Teaching and Learning Theories for an Interdisciplinary Curriculum

Historical and contemporary theorists have consistently influenced the philosophy of education. Theorists such as John Dewey, the forefather of progressive education, Lev Vygotsky, the creator of the zone of proximal development theory, Paulo Freire, the architect of a social justice-infused curricula, Sonia Nieto, the trailblazer in the multicultural movement, Nel Noddings, the groundbreaker of the care perspective, Emile Durkheim, the originator of sociology, Adam Smith, the spearhead of the economic theory, Howard Gardner, the mastermind of the multiple intelligence theory, and Maxine Greene, the visionary behind the aesthetic experience, have reasoned that a multidisciplinary approach to learning would allow students to recognize their learning potentials, and most importantly, offer students the knowledge and experience they need to connect to life itself.

Author(s):  
Valerie Triggs

The work of American artist, educator, and researcher Elizabeth Ellsworth is profoundly influential in many fields of study, including social policy, architecture, feminism, mass communication, media, education, and art activism. In education, Ellsworth’s insights and ideas about knowledge and pedagogy challenge the view of student education in terms of mental activity and processes of growth promoted by modern psychology. She problematizes knowledge and learning by connecting them to moving bodies, offering radical insights regarding how human embodiment affects activities of teaching and learning and how places of learning implicate bodies in pedagogy. Ellsworth claims knowledge to be always in the making and pedagogy as a force that is already at play in the world, driving experience and sustaining the human prospect. Ellsworth challenges art education by actively questioning knowledge and reality as already made, arguing instead that both are multiple, and can and must be challenged so that society can respond and engage with discursive and material spaces of classroom and daily life practices that changing times, spaces, and bodies engender. Drawing from a wide variety of disciplines, including contemporary art and media design, Ellsworth urges education to orient to the pragmatics of aesthetic experience and the rich indeterminacy of time in moving bodies and demonstrates the potentialities in responding to the anomalies of teaching even while allowing them to be undecidable. In calling for pedagogic efforts that liberate matter from constraint, her work has inspired many varieties of new materialisms currently coming to the fore in curriculum studies. Ellsworth emphasizes the practice of thinking that pedagogy offers, which engages the aesthetic to neutralize binary thinking. She argues that even in attempts to act against oppressions, easy polemics oppose victims to perpetrators; unity is based on sameness; and an “us-ness” versus “them-ness.” Methods appear unproblematic in their use of rationalistic tools, and there are incapacities or refusals to acknowledge one’s own implication in the information and practice that assume exemption from becoming oppressive to others. Instead, Ellsworth advocates thinking in which dynamic and relational unities move through each other, always emerging as something un-predetermined. Her work carries a clearly articulated sociopolitical agenda for design of pedagogic circumstances whose anomalous and “impossible” natures are the actual places in which difference has the flexibility to differ, and students of difference can thrive.


Author(s):  
Tosho Rafailov

The specificity of teaching and learning English for children with special educational needs is the result of the process of implementation of innovative technologies for developing communication skills. Teaching methods are: brainstorming / ice breaking game /; video presentation / multimedia presentation /; doll show; frontal talk; solving crossword puzzles; individual work for the faster. The training is carried out in an innovative learning environment at the “Neofit Rilski” Primary School in Kilifarevo. The expected results of teaching and learning can be represented by the significantly higher annual achievement of students with special needs. Teaching requires the teacher to prepare the academic content on a scientific basis. The scientific basis of the English lesson involves the use of the Multiple Intelligence Theory. The interest in innovative training is strongly emphasized by students with special needs.


2021 ◽  
Vol 98 ◽  
pp. 02009
Author(s):  
Manon van de Water

The article dwells on the use of drama and performance techniques in education and social work in connection with multiple intelligence theory, emotional intelligence theory, and brain based learning. The author connects the use of drama in the alternative theories of teaching and learning based on recent neuroscientific research, and lays out an integrative approach to teaching and learning that promotes inclusion, diversity, and social awareness, through embodied and contextualized learning. If we perceive cognition and emotion as interrelated, then drama as an educational tool becomes essential. It creates metaphors of our lives, which we lead through both cognitive and emotional domains. Art and creativity play an essential role in connections between the body, emotions, and the mind. Moreover, as we live in relationship to the rest of the world around us, our learning is embodied, our brain, emotions, and physiology are constantly connected. Thus, the article demonstrates that drama and performance are vital in teaching the whole child, whether taught as a discipline or used as a teaching tool. This means, the author claims, educators, neuropsychologists, and theatre and drama specialists have to have open minds and be willing to step out of comfort zones and together make a case for using theatre and drama methods as a way to improve human lives.


Author(s):  
Russell Gluck ◽  
John Fulcher

A draw-talk-write (DTW) process evolved as one of the authors (Gluck) worked with indigenous Australians who had stories to tell, and encountered extreme difficulty in putting them into text that met the requirements of their audience, their discipline and, most of all, themselves. DTW enables literacy inefficient, visually strong and orally proficient people to journey to mastery of the language and discourse of any discipline. The process is rooted in Gardner’s (1983) multiple intelligence theory and Vygotsky’s (1978) zone of proximal development and (1962) ideas of thought and language.


Author(s):  
Cut Raudhtaul Miski

After more than thirty five years, multiple  intelligence theory of Howard Gardner is still used to help teaching and learning process in the classroom. Teachers can guide students to maximize their English language learning by optimizing their potential intelligences. Though so, discussion on multiple intelligence toward disadvantaged students is not adequate enough. This paper will figure out the usefulness of the Multiple intelligence theory to facilitate the disadvantaged students in learning English language  in the classroom especially who learn at non - fee paying school. Hopefully that this paper benefits for teachers who teach disadvantaged students, those who are working to improve the quality of education for disadvantaged students, and give a useful light to student teacher’s knowledge about the unique circumstances of disadvantaged students.


2012 ◽  
Vol 2 (2) ◽  
pp. 19-24
Author(s):  
Katarzyna Wójcik

AbstractLearners’ interest is agreed by most of the educators to be significant for effectiveness of teaching and learning process. However postmodern society becomes more and more tranquilized or overactive (depending on the person) because of hundreds of information, pictures and others attacking people’s minds. Therefore gaining students’ attention and then attaching it to the subject becomes more and more difficult. The article makes an attempt to answer the question What is the role of Multiple Intelligence in enhancing learners’ interest level?


Author(s):  
Bart Vandenabeele

Schopenhauer explores the paradoxical nature of the aesthetic experience of the sublime in a richer way than his predecessors did by rightfully emphasizing the prominent role of the aesthetic object and the ultimately affirmative character of the pleasurable experience it offers. Unlike Kant, Schopenhauer’s doctrine of the sublime does not appeal to the superiority of human reason over nature but affirms the ultimately “superhuman” unity of the world, of which the human being is merely a puny fragment. The author focuses on Schopenhauer’s treatment of the experience of the sublime in nature and argues that Schopenhauer makes two distinct attempts to resolve the paradox of the sublime and that Schopenhauer’s second attempt, which has been neglected in the literature, establishes the sublime as a viable aesthetic concept with profound significance.


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