scholarly journals Causation in Classical Chinese During the Warring States Period and in the Han Dynasty

2021 ◽  
Vol 11 (2) ◽  
pp. 65-97
Author(s):  
Aiqing Wang

In this paper, I explore causation in Classical Chinese during the Warring States period and in the Han Dynasty. Whether causation is realised via causative use of words with covert causative verbs, or via overt causative verbs, causation structures can always be divided into Agentive and Causative constructions, which can be further categorised into lexical causatives and productive causatives. I also account for causation in Classical Chinese by means of Feng’s (1998, 2000, 2009) prosodic approach and show that both strategies to form causation structures are compatible with a prosodic theory. I discuss both VO and VV causation and state that Agentive and Causative constructions involving covert causative (light) verbs are prosodic words, whereas those involving overt causative verbs exhibit properties of phrases.

2020 ◽  
Vol 3 (2) ◽  
pp. 206-231
Author(s):  
Olivier Venture

The question of yu 于 and yu 於 in classical Chinese, as two characters often used to record the same grammatical word, has been debated for centuries. Scholars already proposed very detailed analysis related to some specific uses of each of them. Without questioning the existence of specialized usages of both characters in later text, the author proposes here to focus on the earliest evidences provided by inscriptions and manuscripts to understand the origin of their relationship. I conclude, with other scholars, that the difference in use between yu 于 and yu 於 is primarily a question of historical development of the language, the former appearing earlier than the latter. Moreover, the way both characters are used elucidates questions of transmission and attitudes on language use which go far beyond the linguistic frame.


Author(s):  
Lisa Raphals

The Chinese Classics are a group of texts of divination, history, philosophy, poetry, ritual and lexicography that have, to a significant extent, defined the orthodox Ruhist (Confucian) tradition of China. Since the Song dynasty (960–1279), they have consisted of the following thirteen texts: The Shujing, or Shangshu (Book of Documents, or Documents), the ‘classic’ of Chinese political philosophy. Allegedly compiled by Confucius, it contains a variety of historical documents, mostly dating from the fourth century bc.The Yijing (Book of Changes), a divinatory work using sixty-four permutations of broken (yin) and straight (yang) lines in six positions. It has two parts: the ‘Zhouyi’ (Zhou Changes), an ancient divination manual, and the Shiyi (Ten Wings), a commentary dating from the Warring States period (403–222 bc).The Shijing (Book of Songs, or Odes), a collection of 305 poems, ostensibly selected by Confucius, on a wide variety of subjects. It includes songs of farming, feasting and love that are clearly of popular origin. It also contains a variety of court poetry including dynastic hymns, hunting and banquet songs and political satires from the Zhou court (1121–222 bc).The Yili (Ceremony and Rites), a Warring States ritual text.The Zhouli (Rites of Zhou), another Warring States ritual text.the Liji (Book of Rites), a Han work that provides information about early Confucian philosophy and ritual. Together, works (4), (5) and (6) make up the Lijing (Classic of Rites).The Zuozhuan (Zuo Annals).The Guliangzhuan (Guliang Annals).The Gongyangzhuan (Gongyang Annals). Works (7), (8) and (9) are commentaries to the Chunqiu (Spring and Autumn Annals, or simply Annals), a chronicle of the reigns of twelve rulers of the state of Lu; its presentation of diplomatic and political events from 722–481 bc is terse and factual, but the three commentaries provide substantial elaboration and exegesis.The Analects of Confucius (Lunyu), containing anecdotes and short dialogues between Confucius and his disciples. In this work, Confucius established a new emphasis on humanistic ethics and political and social order.The Xiaojing (Book of Filial Piety), a short dialogue between Confucius and one of his disciples, concerned with filiality in both private and public life; it discusses children’s filiality to their parents and subjects’ filiality toward their rulers.The Erya, a book of glosses of Zhou dynasty terms (the title means ‘Graceful and Refined’).The Mengzi, which records a series of dialogues and debates between the philosopher Mencius and his students, several rulers and a variety of rhetorical and philosophical opponents. Mencius elaborated upon the Analects, arguing that human nature was inherently good and claiming that four ‘sprouts’ of goodness could be educated to create intuitive ability as the correct basis for moral judgments. The practice of appealing to authoritative texts appeared as early as the Analects of Confucius, around 500 bc. An explicit classical canon first appeared some four hundred years later during the Han dynasty (206 bc–ad 220), when Emperor Wu institutionalized a set of five classics associated with Confucius. At the same time he established new procedures for recruiting officials, created official chairs for the study of the Five Classics, restricted official academic appointments to those five areas and founded an imperial academy for the study and transmission of those works. In this way he effectively created a new ‘Confucian’ state religion. The term ‘classic’ (jing) also appears as the first of six categories of literature in the classification system of the bibliographical chapter of the Hanshu (History of the Former Han Dynasty). Classics (jing) are distinguished from masters (zi), the latter being grouped into nine schools starting with the Ru, or Confucians. Since the Han dynasty, the content of the classical canon has grown from the original five (or seven) texts, as established during the Han dynasty. The original group of classical texts that acquired official sanction during the early Han empire was supplemented by additional texts during the Tang (617–907) and Song (960–1279) periods. The Chunqiu (Spring and Autumn Annals) became known under the titles of three commentary editions, the Gongyangzhuan, Guliangzhuan and Zuozhuan, as noted above. The Lijing became known as three separate works on ritual, the Yili, the Zhouli and the Liji, again as noted above. The Erya was added to the classical canon during the Tang dynasty and the Mengzi during the Song dynasty, bringing the total to what became the standard thirteen texts. These works functioned as classics in a number of ways. They formed the core education of the bureaucratic elite, they provided an important source for imperial authority and they set the philosophical agenda for the dominant Confucian tradition. The classics are also significant for what they do not contain. Many of what are now considered the greatest philosophical works of the Warring States period are classified as masters, not classics; examples include the Zhuangzi, the Xunzi and (until the Song dynasty) even the Mengzi.


2018 ◽  
Vol 14 (8) ◽  
pp. 145
Author(s):  
Xiang Yang Bian ◽  
Aijuan Cao

Most of the existing studies on Gui-Yi, which is a kind of ancient women’s dress of China, are barely about the interpretation of Xian (ie. a long ribbon made of silk) and Shao (ie. a hanging fabric of cloth, shaped like a swallow tail, tied to the waist) of Gui-Yi, on whose origin, development and evolution of the shape and structure there are few discussions. Based upon summarizing the literature, this paper points out that Gui-Yi in Han Dynasty was originated from a relic of San-di (ie. three kinds of ceremonial dress worn by queens in The Rites of Zhou Dynasty-a classical book in ancient China on the bureaucratic establishment system of Zhou Dynasty and the system of states in Warring States Period). In the paper, Gui-Yi is divided into two kinds according to images in archaeological studies, namely, the ‘Gui-Yi in one-piece system’ (‘one-piece system’ is Chinese robe) and ‘Gui-Yi in separate system’ (‘separate system’ is a kind of suit that consists of blouses and skirts). The former was popular in Han Dynasty, and the latter was popular in Wei &Jin Southern and Northern Dynasties. The change of the shape and structure of Gui-Yi conforms to the historical trend that the ‘Gui-Yi in one-piece system’ entered a recession in the late Eastern Han Dynasty and the ‘Gui-Yi in separate system’ became a popular mainstream in Wei &Jin Southern and Northern Dynasties. In addition, the paper points out female images wearing Gui-Yi in Gu Kaizhi's paintings influenced the expression of Gui-Yi image of Wei & Jin Southern and Northern Dynasties, and Gui-Yi were gradually brought into immortal statues during painters’ artistic processing of that time.


Early China ◽  
2009 ◽  
Vol 32 ◽  
pp. 103-124 ◽  

What did the early Chinese medical body look like before it was inhabited by the five viscera and before canonical medical rationale was framed in terms of the five agents (wuxing 五行)? This article makes the case for a body with an outwardly visible ‘form’ (xing 形) that housed invisible qi 氣 internally. The qi contained in this body was not the universal qi and all-pervasive stuff that we encounter in later medical texts. Nor can it be limited to the ‘breath’ referred to in the context of meditation techniques, since the term referred also to a moral dimension, thoughts and feelings. In the body's upper spheres, qi took on yang 陽 qualities and was associated with feelings of grief or joy; in its lower ones, it took on yin 陰 qualities and was associated with anger. Since this body was primarily a function of emotional and moral aetiologies, it is in what follows called a ‘sentimental body’, and is contrasted with the canonical ‘body ecologic’ which was most importantly a function of the seasons.The textual material presented in this article suggests that the ‘sentimental body’ with its two yinyang spheres was an early Chinese medical body conception. From an extensive computer search that systematically compared passages on xing and qi in the Yellow Emperor's Inner Canon with texts in the early medical manuscripts from Mawangdui and Zhangjiashan, it emerged as a distinctive body. While the canonical ‘body ecologic’, framed in a pentic numerology, became prominent in medical reasoning during to the Han dynasty (206 B.C.E.–220 C.E.), the ‘sentimental body’, which alludes to yinyang cosmologies, dates to the Warring States period (475–221 B.C.E.).


Early China ◽  
1989 ◽  
Vol 14 ◽  
pp. 1-25 ◽  
Author(s):  
Hu Pingsheng

The Fuyang bamboo-strip “Annals” was compiled prior to 165 B.C., at least sixty or seventy years earlier than Sima Qian edited the various chronological tables in the Shiji. The “Annals,” which begins about the time of the Gong He interregnum of the Western Zhou and continues through the time of Qin Shi huangdi, seems to be incompatible with the “Qin Records” and was perhaps compiled using the “Historical Records” of some state other than Qin. It possibly includes two different types of tables: one in which years denominate the vertical columns and statenames the horizontal rows, with events recorded therein horizontally; and one that records the number of years that the feudal lords reigned. Although extensive damage makes it impossible to reconstitute the “Annals,” it can still provide useful information regarding some historical questions, such as the Warring States-period states of “East Zhou” and “West Zhou,” the appellations “Current King” and “Current Duke,” etc.


Author(s):  
Zhang Wenjing ◽  
Wang Xiaokun

In recent years, the Yushu Museum has conducted a systematic investigation on the rock art of the Tongtian River Basin in its prefecture and newly discovered 1230 panels’ rock art (more than 1700 images). This paper is a statistical and comparative analysis of the newly discovered rock art. According to content and production techniques, we divided the rock art of the Tongtian River Basin into two big areas. The West Area is the upper part of the river basin, which is the area above the confluence of Tongtian River and Chumar River (Qumalai River); the East Area is the lower part of the river basin, which is from the confluence to the Batang estuary of Yushu. This area can be subdivided into three subareas. The majority of the Tongtian River Basin’s rock art is categorized as animal type. Yak and deer are respectively the main themes of the West Area and the East Area. In addition, there are other rock art types like symbol, character, pagoda, carriage and so on. The two areas have both commonalities and their own characteristics. Through the typological analysis of production techniques, in the cases of carriage rock art, and deer rock art, we think that the rock art mainly used the whole-image chiseling technique. This technique can be traced back to the Shang Dynasty; the rock art mainly chiseled linearly is dated to the early Zhou Dynasty to the Warring States Period; the rock art that was creates with the line carving technique is dated to the Warring States Period to the Western Han Dynasty; the rock art that was creates with the grind carving technique can be dated back to the Qin and Han dynasties; and the rock art mainly used scratching technique can be traced back to the Ancient Tibetan Empire Period (618-842 AD)


2013 ◽  
Vol 13 (1) ◽  
Author(s):  
Yong Yang

AbstractThe local-styled tombs of the Warring-States Period to the Western Han Dynasty recovered at Kele Site in Hezhang County, Guizhou Province had rich cultural connotations and distinct features, the “head encasing” burial custom of which was especially unique. These tombs showed sharp differences to the Han-styled tombs in the same cemetery and other regional cultural remains in peripheral areas and represented a new archaeological culture in the Xinan Yi (Southwest Barbarians) Region of the Warring-States to the Qin-Han Periods, which could be named as “Kele Culture”. The putting forward of the concept of “Kele Culture” and the research on it had great academic significance; they will positively influence the archaeological researches on the Xinan Yi Region of the Warring-States to the Qin-Han Periods and lay firm foundation for the in-depth archaeological exploration of Yelang Culture.


2015 ◽  
Vol 15 (1) ◽  

AbstractIn 2012 and 2013, the Institute of Archaeology, Chinese Academy of Social Sciences, Shandong Provincial Institute of Cultural Relics and Archaeology and Bureau of Cultural Relics, Linzi District conducted excavation to the remains of a mirror-casting workshop located to the south of Kanjiazhai Village within the large city of the Linzi City Site of the Qi State in Zibo City, Shandong. The recovered remains included casting pits, house foundations, wells, ash pits, kilns, paths and infant burials, the dates of which were mostly the Warring- States Period through the Qin and Han Dynasties; the ones related to the mirror-casting were casting pits, house foundations, wells and some ash pits. The pottery molds unearthed in the excavation were the face molds and back molds of mirrors. The stratigraphy, spatial structure and accumulation status as well as the large amount of mirror molds unearthed from the site all reflected that this site was a mirror-casting workshop site. The stratigraphic relationships and the unearthed artifacts showed that the date of this workshop was the Western Han Dynasty. The excavation of this mirror-casting workshop site provided valuable materials for the development of the relevant researches and can be seen as a great breakthrough of the researches on the bronze mirror-casting industry and technique of the Qin and Han Dynasties even the entire ancient China.


2016 ◽  
Vol 16 (1) ◽  
pp. 1-12

Abstract In 2014, Gansu Provincial Institute of Cultural Relics and Archaeology continued the investigation and excavations to the Mazongshan jade quarry sites in Subei County. In Jing-Bôr Pasture Locality, 10 material deposits, 11 ash pits, two ash ditches and 21 house foundations were recovered, the artifacts unearthed from which included potsherds, stone and bone implements, bronzes, iron objects, jade blanks, etc. In Hanyaozi Pasture Locality, six quarrying pits, one inclined shaft, two material deposits and one fortified remain were recovered. These excavations provided important materials for understanding the mining scale of the jade quarries, the structure and pattern of the quarrying settlements and the interrelationships among these quarrying settlements during the Warring-States Period through the Han Dynasty.


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