The Problem of Economic Development in Russian Intellectual History of the Nineteenth Century

1955 ◽  
pp. 11-39
Keyword(s):  
Nineteenth Century ◽  
Economic Development ◽  
Intellectual History ◽  
History Of ◽  
Russian Intellectual History

scholarly journals VIRTUE LANGUAGE IN NINETEENTH-CENTURY ORIENTALISM: A CASE STUDY IN HISTORICAL EPISTEMOLOGY

2015 ◽  
Vol 14 (3) ◽  
pp. 689-715 ◽  
Author(s):  
HERMAN PAUL
Keyword(s):  
Nineteenth Century ◽  
Intellectual History ◽  
Present Article ◽  
Relative Importance ◽  
Historical Epistemology ◽  
Detailed Case ◽  
Thought Pattern ◽  
History Of ◽  
Dependency Relations

Historical epistemology is a form of intellectual history focused on “the history of categories that structure our thought, pattern our arguments and proofs, and certify our standards for explanation” (Lorraine Daston). Under this umbrella, historians have been studying the changing meanings of “objectivity,” “impartiality,” “curiosity,” and other virtues believed to be conducive to good scholarship. While endorsing this historicization of virtues and their corresponding vices, the present article argues that the meaning and relative importance of these virtues and vices can only be determined if their mutual dependencies are taken into account. Drawing on a detailed case study—a controversy that erupted among nineteenth-century orientalists over the publication of R. P. A. Dozy'sDe Israëlieten te Mekka(The Israelites in Mecca) (1864)—the paper shows that nineteenth-century orientalists were careful to examine (1) the degree to which Dozy practiced the virtues they considered most important, (2) the extent to which these virtues were kept in balance by other ones, (3) the extent to which these virtues were balanced by other scholars’ virtues, and (4) the extent to which they were expected to be balanced by future scholars’ work. Consequently, this article argues that historical epistemology might want to abandon its single-virtue focus in order to allow balances, hierarchies, and other dependency relations between virtues and vices to move to the center of attention.

Islam without Europe

2018 ◽  
Author(s):  
Ahmad S. Dallal
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Intellectual History ◽  
Muslim World ◽  
Religious Knowledge ◽  
Islamic Thought ◽  
European Colonization ◽  
History Of ◽  
Definition Of ◽  
The Ganges

Replete with a cast of giants in Islamic thought and philosophy, Ahmad S. Dallal’s pathbreaking intellectual history of the eighteenth-century Muslim world challenges stale views of this period as one of decline, stagnation, and the engendering of a widespread fundamentalism. Far from being moribund, Dallal argues, the eighteenth century--prior to systematic European encounters--was one of the most fertile eras in Islamic thought. Across vast Islamic territories, Dallal charts in rich detail not only how intellectuals rethought and reorganized religious knowledge but also the reception and impact of their ideas. From the banks of the Ganges to the shores of the Atlantic, commoners and elites alike embraced the appeals of Muslim thinkers who, while preserving classical styles of learning, advocated for general participation by Muslims in the definition of Islam. Dallal also uncovers the regional origins of most reform projects, showing how ideologies were forged in particular sociopolitical contexts. Reformists’ ventures were in large part successful--up until the beginnings of European colonization of the Muslim world. By the nineteenth century, the encounter with Europe changed Islamic discursive culture in significant ways into one that was largely articulated in reaction to the radical challenges of colonialism.

Nnamdi Azikiwe and Nineteenth - Century Nigerian Thought

1974 ◽  
Vol 12 (2) ◽  
pp. 245-263 ◽  
Author(s):  
Michael J. C. Echeruo
Keyword(s):  
Nineteenth Century ◽  
Intellectual History ◽  
Political Thought ◽  
Intellectual Life ◽  
History Of ◽  
Black Man

This article is concerned chiefly with the connection between Dr Nnamdi Azikiwe's thought and that part of Nigeria's intellectual history which was the product of its nineteenth-century heritage. This relationship is important because, until comparatively recently, the intellectual life of what is now Nigeria was really an extension of that of the Negro. What we generally speak of as the beginnings of modern Nigerian social and political thought are really parochial manifestations of the more general history of the black man.

scholarly journals The advancement of development ethics

2020 ◽  
pp. 3-3
Author(s):  
John Marangos ◽  
Nikos Astroulakis ◽  
Eirini Triarchi
Keyword(s):  
Economic Development ◽  
International Development ◽  
Intellectual History ◽  
Development Economics ◽  
Development Studies ◽  
Ethical Aspects ◽  
Development Ethics ◽  
History Of Development ◽  
History Of ◽  
Individual Contributions

An advancement that includes the intellectual history of development ethics is examined in this paper. Relying upon contributions of distinguished scholars, this inquiry considers the intellectual history of the sub-field known as "development ethics". Special attention is paid to the pioneering development ethicist Denis Goulet, recognized as the founder of the field. The paper concentrates on individual contributions on a variety of issues, emphasizing linkages to Goulet?s conception of tasks, methods and normative principles. Students of international development can benefit from this distinctive perspective where ethics is integrated into economic development, disclosing an enlightened perspective of an ethical developing world. Overall, the goal is to establish development ethics as an important subcategory of development economics in regards with its ethical aspects and one which deserves greater attention from economists and development studies scholars.

A Critical Intellectual History of the Historical-Critical Paradigm in Biblical Studies

2017 ◽  
Author(s):  
Joshua A. Berman
Keyword(s):  
Nineteenth Century ◽  
Intellectual History ◽  
Hebrew Bible ◽  
Empirical Models ◽  
Biblical Studies ◽  
Critical Study ◽  
Hebrew Scriptures ◽  
Critical Scholarship ◽  
Great Divide ◽  
History Of

This chapter seeks to understand the origins of the intellectual commitments that shape the discipline today, and its halting disposition toward empirical models of textual growth. It examines how theorists over three centuries have entertained the most fundamental questions concerning the goals and methods of historical-critical study of the Hebrew Bible. The axioms that governed nineteenth-century German scholarship were at a great divide from those that governed earlier historical-critical scholarship, such as that of Spinoza. From there, the chapter offers a brief summary of the claims of contemporary scholars who are looking toward empirical models to reconstruct the textual development of Hebrew scriptures. The chapter concludes by demonstrating how this vein of scholarship undermines an array of nineteenth-century intellectual assumptions, but would have been quite at home in the earlier periods of the discipline’s history, and calling for a return to Spinozan hermeneutics.

The Emergence of the Fourth Dimension

2018 ◽  
Author(s):  
Mark Blacklock
Keyword(s):  
Nineteenth Century ◽  
Cultural History ◽  
Intellectual History ◽  
Henry James ◽  
Fin De Siecle ◽  
Late Nineteenth Century ◽  
Fourth Dimension ◽  
Higher Dimensional ◽  
Fin De Siècle ◽  
History Of

The idea of the fourth dimension of space has been of sustained interest to nineteenth-century and Modernist studies since the publication of Linda Dalrymple Henderson’s The Fourth Dimension and Non-Euclidean Geometry in Modern Art (1983). An idea from mathematics that was appropriated by occultist thought, it emerged in the fin de siècle as a staple of genre fiction and grew to become an informing idea for a number of important Modernist writers and artists. Describing the post-Euclidean intellectual landscape of the late nineteenth century, The Emergence of the Fourth Dimension works with the concepts derived from the mathematical possibilities of n-dimensional geometry—co-presence, bi-location, and interpenetration; the experiences of two consciousnesses sharing the same space, one consciousness being in two spaces, and objects and consciousness pervading each other—to examine how a crucially transformative idea in the cultural history of space was thought and to consider the forms in which such thought was anchored. It identifies a corpus of higher-dimensional fictions by Conrad and Ford, H.G. Wells, Henry James, H.P. Lovecraft, and others and reads these closely to understand how fin de siècle and early twentieth-century literature shaped and were in turn shaped by the reconfiguration of imaginative space occasioned by the n-dimensional turn. In so doing it traces the intellectual history of higher-dimensional thought into diverse terrains, describing spiritualist experiments and how an extended abstract space functioned as an analogue for global space in occult groupings such as the Theosophical Society.

Introduction

2018 ◽  
Author(s):  
Alys Moody
Keyword(s):  
Nineteenth Century ◽  
Intellectual History ◽  
Pierre Bourdieu ◽  
The Body ◽  
Philosophical Tradition ◽  
Human Potential ◽  
Aesthetic Autonomy ◽  
History Of ◽  
Human Failure ◽  
A Site

The introduction maps out the broad intellectual history of hunger, modernism, and aesthetic autonomy, sketching the prehistories that led to their convergence in the art of hunger. It sets out two competing definitions of aesthetic autonomy: a sociological definition, deriving from the writing of Pierre Bourdieu; and a philosophical one, deriving from the German philosophical tradition. It argues that the art of hunger represents a crisis in both definitions of aesthetic autonomy. At the same time, the art of hunger reflects a changing understanding of the body more broadly, as it becomes increasingly understood as a limit to human potential in the nineteenth century. The confluence of these failed modes of aesthetic autonomy and the new understanding of the body as a site of human failure and limitation, creates the conditions within which the art of hunger emerges as a modernist trope.

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