scholarly journals Problems and progress in nature conservation in Rhodesia

Koedoe ◽  
1977 ◽  
Vol 20 (2) ◽  
Author(s):  
G.F.T. Child

The conflicting emotions generated around the aesthetic qualities of wildlife and its pragmatic use as a resource are a feature of human societies stretching into antiquity. On the one hand it has been, and remains, the subject of much folklore and art in societies extending from the Stone Age to the Technological Age. On the other, hunting for the necessities of life, and more recently for recreation, goes very deep into the history of the human race.

2014 ◽  
Vol 107 (3) ◽  
pp. 363-398
Author(s):  
James Carleton Paget

Albert Schweitzer's engagement with Judaism, and with the Jewish community more generally, has never been the subject of substantive discussion. On the one hand this is not surprising—Schweitzer wrote little about Judaism or the Jews during his long life, or at least very little that was devoted principally to those subjects. On the other hand, the lack of a study might be thought odd—Schweitzer's work as a New Testament scholar in particular is taken up to a significant degree with presenting a picture of Jesus, of the earliest Christian communities, and of Paul, and his scholarship emphasizes the need to see these topics against the background of a specific set of Jewish assumptions. It is also noteworthy because Schweitzer married a baptized Jew, whose father's academic career had been disadvantaged because he was a Jew. Moreover, Schweitzer lived at a catastrophic time in the history of the Jews, a time that directly affected his wife's family and others known to him. The extent to which this personal contact with Jews and with Judaism influenced Schweitzer either in his writings on Judaism or in his life will in part be the subject of this article.


2020 ◽  
Vol 10 (1) ◽  
pp. 155-178
Author(s):  
Leila Chamankhah

Muḥy al-Dīn Ibn ‘Arabī’s theoretical mysticism has been the subject of lively discussion among Iranian Sufis since they first encountered it in the seventh century. ‘Abdul Razzāq Kāshānī was the pioneer and forerunner of the debate, followed by reading and interpreting al-Shaykh al-Akbar’s key texts, particularly Fuṣūṣ al-Ḥikam (Bezels of Wisdom) by future generations of Shī‘ī scholars. Along with commentaries and glosses on his works, every element of ibn ‘Arabī’s mysticism, from his theory of the oneness of existence (waḥdat al-wujūd) to his doctrines of nubuwwa, wilāya, and khatm al-wilāya, was accepted by his Shī‘ī peers, incorporated into their context and adjusted to Shī‘a doctrinal platform. This process of internalization and amalgamation was so complete that after seven centuries, it is difficult, if not impossible, to distinguish between Ibn ‘Arabī’s theory of waḥdat al-wujūd, or his doctrines of wilāya and khatm al-wilāya and those of his Shī‘ī readers. To have a clearer picture of the philosophical and mystical activities and interests of Shī‘ī scholars in Iran under Ilkhanids (1256-1353), I examined the intellectual and historical contexts of seventh century Iran. The findings of my research are indicative of the contribution of mystics such as ‘Abdul Razzāq Kāshānī to both the school of Ibn ‘Arabī in general and of Ṣadr al-Dīn al-Qūnawī in particular on the one hand, and to the correlation between Sufism and Shī‘īsm on the other. What I call the ‘Shī‘ītization of Akbarīan Mysticism’ started with Kāshānī and can be regarded as a new chapter in the history of Iranian Sufism.


2019 ◽  
pp. 123-144
Author(s):  
Celeste-Marie Bernier ◽  
Alan Rice ◽  
Lubaina Himid ◽  
Hannah Durkin

“I was trying to write myself, paint myself, and my compatriots, my fellow black artists, if you like, into the history of British painting’, Lubaina Himid writes of the aesthetic, political, ideological and cultural philosophies undergirding her series, Revenge (1992), which is the subject of this chapter. Warring against the iconographic and invisibilising stranglehold exerted by white western male artists in particular, she says, ‘I’m trying to make a comment about how European artists ... have hijacked some of our African and Caribbean imagery, our bodies and all the rest of it’. Staging her own acts and arts of revenge against white western strategies of appropriating and objectifying Blackwomen’s bodies and art-making traditions, she exults in her successes by declaring that ‘I’ve hijacked some stuff back’. ‘The old solutions did not seem to allow for creative imaginings nor did they enable the black woman’s story to take its place amongst the other voices’, she concedes. Himid diagnoses a situation in which ‘old solutions’ or dominant representational modes are responsible for denying as well as distorting ‘the black woman’s story’. Working to do justice not to one but to many Blackwomen’s stories, she cuts to the heart of the matter: ‘Her story is complex and constantly interwoven through the whole, yet is often told simply and by others as that of a silent victim’.


Author(s):  
Laura Laiseca

The purpose of this article is to articulate Nietzsche's criticism of morality which is centered in his experience of the death of God and the end of the subject of Modernity. Nietzsche considers nihilism as a nihilism of morality, not of metaphysics: it is morality and its history that has given rise to nihilism in the Occident. That is why Nietzsche separates himself from metaphysics as well as from morality and science, which differs from Heidegger's reasons. According to Heidegger, Nietzsche places himself in a primal position in the history of metaphysics, by which he means the consummation (Vollendung) of metaphysics' nihilism, which Heidegger tries to transcend. On the one hand, Heidegger shows us how Nietzsche consummates the Platonic philosophy by inverting its principles. On the other, Nietzsche consummates the metaphysics of subjectivity. Consequently he conceives the thought of the will of power and of the eternal recurrence as the two last forms of the metaphysical categories of essence and existence respectively. On this ground it is possible to understand Nietzsche's and Heidegger's thought as the necessary first stage in the transition to Vattimo's postmodern philosophy and his notion of secularization.


2021 ◽  
Vol 3 (3) ◽  
pp. 61-82
Author(s):  
Viktor L. Levchenko ◽  
Nina I. Kovalova

This paper sets out to examine the transformation of comedy in the history of European theatre. Musical performance extends the semiotic space of the original genre into a field of fluid and open meanings and signs incorporating and suggesting many interpretations, some of which are ironic. It is argued in contemporary aesthetics that, on the one hand, art cannot exist without a discourse interpreting it, while on the other, there exists the demand to avoid interpretation, which at once legitimizes the aesthetic effect and castrates the object of art. Provocation is used as an instrument for solving the problems of observing the object of art in a new way and understanding modern reality, and provocation is not complete without irony and self-irony. Wit, irony, and comicality are transformed as fitting into the style of the absurd and deconstructing the border between the funny and the serious. The purpose of such provocations is to put the viewer into a position of uncertainty and aesthetic shock, and this stupor inexorably leads the beholder to encounter the object of art and nurtures a new understanding of their own self. This clash of the spectator’s viewpoint created by provocative shows dispossesses theatre productions of the status of “museum exhibits”. This paper will examine the organicness of elements of the laughter culture and comic devices for musical and dramatic theatre.


2013 ◽  
Vol 21 (1) ◽  
pp. 196-208
Author(s):  
Danny Hayward

Abstract This review essay has two divisions. In its first division it sets out a brief overview of recent Marxist research in the field of ‘Romanticism’, identifying two major lines of inquiry. On the one hand, the attempt to expand our sense of what might constitute a ruthless critique of social relations; on the other, an attempt to develop a materialist account of aesthetic disengagement. This first division concludes with an extended summary of John Barrell’s account of the treason trials of the middle 1790s, as set out in his book Imagining the King’s Death. It argues that Barrell’s book is the most significant recent work belonging to the second line of inquiry. In its second division the review responds to Barrell’s concluding discussion, in which the aesthetic consequences of the treason trials are established by means of a close reading of some of the poetry of Samuel Taylor Coleridge. The division finishes with some more general remarks on the subject of a materialist aesthetics of disengagement.


PEDIATRICS ◽  
1961 ◽  
Vol 28 (6) ◽  
pp. 1019-1019
Author(s):  
Carl C. Fischer

FROM TIME to time Presidents of the American Academy of Pediatrics have used this means of sharing with the fellowship, thoughts which seem to them to be of mutual interest. Last year, President George Wheatley had such a message in every issue, covering a wide variety of interesting and stimulating topics. I will not plan to necessarily continue this policy of having a message for each issue, but will do so whenever the subject matter seems to warrant one. At this, the beginning of a new year for the Academy, it seems appropriate to present to the membership at large a few of the thoughts which I presented in Chicago upon my inauguration as your President. It has recently been my pleasure to reread the two little volumes sent to all Academy Fellows a few years ago, the one containing the Presidential addresses of the first 20 presidents, and the other, Dr. Marshall Pease's stimulating "History of the Academy." I heartily recommend these to any of you who might be interested in the conception, delivery and growth and development of our organization. Of first importance at this time, it seems to me, is the review of the primary objectives of our Academy as originally drawn up by Dr. Grulee and his associates more than 30 years ago. These are: "The object of the Academy shall be to foster and stimulate interest in Pediatrics and correlate all aspects of the word for the welfare of children which properly come within the scope of pediatrics."


2021 ◽  
Vol 9 (2) ◽  
pp. 211-223 ◽  
Author(s):  
Alejandro Patat

In the last ten years, Noi credevamo (We Believed) (Martone 2010) has been the subject of a very careful criticism interested not only in its historical-ideological implications but also in its semiotic specificities. The purpose of this article is to summarize the cardinal points of these two positions and to add to them some critical observations that have not been noted so far. On the one hand, it is a matter of highlighting how, as a historical film, the work is connected with the history of emotions, a recent historiographical trend that aims to detect the narrative devices of ideological propaganda and the diffusion of feelings since the late eighteenth century. On the other hand, the article proposes a new interpretation of Mario Martone’s film, starting with the analysis of phenomena that are not only historical but also technical and structural.


Archaeologia ◽  
1832 ◽  
Vol 25 ◽  
pp. 361-393
Author(s):  
John Bruce

The letter which I some time since did myself the honour to address to you, upon the subject of the Court of Star Chamber, contains a sketch of the history of the judicial authority of the Consilium Regis down to the reign of Henry VI., during whose minority there occurred something like a parliamentary acquiescence in the interference of the Council in all causes, in which there appeared to be too great might on the one side and “unmight” on the other, or in which there existed other reasonable cause for the withdrawal of the dispute from the ordinary tribunals. I shall now trace the subsequent history of this celebrated Court, commenting, as I proceed, upon some of the cases which came under its notice.


2001 ◽  
Vol 52 (1) ◽  
pp. 191-220
Author(s):  
Bent Christensen

Concerning »About Grundtvig's Vidskab«By Bent ChristensenBent Christensen’s contribution presents three texts, viz .firstly his introductory speech at the public defence of the dissertation »About Grundtvi’s Vidskab« An Inquiry into N.F.S. Grundtvig’s »View of the Knowledge Aspect of the Commitment to Life that is a Necessary Part of Christianity« - and, secondly, replies to the two officially appointed critics, as they appear in Grundtvig Studier 1999.In his introductory speech Bent Christensen describes the disciple relationship to Kaj Thaning which has, admittedly, developed into an increasingly critical direction as far as the evaluation of .1832. and the circumstances attached to that year are concerned, but which remains unchanged with respect to the recognition of Kaj Thaning's pioneer work as regards the understanding of the radicalism in Grundtvig’s view of the »intrinsic value«, given in creation, of human life. The divergence is due, more than anything else, to a generational difference in church views. Bent Christensen’s main concern, however, is the question what importance the commitment to life here and now has for the Christian's relation with God and the Christian expectation of the Kingdom of God.The keyword is precisely »importance«. The famous stanza from »The Seven Star of Christendom« really says it all:If our people and our fathers' landTo us are empty words and sounds,If we know not what they signify,Beyond a crowd and soil and strand,Then vain is every word we speakAbout God's Kingdom's mount and vale,About God’s people and His flock.For what is said here, of course, applies to the total involvement in life, of which the scientific activity of understanding is only one particular part. In the most elementary experience of life as well as in science and scholarship on the highest level, we have to do with a consciousness of God - if an indirect one - without which all the words of the history of salvation become »empty«.In his reply to Anders Pontoppidan Thyssen Bent Christensen defends his - in a certain sense - looseness of method, and he denies the implication that his thesis could be seen as a »thesis of vidskab on tottering feet« .I have not from the outset had so much method nor so much thesis that I have been prevented from seeing the hitherto unnoticed, indeed hitherto neglected, aspects of Grundtvig which have been uncovered and interpreted in my dissertation..Bent Christensen refers to the introduction to the thesis, where he has given a detailed account of how it became clear during his work with Grundtvig’s life and writings that .Grundtvig’s view of the knowledge aspect of the commitment to life that is a necessary part of Christianity. must needs be seen precisely as a side or partof an all-embracing totality of life and culture. In the technical terms of a dissertation, the thesis corresponds to what is written on the back of the book’s cover: On one hand it is pointed out that absolutely supreme scholarship (of a humanistic and life-interpreting character) is the upper layer in the all-embracing cultural totality that Grundtvig dreamt about and worked for.But on the other hand it is described in detail how both inner, crucial, factual and positive factors and external, partly highly negative factors cause Grundtvig from around 1835 to concentrate more and more on the preservation, awakening, activities and enlightenment of Danish cultural and national life - with Grundtvig himself in the centre as the great »total poet« of church and people.Responding to Anders Pontoppidan Thyssen’s criticism of the way in which the aspects of church policy and church view are dealt with, Bent Christensen insists that Grundtvig’s 1832-solution assumed its particular form very much as a consequence of the clerical jam that he had to wriggle out of.In the reply to Theodor J.rgensen Bent Christensen denies that his own culturaltheological vision should have put a slant on his work. He is not disappointed that Grundtvig did not attempt to a still larger extent to maintain a Christian unified culture, but on the contrary criticizes Grundtvig, on the one hand, for taking a very exclusive view of the .free congregation of Jesus Christ., but on the other hand for seeking nevertheless, through rather diffuse constructions in church view and »secondary theology«, to preserve an at least kriste-lig (i.e. Christ-like) unity in the Danish society.Bent Christensen goes on to state his reasons why his work has not been more systematically problem-oriented or contextually based on the history of ideas. The decisive fact is that all the influences that Grundtvig obviously received are melted into his Christian universe to such an extent that it would not have been profitable if the reading of Herder and Schelling for example, which was of course a fact, should have entered explicitly into the presentation.Finally, Bent Christensen declares himself in agreement with Theodor J.rgensen’s concluding observations as far as the relation between the universal and the particular in Grundtvig is concerned. Grundtvig’s concept of a national and cultural organism is only part of his view of the whole human race as an organism, so that he cannot be cited in support of a nationalistic self-sufficiency. This is true also of the »superuniversity« in Gothenburg, which, for one thing, was to be a shared Scandinavian project, and which, for another thing, was expressly intended to be the specifically Nordic contribution to the universal-historical scholarship and development of clarification of the collective human race. The same thing applies concerning Grundtvig’s understanding of the relationship between the small Danish congregation and »the horizon of understanding to the catholicity of the Christian church«. In his ecumenical activity Bent Christensen himself has experienced »how good it feels to have the ecumenically universal Grundtvig with him when travelling the world«.


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