Spatial and Architectural Representations of the East in Selected Western Films and Games

Author(s):  
Meltem Ozkan Altinoz

Aspects of Eastern culture have long been featured in Western cinema but seem to be less popular today. We see less use of spatial and architectural features attributed to the East and a worrying nihilistic trend, particularly in the gaming sector. Such distortions would seem to signify Western preferences, albeit ones shaped by real stakeholders, shape everyday perceptions of the East and its representation. This study traces oriental approaches through the use of space and architecture in several popular films and games and tries to understand the logic behind their visualization.

2000 ◽  
Vol 22 (1) ◽  
pp. 1-16 ◽  
Author(s):  
KEITH BRANIGAN ◽  
COLIN MERRONY

The Hebridean blackhouse is a well-known part of the eighteenth and nineteenth century landscape of the Western Isles, described by numerous early travellers and preserved for posterity at Arnol in Lewis. Survey and excavation of blackhouses on the Isle of Barra, however, suggests that here at least, the majority of blackhouses did not conform to the 'norm' of a long building with accommodation shared by animals and humans. Despite the large families of the Catholic population of Barra, the houses are shorter and provide less internal space than blackhouses further north in the island chain. Animals were more often housed in separate byres. Similarly, the human use of space in the Barra blackhouses shows some variations from the pattern described by nineteenth century sources. As to the origins of the blackhouse, unexcavated sites on Barra suggest two possible future routes of enquiry.


2000 ◽  
Vol 6 (2-3) ◽  
pp. 31-38
Author(s):  
V.I. Lyalko ◽  
L.A. Sirenko ◽  
O.D. Fedorovskyi ◽  
A.Y. Khodorovsky ◽  
V.M. Shestopalov ◽  
...  

2004 ◽  
Vol 10 (5-6) ◽  
pp. 187-189
Author(s):  
V.I. Voloshin ◽  
◽  
Ye.I. Bushuev ◽  
O.I. Parshina ◽  
A.Y. Pankratov ◽  
...  
Keyword(s):  

2007 ◽  
Vol 13 (1s) ◽  
pp. 19-21
Author(s):  
A.N. Teremenko ◽  
◽  
A.G. Mychak ◽  
O.I. Kudriashov ◽  
Ya.L. Kudriashova ◽  
...  

2001 ◽  
Vol 37 (2) ◽  
pp. 9
Author(s):  
A. D. Fedorovskiy ◽  
L. A. Sirenko ◽  
A. J. Khodorovsky ◽  
A. D. Ryabokonenko

2018 ◽  
Vol 12 (1) ◽  
pp. 67
Author(s):  
Widi Cahya Yudhanta

Abstract: XT Square is a kind of building having cultural commerciality function. The existence of this building is very important in supporting artists who live within it. Layout pattern becomes one of accessibility factors in XT Square area. Configuration and visibility shape influence the use of space pattern and people’s interest pattern in accessing every space in the building. The setting system between indoor space and outdoor space will give an easy effort for the people in living in and recognizing the space that it can be accessed comfortably. Configuration and visibility approachs are used in order to analyse the accessibility level of the space usage in that area. The result of the visibility and configuration analysis shows that there are many spaces having low integration that blocks do not integrated strongly and low visibility influences the appearance of the building in that area. This research suggest to open the visibility barrier and give high visibility that it can be recognized.Keywords: configuration, accessibility, visibility, system setting Abstraksi: XT Square merupakan bangunan dengan fungsi komersial budaya. Keberadaanya menjadi sangat penting guna mendukung pengrajin kesenian dan budaya di Kota Yogyakarta. Pola layout menjadi salah satu faktor aksesibilitas dalam kawasan XT Square. Bentuk konfigurasi dan visibilitas mempengaruhi pola pengunaan ruang dan pola keterarikan orang dalam mengakses setiap ruang dalam kawasan. Sistem setting antar ruang dalam dan ruang luar menjadikan kemudahan penguna dalam menempati ruang dan pengenalan ruang sehingga ruang menjadi nyaman untuk diakses. Pendekatan yang digunakan adalah pendekatan konfigurasi dan visibilitas, guna menganalisis tingkat aksesibilitas pengunaan ruang dalam kawasan. Hasil analisis visibilitas dan konfigurasi menunjukkan bahwa terdapat banyak ruang dengan integrasi lemah sehingga blok tidak saling terintegrasi dengan kuat serta rendahnya visibilitas setiap bangunan dalam kawasan. Penelitian ini memberikan rekomendasi dengan membuka pengahalang visibilitas dan memberi kantung tangkapan visibilitas agar ruang mudah dikenali.Kata kunci: konfigurasi, aksesibilitas, visibilitas, sistem setting


Metahumaniora ◽  
2017 ◽  
Vol 7 (2) ◽  
pp. 40
Author(s):  
Panji Maulani

ABSTRAKProses penelitian ini dilakukan dengan melakukan penelitian lapangan danpenelitian kepustakaan. Analisis mendalam terkait akulturasi budaya pada arsitektur MasjidAgung Jawa Tengah didapat melalui penggunaan metode deskriptif-analitik dengan langkahlangkahobservatif. Langkah-langkah tersebut disesuaikan dengan sumber terkait, sehinggadata pada objek penelitian dapat dideskripsikan serta dianalisis dengan pendekatan budayadan arsitektur. Penelitian ini menjadi penting untuk dilakukan karena Masjid Agung JawaTengah memiliki ornamen eksterior yang sangat khas, berbeda dengan ornamen masjidraya-masjid raya lain di Indonesia, yang umumnya memiliki ornamen eksterior yang hanyaberakulturasi dengan budaya Timur Tengah. Pada Masjid Agung Jawa Tengah kita dapatmerasakan suasana seperti di masjid Nabawi dan suasana Colloseum di zaman Romawi.Terdapat 6 buah payung hidrolik seperti di masjid Nabawi dan gerbang Al-Qanathir yangmenyerupai Colloseum pada pelataran masjid akibat pembangunan Masjid Agung JawaTengah menggunakan paduan tiga unsur budaya: Jawa, Timur Tengah, dan Romawi.Kata kunci: akulturasi, ornamen, masjid agung, Jawa TengahABTRACTThe research process was conducted by field research and library research. Depthanalysis related to acculturation on the architecture of the Central Java Great Mosque obtainedusing descriptive-analytic method with observational measures. The steps are adapted to thecorresponding source, so that data on the research object can be described and analyzed withcultural and architectural approach. This research becomes important thing to do because ofthe Great Mosque of Central Java has a very distinctive exterior ornament, in contrast to theother great mosques in Indonesia, whose the exterior ornament is generally only acculturatedwith Middle Eastern culture. In Central Java Great Mosque we can feel the atmosphere likeat the Nabawi Mosque and the atmosphere of the Colosseum in Roman times. There are sixpieces of hydraulic umbrella like in Nabawi Mosque and Al-Qanathir gate that resembles theColosseum in the courtyard of the mosque as the result of the construction of the Central JavaGreat Mosque using a combination of three elements of culture: Java, Middle East, and Roman.Keywords: acculturation, ornament, grand mosque, Central Java


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