Applying Actor-Network Theory in Production Studies

2017 ◽  
pp. 114-141 ◽  
Author(s):  
Markus Spöhrer
Keyword(s):  
Network Theory ◽  
Actor Network Theory ◽  
Hybrid Networks ◽  
Film Production ◽  
Actor Network ◽  
Production Studies ◽  
Human Actors ◽  
Reciprocal Process ◽  
Reciprocal Processes

This paper explores the possibilities of ANT as an approach to Production Studies. On the basis of a detailed production log written by producer Paul Lazarus, the coming-into-being of the film Barbarosa (1982) is described. By using ANT, the assemblies of the film production, the hybrid networks and interconnections, which are established by human and non-human actors alike, are dealt with. Production is not a one sided process of inscriptions by humans on non-human actors. Rather, it needs to be understood as a reciprocal process of inscribing and acting. Finally, the “effects” are discussed which are produced by approaching film with ANT and conclusions are drawn as to how the theoretical scope of Production Studies needs to be modified: Films can be understood as “epistemic things” that are produced and produce themselves in reciprocal processes. They translate themselves into other networks after postproduction and are thus constantly subject to translational processes and not endlessly stable.

Murphy’s Law in Action

2013 ◽  
Vol 5 (1) ◽  
pp. 19-39 ◽  
Author(s):  
Markus Spöhrer
Keyword(s):  
Network Theory ◽  
Methodological Approach ◽  
Actor Network Theory ◽  
Hybrid Networks ◽  
Film Production ◽  
Actor Network ◽  
Production Studies ◽  
Human Actors ◽  
Reciprocal Process ◽  
Reciprocal Processes

This paper explores the possibilities of Actor-Network-Theory as a methodological approach to Production Studies. On the basis of a detailed production log written by producer Paul Lazarus III, the coming-into-being of the film Barbarosa (1982) is described. By using Bruno Latour’s and Michel Callon’s approach, the assemblies of the film production, the hybrid networks and interconnections which are established by human as well non-human actors, are dealt with. Thus film production is not a one sided process of inscriptions by human actors on non-human actors. Rather it is thought as a reciprocal process of inscribing and acting. Consequently the “effects” are discussed which are produced by approaching the production of Barbarosa with ANT and conclusions are drawn as to how the theoretical scope of Production Studies needs to be modified: Films can be understood as “quasi-objects” or “epistemic things” which are produced and produce themselves in reciprocal processes. They translate themselves into other networks after postproduction and are thus constantly subject to translational processes and not endlessly stable, but should rather be considered metastable.

The Impact of Network of Actors on the Information Technology

2011 ◽  
pp. 234-246 ◽  
Author(s):  
Tiko Iyamu ◽  
Arthur Tatnall
Keyword(s):  
Information Technology ◽  
Network Theory ◽  
Actor Network Theory ◽  
It Strategy ◽  
Web Portal ◽  
Computing Environment ◽  
Actor Network ◽  
Design And Implementation ◽  
Human Actors ◽  
The Impact

Organisations’ reliance on Information Technology (IT) is rapidly increasing. IT strategy is developed and implemented for particular purposes by different organizations. We should therefore expect that there will be network of actors within the computing environment, and that such network of actors will be the key to understanding many otherwise unexpected situations during the development and implementation of IT strategy. This network of actors has aligned interests. Many organizations are developing and implementing their IT strategy, while little is known about the network of actors and their impacts, which this paper reveals. This paper describes how Actor-Network Theory (ANT) was employed to investigate the impact of network of actors on the development and implementation of IT strategy in an organisation. ANT was used as it can provide a useful perspective on the importance of relationships between both human and non-human actors. Another example: design and implementation of a B-B web portal, is offered for comparison.

Talking about Associations and Descriptions or a Short Story about Associology

2017 ◽  
pp. 220-233
Author(s):  
Beate Ochsner
Keyword(s):  
Short Story ◽  
Network Theory ◽  
Actor Network Theory ◽  
Bruno Latour ◽  
Actor Network ◽  
The Subject ◽  
Human Actors ◽  
Agency And Structure

In 1999, Bruno Latour advocated for “abandoning what was wrong with ANT, that is ‘actor,' ‘network,' ‘theory' without forgetting the hyphen.” However, it seems that the “hyphen,” which brings with it the operation of hyphenating or connecting, was abandoned too quickly. If one investigates what something is by asking what it is meant as well as how it emerges, by (re-)tracing the strategy in materials in situated practices and sets of relations, and, by bypassing the distinction between agency and structure, one shifts from studying “what causes what” to describing “how things happen.” This perspective not only makes it necessary for us to clarify the changing positions and displacements of human and non-human actors in the assemblage, but, also question the role (the enrolment) of the researcher him/herself: What kind of “relation” connects the researcher to his/her research and associates him/her with the subject, how to prevent (or not) his/her own involvement, and, to what degree s/he ignores the relationality of his/her writing in a “sociology of association?”

Anaphoric Trajectories of Creative Processes

2017 ◽  
pp. 142-155
Author(s):  
Sara Malou Strandvad
Keyword(s):  
Cultural Production ◽  
Network Theory ◽  
Cultural Sociology ◽  
Actor Network Theory ◽  
Creative Development ◽  
Actor Network ◽  
Creative Processes ◽  
Production Studies ◽  
Production Processes ◽  
Development Processes

This chapter critically questions the strategy of applying the Actor-Network Theory to media studies. Arguing that an application of a fixed ANT-approach fundamentally opposes the ambition of Actor-Network Theory, this chapter outlines a different way of drawing inspiration from ANT. Based in the writings of the French cultural sociologist Antoine Hennion, who has been a pioneer in developing a cultural sociology inspired by ANT, and the recent writings of Bruno Latour addressing cultural production, the chapter suggests investigating the “anaphoric trajectories” of creative development processes. To illustrate this approach, the chapter analyzes the case of a failed film project and considers how the content of creative production processes may be incorporated into cultural production studies.

Actor-Network Theory and the Online Investor

2012 ◽  
Vol 4 (2) ◽  
pp. 25-31
Author(s):  
Arthur Adamopoulos ◽  
Martin Dick ◽  
Bill Davey
Keyword(s):  
Network Analysis ◽  
Network Theory ◽  
Actor Network Theory ◽  
Actor Network ◽  
Wide Range ◽  
Human Actors ◽  
Theory Research ◽  
The Way

An actor-network analysis of the way in which online investors use Internet-based services has revealed a phenomenon that is not commonly reported in actor-network theory research. An aspect of the research that emerged from interviews of a wide range of online investors is a peculiar effect of changes in non-human actors on the human actors. In this paper, the authors report on the particular case and postulate that this effect may be found, if looked for, in many other actor-network theory applications.

Lice work: Non-human trajectories in volunteer tourism

2019 ◽  
Vol 19 (2) ◽  
pp. 238-257 ◽  
Author(s):  
Amira Benali ◽  
Carina Ren
Keyword(s):  
Everyday Life ◽  
Network Theory ◽  
Actor Network Theory ◽  
Head Lice ◽  
Volunteer Tourism ◽  
Actor Network ◽  
Volunteer Experiences ◽  
Human Actors

This article studies volunteer tourism by following the trajectories of a non-human actor. Based on fieldwork at a Nepalese orphanage and drawing on insights from the material semiotics of Actor–Network Theory, we describe how the louse interferes as an unexpected actor with volunteer tourism at the orphanage. This post-human approach decentres the volunteer and destabilises the host–guest binary while adding to our understanding of tourism practices as complex and materially distributed endeavours. We analyse two configurations of head lice enacted through a modern morality of hygiene and Nepalese everyday life and show how they are deployed, contested and reconfigured onsite by volunteer tourism actors. By exploring patterns of absence and presence and using the concept of ontological choreography as an analytical resource, we show how the situated lice work of human and non-human actors at the orphanage offers new ways to grasp the forging of volunteer experiences and subjectivities.

scholarly journals Appearance, Disappearance and Reappearance of Activity Based Costing: A Case Study from a Sri Lankan Manufacturing Firm

2019 ◽  
Vol 14 (3) ◽  
pp. 49-81
Author(s):  
Chamali Wijerathne ◽  
◽  
Tharusha Gooneratne ◽  
Keyword(s):  
Network Theory ◽  
Actor Network Theory ◽  
Sri Lankan ◽  
Activity Based Costing ◽  
Manufacturing Firm ◽  
Actor Network ◽  
Study Approach ◽  
Prior Literature ◽  
Human Actors

The purpose of this paper was to identify why activity based costing (ABC) implementation in organizations at times do not continue despite their early interest, but later regain importance. Using the qualitative case study approach, the paper explored the reasons for the appearance, disappearance and reappearance of ABC drawing field data from a Sri Lankan porcelain manufacturing firms, called Gamma. Guided by the theoretical underpinnings of the Actor-Network Theory (ANT), and the translation process therein, we follow organizational managers (human actors) and their interactions with various objects and systems (non-human actors) within the particular context of Gamma, during the different phases of the ABC project. Our findings suggest that the appearance, disappearance and reappearance of ABC have been shaped by a network of actors comprising both humans and non-humans, and that the implementation and continuation of ABC is constrained by the interests of these various actors both inside and outside of the firm. While most prior research has focused on a single phase of ABC implementation, such as the success or the failure, this study brings out its reappearance, following a phase of appearance and disappearance, hence it is a useful addition to prior literature. Furthermore, the findings of this research have important implications for practitioners who are striving to revive projects, such as ABC in organizations. Keywords: activity based costing, appearance, disappearance, reappearance, actor-network theory, case study

scholarly journals Two Computer Systems in Victorian Schools and the Actors and Networks Involved in their Implementation and Use

2013 ◽  
Vol 5 (3) ◽  
pp. 37-46
Author(s):  
Bill Davey ◽  
Arthur Tatnall
Keyword(s):  
Network Theory ◽  
Computer Systems ◽  
Actor Network Theory ◽  
School Education ◽  
State Governments ◽  
Actor Network ◽  
Australian State ◽  
Two Systems ◽  
The Difference ◽  
Human Actors

As in Australia school education is the responsibility of State Governments, this article will consider two computer systems in the Australian State of Victoria. The article takes a socio-technical stance to examine two computer systems currently in use in schools in Victoria: CASES21 and the Ultranet. After describing these systems, the article makes use of actor-network theory to explore the actors involved in their creation, development, implementation and use (or in one case non-use), and the networks they established in doing so. It looks at the associations involving both the human and non-human actors and how these contributed to successful adoption and use of these systems. A comparison of two systems within the same organisational environment allows a unique perspective on the formation of networks. The ANT approach permits an understanding of the difference in adoption where very few factors differ between the cases.

Applications of Actor-Network Theory in Media Studies

2017 ◽  
pp. 1-19
Author(s):  
Markus Spöhrer
Keyword(s):  
Discourse Analysis ◽  
Media Studies ◽  
Network Theory ◽  
International Research ◽  
Actor Network Theory ◽  
The Other ◽  
Actor Network ◽  
Related Research ◽  
Production Studies ◽  
The One

The chapter offers an international research overview of the possibilities and problems of applying Actor-Network Theory in Media Studies and media related research. On the one hand the chapter provides a summary of the central aspects and terminologies of Bruno Latour's, Michel Callon's and John Law's corpus of texts. On the other hand, it summarizes both theoretical and methodological implications of the combination of Actor-Network Theory and strands of Media Studies research such as discourse analysis, Production Studies and media theory.

Sign in / Sign up

Export Citation Format

Share Document