Capital Structure and Performance Status of China's New Energy Listed Companies

2014 ◽  
Vol 687-691 ◽  
pp. 4700-4704
Author(s):  
Wei Xing

This paper has analyzed the capital structure and performance status of new energy enterprises in China. At first, it selects related businesses with typical significance, and selects important financial indicators, to make a preliminary analysis in detail of the status quo of new energy industry in recent 3 years.

2013 ◽  
Vol 772 ◽  
pp. 646-652
Author(s):  
Ming Bin Li ◽  
Ping Qiang Yang ◽  
Cai Xia Mu

In the paper, new energy industrial standardization status quo of NingXia Province is analyzed. The frame diagram of new energy standard system of NingXia Province is established based on the standard retrieval database. According to the new energy industrial standard system frame diagram, reasons of restrict the new energy industry development of NingXia Province are analyzed and some suggestions are proposed. Finally, some proposals about new energy industry standard system construction are offered.


2013 ◽  
Vol 805-806 ◽  
pp. 1461-1465
Author(s):  
Li Hong Han ◽  
Li Liu

The main purpose of this paper is to evaluate the growth of listed companies of China's new energy industry. This paper establishes a growth evaluation index system which contains nine financial indicators and two non-financial indicators, and then selects a total of 50 listed companies that belong to five new energy types as an evaluation sample. Factor analysis is used to analyze growth evaluation data of these 50 listed companies. According to the results of factor analysis, an objective evaluation on China's new energy industry listed companies is made.


Pressacademia ◽  
2019 ◽  
Vol 8 (4) ◽  
pp. 259-267
Author(s):  
Carmelo Intrisano ◽  
Anna Paola Micheli ◽  
Anna Maria Calce

2019 ◽  
Vol 7 (1) ◽  
pp. 72-88
Author(s):  
Trish Reid

Abstract This paper addresses the theme of fear and anxiety in contemporary drama and performance through a consideration of the trope of the dystopian near-future as it has re-occurred in a significant number of recent British plays. It takes as its starting point the contention that the prevalence and persistence of this motif makes it worthy of investigation. The plays under discussion do not re-inscribe socio-political problems, or the status quo, by pretending to be objective records of the real world. Instead they create alternative fictional near-future worlds, exploratory dystopias that deliberately perform anxiety-inducing and estranging critical interrogations of current cultural and political concerns. Drawing on the work of Raymond Williams this essay seeks to show that the critical and emotional insights offered by these play-worlds are made possible only through the process of our pondering their strangeness. Each example stages its own particular disruption of theatrical realism and in so doing engages critically both with the British realist theatrical tradition, and also with the wider cultural discourses about ‘truth’ and ‘reality’ that haunt our contemporary neoliberal moment and the emotions these discourses produce.


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