Phoenix: Rebirth of the fashion image

2021 ◽  
Author(s):  
Chloe Wilson

The objective of this practice-based master's research project is to explore how theory on photography, communication, and mythology can be illustrated by the format, layout, and design of a 120 page alternative fashion publication in such a way that it provides insight into the relationship between mythology and the fashion image and an alternative perspective on the fashion image that goes beyond profit-driven motives. This project explores methods of collaboration and creativity by appropriating various works, personal projects, and those of contributors and collecting them into one context: The Phoenix publication. The methods of appropriation, détournement, meta and corpse exquisite are used in the creation of this project in terms of individual submissions, layout, formatting, and the understanding of the publication as a whole.

2021 ◽  
Author(s):  
Chloe Wilson

The objective of this practice-based master’s research project is to explore how theory on photography, communication and mythology can be illustrated by the format, layout and design of a 120 page alternative fashion publication in such a way that it provides insight into the relationship between mythology and the fashion image and an alternative perspective on the fashion image that goes beyond profit-driven motives. This project explores methods of collaboration and creativity by appropriating various works, personal projects, and those of contributors and collecting them into one context: the Phoenix publication. The methods of appropriation, détournement, meta, and corpse exquisite are used in the creation of this project in terms of individual submissions, layout, formatting, and the understanding of the publication as a whole.


2021 ◽  
Author(s):  
Chloe Wilson

The objective of this practice-based master’s research project is to explore how theory on photography, communication and mythology can be illustrated by the format, layout and design of a 120 page alternative fashion publication in such a way that it provides insight into the relationship between mythology and the fashion image and an alternative perspective on the fashion image that goes beyond profit-driven motives. This project explores methods of collaboration and creativity by appropriating various works, personal projects, and those of contributors and collecting them into one context: the Phoenix publication. The methods of appropriation, détournement, meta, and corpse exquisite are used in the creation of this project in terms of individual submissions, layout, formatting, and the understanding of the publication as a whole.


2021 ◽  
Author(s):  
Chloe Wilson

The objective of this practice-based master's research project is to explore how theory on photography, communication, and mythology can be illustrated by the format, layout, and design of a 120 page alternative fashion publication in such a way that it provides insight into the relationship between mythology and the fashion image and an alternative perspective on the fashion image that goes beyond profit-driven motives. This project explores methods of collaboration and creativity by appropriating various works, personal projects, and those of contributors and collecting them into one context: The Phoenix publication. The methods of appropriation, détournement, meta and corpse exquisite are used in the creation of this project in terms of individual submissions, layout, formatting, and the understanding of the publication as a whole.


1998 ◽  
Vol 4 (2) ◽  
pp. 20
Author(s):  
Jennifer Lewis

A theoretical approach which may be used to increase understanding of the dynamics of environmental and health policy is outlined. The approach deals with conceptualisations or 'ways of knowing', and, as such, tends to raise questions for debate, rather than advance policy solutions. First, it considers ways in which people have thought about and 'known' the world around them and traces how this has been important in shaping our attitudes and values in relation to it, especially in influencing environmental and health policy. Three aspects are considered: the legacy of Enlightenment and Romantic philosophical frameworks, the significance of underlying contradictory assumptions within these frameworks, and some of the implications of this for public policy. Second, it advances a specific theoretical approach ? the dialectic ? as a means of exploring the relationship between ways of thought and providing insight into the complex dynamics of policy making. It looks briefly at the example of sewage disposal policy before arguing that a dialectic approach may be applied to a range of environmental and health policy situations.


2019 ◽  
Vol 11 (1) ◽  
pp. 25-37
Author(s):  
Stephanie Scheubeck

In synaesthesia, the stimulation of one sense or cognitive concept simultaneously and involuntarily produces a sensation in a second sense or cognitive experience. while synaesthesia has been investigated from neuroscience and psychology to social sciences and the arts, the relationship between synaesthesia and dance is largely un-researched. This article provides insight into my practice-led research project on the relationship between synaesthesia and dance improvisation, informed by somatic practice. It demonstrates the interrelation of synaesthesia and dance improvisation when performed by a synaesthete, and discusses the role of attention in this context as well as explorations of the relationship between synaesthesia, somatic practice and dance improvisation by synaesthetes and non-synaesthetes. In conclusion it is suggested that research into synaesthesia through dance and somatic practice can contribute to an integral understanding of this highly quantitatively investigated phenomenon.


Author(s):  
Kristiina Brunila ◽  
Saara Vainio ◽  
Sanna Toiviainen

AbstractIn this paper, we revisit the persistent positivity imperative in Finnish youth education by analysing findings from an on-going research project related to various educational interventions targeted at young people ‘at risk’. The article is focused on youth education as an emblematic manifestation of therapeutic ethos and neoliberalism. These manifestations are part of the emergence of the Nordic therapeutic welfare state where neoliberalisation and therapisation have formed alliances in aiming to produce resilient citizens while the relationship between the state and citizenship (as well as rights and obligations that citizenship carries) has changed. In terms of youth education, as a rationality of governing, the alliance between therapisation and neoliberalism results in the creation of suitably resilient, self-responsible, anxious, uncertain and inherently psycho- emotionally vulnerable young people.


Author(s):  
D. F. Blake ◽  
L. F. Allard ◽  
D. R. Peacor

Echinodermata is a phylum of marine invertebrates which has been extant since Cambrian time (c.a. 500 m.y. before the present). Modern examples of echinoderms include sea urchins, sea stars, and sea lilies (crinoids). The endoskeletons of echinoderms are composed of plates or ossicles (Fig. 1) which are with few exceptions, porous, single crystals of high-magnesian calcite. Despite their single crystal nature, fracture surfaces do not exhibit the near-perfect {10.4} cleavage characteristic of inorganic calcite. This paradoxical mix of biogenic and inorganic features has prompted much recent work on echinoderm skeletal crystallography. Furthermore, fossil echinoderm hard parts comprise a volumetrically significant portion of some marine limestones sequences. The ultrastructural and microchemical characterization of modern skeletal material should lend insight into: 1). The nature of the biogenic processes involved, for example, the relationship of Mg heterogeneity to morphological and structural features in modern echinoderm material, and 2). The nature of the diagenetic changes undergone by their ancient, fossilized counterparts. In this study, high resolution TEM (HRTEM), high voltage TEM (HVTEM), and STEM microanalysis are used to characterize tha ultrastructural and microchemical composition of skeletal elements of the modern crinoid Neocrinus blakei.


2002 ◽  
Vol 6 (1) ◽  
pp. 25-45 ◽  
Author(s):  
Peter Duff

On 1 April 1996, a rather odd provision was introduced into the Scottish criminal justice process, namely a duty on both prosecution and defence to try to agree uncontroversial evidence in advance of criminal trial.1 As far as the writer is aware, such a provision is unique, although the philosophy underlying its introduction is not totally alien to inquisitorial systems of criminal justice.2 What is particularly peculiar about this duty is that there is no sanction for a failure, however unreasonable, to agree uncontroversial evidence.3 The lack of a sanction resulted from a concern that the creation of any penalty would impinge unjustifiably upon the rights of the accused. The intention in this article is to explore in detail the relationship between the duty to agree uncontroversial evidence and the position of the accused, and to suggest that the imposition of a sanction for a breach of this duty is not as problematic as was thought by those responsible for the legislation.


2019 ◽  
Vol 58 (2) ◽  
pp. 249-259
Author(s):  
Joseph Acquisto

This essay examines a polemic between two Baudelaire critics of the 1930s, Jean Cassou and Benjamin Fondane, which centered on the relationship of poetry to progressive politics and metaphysics. I argue that a return to Baudelaire's poetry can yield insight into what seems like an impasse in Cassou and Fondane. Baudelaire provides the possibility of realigning metaphysics and politics so that poetry has the potential to become the space in which we can begin to think the two of them together, as opposed to seeing them in unresolvable tension. Or rather, the tension that Baudelaire animates between the two allows us a new way of thinking about the role of esthetics in moments of political crisis. We can in some ways see Baudelaire as responding, avant la lettre, to two of his early twentieth-century readers who correctly perceived his work as the space that breathes a new urgency into the questions of how modern poetry relates to the world from which it springs and in which it intervenes.


2019 ◽  
Vol 48 (1) ◽  
pp. 83-101
Author(s):  
Cameron McKay

During the late nineteenth and early twentieth century penologists began to explore the possibility that environment and upbringing, as opposed to individual choice, were the causes criminality. The Prison Commissioners for Scotland, the devolved body who administered prisons north of the border, were not immune to this wider trend. Smith has argued that from the 1890s onwards the Commissioners began to accept that criminality was caused by social problems, namely alcoholism, but also parental neglect, poor education and poverty. In their efforts to test these new criminological theories, the Commissioners began to make more careful enquiries into the backgrounds of their charges. From 1896 to 1931 the Commissioners interviewed a sample of prisoners each year and included the findings in their annual report. Although the main focus of these interviews was on the upbringing and drinking habits of prisoners; by the 1900s the Commissioners seem to have added irreligion to the growing list of etiological causes of crime, and from 1903 onwards prisoners were asked to give details on their religious habits. Although it is debateable how much the Prison Commissioners revealed about the relationship between religion and crime, they did however provide a useful insight into the religiosity of the average prisoner.


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