Tacit Knowledge in Maker Spaces and Fab Labs

Author(s):  
Sérgio Maravilhas ◽  
Joberto S. B. Martins

A collaborative space for stimulating creativity is a place of learning through the exchange and sharing of knowledge and experience among its members. It allows to leverage innovation through the use of technological resources available in the space, stimulating the creativity of its participants, enabling the development of products and solutions based on personal projects – Do It Yourself (DIY) – from ideation, or the construction supported on knowledge developed by other elements together, collaboratively, enhancing the final result – Do It With Others (DIWO). A research project is being held to create a new Lab, or transform and adapt one of the existing Lab's, in a Fab Lab or a Maker Space to let students, teachers and staff give wings to their imagination and develop innovative solutions to solve real problems, while they interact and exchange tacit knowledge, making it explicit after concluding their projects when they share their research reports.

Author(s):  
Sérgio Maravilhas ◽  
Joberto Martins

A collaborative space for stimulating creativity is a place of learning through the exchange and sharing of knowledge and experience among its members. It allows the leveraging of innovation through the use of technological resources available in the space, stimulating the creativity of its participants, enabling the development of products and solutions based on personal projects—do it yourself (DIY)—from ideation, or the construction supported on knowledge developed by other elements together, collaboratively, enhancing the final result—do it with others (DIWO). A research project is being held to create a new lab, or transform and adapt one of the existing lab's, in a Fab Lab or a Maker Space to let students, teachers, and staff give wings to their imagination and develop innovative solutions to solve real problems while they interact and exchange tacit knowledge, making it explicit after concluding their projects when they share their research reports.


2005 ◽  
Vol 11 (3-4) ◽  
pp. 100-102
Author(s):  
N.M. Kussul ◽  
◽  
A.M. Lavrenyuk ◽  
A.Yu. Shelestov ◽  
O.G. Lobunets ◽  
...  

Author(s):  
Tayeb Brahimi ◽  
Akila Sarirete ◽  
Sajid Khalifa

The objective of this study is to investigate the impact of accreditation on engineering education including student learning outcomes and innovation based on two accreditation bodies the NCAAA in KSA, and the ABET in USA. The article explores the approach of constructionism with emphasis to makerspace by delivering engineering and design courses with opportunities for innovation, creativity, and the ability to design a system, component, or process to meet desired needs. This innovative approach shifts the active learning strategies from Do-It-Yourself to Do-It-With-Others culture. Makerspace is one of the integral parts of modern education system that brings together and facilitates the community of interdisciplinary individuals. Results from courses in engineering and design shows the benefit of the accreditation in terms of enhancing the overall program quality and the importance of re-evaluating strategies and methodologies of learning which help in delivering innovative solutions and educating tomorrow's leaders to address the most pressing issues facing our societies.


2021 ◽  
Author(s):  
Chloe Wilson

The objective of this practice-based master's research project is to explore how theory on photography, communication, and mythology can be illustrated by the format, layout, and design of a 120 page alternative fashion publication in such a way that it provides insight into the relationship between mythology and the fashion image and an alternative perspective on the fashion image that goes beyond profit-driven motives. This project explores methods of collaboration and creativity by appropriating various works, personal projects, and those of contributors and collecting them into one context: The Phoenix publication. The methods of appropriation, détournement, meta and corpse exquisite are used in the creation of this project in terms of individual submissions, layout, formatting, and the understanding of the publication as a whole.


2021 ◽  
pp. 147447402110205
Author(s):  
Susanna Castleden

Intimate Distances is an art project created in two parts – 6 months and 20,000 km apart. As a creative research project, it was conceived as a way to physically and conceptually explore distance through the intimate gesture of touch. It sought to visually communicate the spatial, temporal and embodied experiences of being on opposite sides of the world through the humble process of frottage. Grand ideas were intended to be galvanised by even grander distances. However, as this article recounts, the 12-month project took unexpected turns, which were generated by a series of failures and finally resulted in an embracing of uncertainty. Rather than following the proposed script, my tacit knowledge led the project in unforeseen ways that were ultimately more productive than expected. Through this article, which itself is a form of enacting an ephemeral experience, I outline how Intimate Distances unfolded and how non-representational theory and performative research entwine in this creative project.


2021 ◽  
Author(s):  
Chloe Wilson

The objective of this practice-based master’s research project is to explore how theory on photography, communication and mythology can be illustrated by the format, layout and design of a 120 page alternative fashion publication in such a way that it provides insight into the relationship between mythology and the fashion image and an alternative perspective on the fashion image that goes beyond profit-driven motives. This project explores methods of collaboration and creativity by appropriating various works, personal projects, and those of contributors and collecting them into one context: the Phoenix publication. The methods of appropriation, détournement, meta, and corpse exquisite are used in the creation of this project in terms of individual submissions, layout, formatting, and the understanding of the publication as a whole.


10.2196/15368 ◽  
2019 ◽  
Vol 8 (11) ◽  
pp. e15368 ◽  
Author(s):  
Shane O'Donnell ◽  
Dana Lewis ◽  
María Marchante Fernández ◽  
Mandy Wäldchen ◽  
Bryan Cleal ◽  
...  

Background Digital innovations in health care have traditionally followed a top-down pathway, with manufacturers leading the design and production of technology-enabled solutions and those living with chronic conditions involved only as passive recipients of the end product. However, user-driven open-source initiatives in health care are becoming increasingly popular. An example is the growing movement of people with diabetes, who create their own “Do-It-Yourself Artificial Pancreas Systems” (DIYAPS). Objective The overall aim of this study is to establish the empirical evidence base for the clinical effectiveness and quality-of-life benefits of DIYAPS and identify the challenges and possible solutions to enable their wider diffusion. Methods A research program comprising 5 work packages will examine the outcomes and potential for scaling up DIYAPS solutions. Quantitative and qualitative methodologies will be used to examine clinical and self-reported outcome measures of DIYAPS users. The majority of members of the research team live with type 1 diabetes and are active DIYAPS users, making Outcomes of Patients’ Evidence With Novel, Do-It-Yourself Artificial Pancreas Technology (OPEN) a unique, user-driven research project. Results This project has received funding from the European Commission’s Horizon 2020 Research and Innovation Program, under the Marie Skłodowska-Curie Action Research and Innovation Staff Exchange. Researchers with both academic and nonacademic backgrounds have been recruited to formulate research questions, drive the research process, and disseminate ongoing findings back to the DIYAPS community and other stakeholders. Conclusions The OPEN project is unique in that it is a truly patient- and user-led research project, which brings together an international, interdisciplinary, and intersectoral research group, comprising health care professionals, technical developers, biomedical and social scientists, the majority of whom are also living with diabetes. Thus, it directly addresses the core research and user needs of the DIYAPS movement. As a new model of cooperation, it will highlight how researchers in academia, industry, and the patient community can create patient-centric innovation and reduce disease burden together. International Registered Report Identifier (IRRID) PRR1-10.2196/15368


2021 ◽  
Author(s):  
Chloe Wilson

The objective of this practice-based master’s research project is to explore how theory on photography, communication and mythology can be illustrated by the format, layout and design of a 120 page alternative fashion publication in such a way that it provides insight into the relationship between mythology and the fashion image and an alternative perspective on the fashion image that goes beyond profit-driven motives. This project explores methods of collaboration and creativity by appropriating various works, personal projects, and those of contributors and collecting them into one context: the Phoenix publication. The methods of appropriation, détournement, meta, and corpse exquisite are used in the creation of this project in terms of individual submissions, layout, formatting, and the understanding of the publication as a whole.


Author(s):  
Sérgio Maravilhas ◽  
Joberto S. B. Martins

A collaborative space for stimulating innovation is a place of learning through the exchange and sharing of knowledge and experience among its members. At the same time, it allows one to leverage innovation using technological resources available in the space, stimulating the creativity of its participants and enabling the development of products and solutions based on personal projects from ideation, or the construction supported on knowledge developed by other elements together, collaboratively, enhancing the final result. These spaces have several designations and typologies, like makerspaces, hackerspaces, techshops, and fab labs. In this chapter, the authors focus on a model, widely tested and in use in several places of the world, the fab lab. The possibility of implementing a fab lab, or fabrication laboratory, or fabulous laboratory, which is a laboratory of digital fabrication, serving as a prototyping platform of physical objects, with broad educational, social, and economic advantages will be analyzed and described.


2021 ◽  
Author(s):  
Chloe Wilson

The objective of this practice-based master's research project is to explore how theory on photography, communication, and mythology can be illustrated by the format, layout, and design of a 120 page alternative fashion publication in such a way that it provides insight into the relationship between mythology and the fashion image and an alternative perspective on the fashion image that goes beyond profit-driven motives. This project explores methods of collaboration and creativity by appropriating various works, personal projects, and those of contributors and collecting them into one context: The Phoenix publication. The methods of appropriation, détournement, meta and corpse exquisite are used in the creation of this project in terms of individual submissions, layout, formatting, and the understanding of the publication as a whole.


Sign in / Sign up

Export Citation Format

Share Document