cultivated and wealthy bourgeois class which offers to them all the advantages of such a milieu. They grow up during the time that French Romanticism attains the quintessence of its literary expression; their intelligence is stimulated by their reading of Victor Hugo's dramas, those of Alexandre Dumas, Sr., and of Théophile Gautier's poetry. At school, both are mediocre students who excel each in one scholastic exercise—Flaubert is awarded first prize in history, Baudelaire third prize in Latin poetry. They are too preoccupied with literature, too conscious of the first awakenings of their latent genius. Having no respect for their professors, they spend their time as best suits their fancy. Flaubert writes letters to his cherished friend, Ernest Chevalier: Lundi soir, 15 avril 1839, classe du sire Amyot, théorie des éclipses, lequel a l'esprit bougrement éclipsé.

scholarly journals A forma é o real: Flaubert lido por Baudelaire e Maupassant

2021 ◽  
Vol 28 (54) ◽  
Author(s):  
Júnior Vilarino Pereira
Keyword(s):  
Gustave Flaubert ◽  
Charles Baudelaire ◽  
Guy De Maupassant ◽  
Madame Bovary

O romance Madame Bovary, de Gustave Flaubert, quanto à sua influência, extrapola os limites de gêneros, épocas e movimentos literários e chega à contemporaneidade na posição de obra paradigmática tanto da inconversibilidade do real pela literatura quanto da irredutibilidade do literário a realidades pré-existentes. O objetivo deste artigo é mostrar que os escritores Charles Baudelaire e Guy de Maupassant ressaltam, em textos críticos sobre Madame Bovary, o formalismo e a impessoalidade da narrativa como recursos que instauram a imanência da obra e problematizam a pertença do autor à escola realista. O retorno a essas críticas pode lançar luz sobre experimentações estéticas posteriores em que a representação interroga o estatuto do documento e da referencialidade externa.

scholarly journals Jacques Rancière e a revolução sensível: uma (outra) leitura política de Madame Bovary

2019 ◽  
Vol 26 (49) ◽  
pp. 83-108
Author(s):  
Daniela Cunha Blanco
Keyword(s):  
Gustave Flaubert ◽  
Charles Baudelaire ◽  
Jacques Ranciere ◽  
Madame Bovary ◽  
Jean Paul ◽  
Jacques Rancière

O intuito desse texto é pensar como a análise empreendida por Jacques Rancière em torno do livro Madame Bovary, de Gustave Flaubert, daria a ver um entrelaçamento entre estética e política latente tanto na história de Emma Bovary quanto nas críticas a ela dedicadas. Passando especialmente pelas interpretações de Charles Baudelaire e de Jean-Paul Sartre pretende-se apresentar a ideia de que o modo como ambos pensam os gestos e atitudes da personagem é, antes de tudo, político. Se Sartre aproxima o tema de Emma a uma discussão política pela via da práxis e do imaginário, Rancière apresenta uma leitura do romance que não apenas coloca-o em outra chave de visibilidade como também, a partir desse novo olhar, reinterpreta o próprio campo estético em suas relações com a política. Trata-se de pensar o poder de afetar e transformar vidas que a materialidade do sensível do texto daria a ver; de pensar aquilo que compreende como uma revolução sensível. Desse modo, a aproximação da personagem Emma ao pensamento político da emancipação se dará pela via da partilha do sensível que tanto a personagem quanto os proletários das revoluções francesas do século XIX teriam empreendido ao exceder a ligação entre um modo de aparecer e um modo de ser.

The Many Voices of Lydia Davis

2016 ◽  
Author(s):  
Jonathan Evans
Keyword(s):  
Short Stories ◽  
Marcel Proust ◽  
Gustave Flaubert ◽  
Maurice Blanchot ◽  
Literary Production ◽  
American Writer ◽  
Michel Leiris ◽  
The Many

The Many Voices of Lydia Davis shows how translation, rewriting and intertextuality are central to the work of Lydia Davis, a major American writer, translator and essayist. Winner of the Man Booker International Prize 2013, Davis writes innovative short stories that question the boundaries of the genre. She is also an important translator of French writers such as Maurice Blanchot, Michel Leiris, Marcel Proust and Gustave Flaubert. Translation and writing go hand-in-hand in Davis’s work. Through a series of readings of Davis’s major translations and her own writing, this book investigates how Davis’s translations and stories relate to each other, finding that they are inextricably interlinked. It explores how Davis uses translation - either as a compositional tool or a plot device - and other instances of rewriting in her stories, demonstrating that translation is central for understanding her prose. Understanding how Davis’s work complicates divisions between translating and other forms of writing highlights the role of translation in literary production, questioning the received perception that translation is less creative than other forms of writing.

Oleg Almeida discute traduções do russo para o português

2017 ◽  
Vol 1 (2) ◽  
pp. 109-116
Author(s):  
Oleg Almeida ◽  
Ana Helena Rossi ◽  
Sara Lelis
Keyword(s):  
Charles Baudelaire ◽  
Sao Paulo ◽  
São Paulo ◽  
Mikhail Kuzmin ◽  
Pierre Louys

Nascido na Bielorrússia em 1971 e radicado no Brasil desde 2005, Oleg Almeida é poeta, ensaísta e tradutor multilíngue, sócio da União Brasileira de Escritores (UBE/São Paulo). Autor dos livros de poesia Memórias dum hiperbóreo (2008; Prêmio Internacional Il Convivio de 2013), Quarta-feira de Cinzas e outros poemas (2011; Prêmio Literário Bunkyo de 2012), Antologia cosmopolita (2013) e de numerosas traduções do russo (Diário do subsolo, O jogador, Crime e castigo, Memórias da Casa dos mortos e Humilhados e ofendidos de Fiódor Dostoiévski; Pequenas tragédias de Alexandr Púchkin; Canções alexandrinas de Mikhail Kuzmin; Contos russos, vv. I-III) e do francês (O esplim de Paris: pequenos poemas em prosa de Charles Baudelaire; Os cantos de Bilítis de Pierre Louÿs). 

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