scholarly journals The Representation of Military Troops in Pingcheng Tombs and the Private Household Institution of Buqu in Practice

Asian Studies ◽  
2019 ◽  
Vol 7 (2) ◽  
pp. 221-243
Author(s):  
Chin-Yin Tseng
Keyword(s):  
Tang Dynasty ◽  
Large Scale ◽  
Social Institution ◽  
Chinese History ◽  
Life After Death ◽  
Point Of Interest ◽  
Mural Paintings ◽  
Archaeological Materials ◽  
The Tang Dynasty ◽  
Northern Wei

In Northern Wei tombs of the Pingcheng period (398–494 CE), we notice a recurrence of the depiction of armed men in both mural paintings and tomb figurines, not in combat but positioned in formation. Consisting of infantry soldiers alongside light and heavy cavalry accompanied by flag bearers, such a military scene presents itself as a point of interest amidst the rest of the funerary setting. Is this supposed to be an indication that the tomb occupant had indeed commanded such an impressive set of troops in life? Or had the families commissioned this theme as part of the tomb repertoire simply in hopes of providing protection over the deceased in their life after death? If we set the examination of this type of image against textual history, the household institution of buqu retainers that began as early as the Xin (“New”) Dynasty (9–23 CE) and was codified in the Tang Dynasty (618–907 CE), serving as private retainer corps of armed men to powerful families, appears to be the type of social institution reified in the archaeological materials mentioned above. The large-scale appearance of these military troops inside Pingcheng period tombs might even suggest that with the “tribal policy” in place, the Han Chinese practice of keeping buqu retainers became a convenient method for the Tuoba to manage recently conquered tribal confederations, shifting clan loyalty based on bloodline to household loyalty based on the buqu institution, one with a long social tradition in Chinese history.  

scholarly journals Could phenological records from Chinese poems of the Tang and Song dynasties (618–1279 CE) be reliable evidence of past climate changes?

2021 ◽  
Vol 17 (2) ◽  
pp. 929-950
Author(s):  
Yachen Liu ◽  
Xiuqi Fang ◽  
Junhu Dai ◽  
Huanjiong Wang ◽  
Zexing Tao
Keyword(s):  
Tang Dynasty ◽  
Climate Changes ◽  
Background Information ◽  
Chinese History ◽  
Validity And Reliability ◽  
Past Climate ◽  
Tang And Song Dynasties ◽  
The Tang Dynasty ◽  
Past Climate Change ◽  
Phenological Records

Abstract. Phenological records in historical documents have been proven to be of unique value for reconstructing past climate changes. As a literary genre, poetry reached its peak in the Tang and Song dynasties (618–1279 CE) in China. Sources from this period could provide abundant phenological records in the absence of phenological observations. However, the reliability of phenological records from poems, as well as their processing methods, remains to be comprehensively summarized and discussed. In this paper, after introducing the certainties and uncertainties of phenological information in poems, the key processing steps and methods for deriving phenological records from poems and using them in past climate change studies are discussed: (1) two principles, namely the principle of conservatism and the principle of personal experience, should be followed to reduce uncertainties; (2) the phenological records in poems need to be filtered according to the types of poems, background information, rhetorical devices, spatial representations, and human influence; (3) animals and plants are identified at the species level according to their modern distributions and the sequences of different phenophases; (4) phenophases in poems are identified on the basis of modern observation criteria; (5) the dates and sites for the phenophases in poems are confirmed from background information and related studies. As a case study, 86 phenological records from poems of the Tang Dynasty in the Guanzhong region in China were extracted to reconstruct annual temperature anomalies in specific years in the period between 600 and 900 CE. Following this, the reconstruction from poems was compared with relevant reconstructions in published studies to demonstrate the validity and reliability of phenological records from poems in studies of past climate changes. This paper reveals that the phenological records from poems could be useful evidence of past climate changes after being scientifically processed. This could provide an important reference for future studies in this domain, in both principle and methodology, pursuant of extracting and applying phenological records from poems for larger areas and different periods in Chinese history.

The Other China Hunger: Part II

Worldview ◽  
1976 ◽  
Vol 19 (6) ◽  
pp. 43-48
Author(s):  
Miriam London ◽  
Ivan D. London
Keyword(s):  
Hong Kong ◽  
Tang Dynasty ◽  
The Other ◽  
Chinese History ◽  
Chinese Cities ◽  
The Tang Dynasty

It's nothing new in Chinese history to impress the foreigner for the sake of the country's face,” said a young escaper last year in Hong Kong, who by no means intended to denigrate his country. “When people from other countries came to the ancient capital of Ch'ang An in the Tang Dynasty, it was so gorgeously decorated, those foreigners were astounded….If the rulers today desire not to let foreigners see anyone wearing patched clothes, that can easily be arranged. And if they want to show foreigners trees in Peking with silk hanging from the branches, that is also possible.”Visitors from afar viewing today what B. Michael Frolic describes as “the peaceful blues and grays and whites of Chinese cities” would certainly smile at the thought of brocades waving in the breeze.

Semi-Automating the Transformation of Chinese Historical Records Into Structured Biographical Data

2019 ◽  
pp. 228-246
Author(s):  
Lik Hang Tsui ◽  
Hongsu Wang
Keyword(s):  
Tang Dynasty ◽  
Chinese Language ◽  
Asia Pacific ◽  
Chinese History ◽  
Historical Records ◽  
Important Process ◽  
Biographical Data ◽  
Chinese Studies ◽  
Latin Script ◽  
The Tang Dynasty

This chapter explores and analyzes the new methods that the China Biographical Database (CBDB) project team has developed and adopted to digitize reference works about Chinese history, which is part of the important process of turning them into structured biographical data. This workflow focuses on the Tang Dynasty (618-907) and has implications for the continued improvement in the technologies for digitization and research into historical biographies in the Chinese language. These explorations and outcomes also demonstrate attempts in the Chinese studies field to transform large amounts of texts in non-Latin script into structured biographical data in a semi-automated fashion, and are expected to benefit digital humanities research, especially initiatives focusing on the Asia-Pacific region.

The Tang Empire

2021 ◽  
pp. 380-400
Author(s):  
Mark Edward Lewis
Keyword(s):  
East Asia ◽  
Tang Dynasty ◽  
Large Scale ◽  
Eighth Century ◽  
Local Market ◽  
Late Imperial China ◽  
Interregional Trade ◽  
Late Imperial ◽  
Labor Service ◽  
The Tang Dynasty

The Tang dynasty reunited continental East Asia using institutions inherited from the nomad-dominated Northern dynasties: state-owned land; exactions of grain, cloth, and labor service levied on notional “average” households; a hereditary “divisional army” concentrated around the capital and professional soldiers at the frontier, cities divided into walled wards with state-administered markets; a hereditary, imperial super-elite; and state-sponsored Buddhism and Daoism. The An Lushan Rebellion in the mid-eighth century eliminated these institutions. In their place emerged the major characteristics of late-imperial China: a fiscal system that assessed actual wealth and taxed trade; a new pattern of state service based on textual, technical, and military expertise measured by examinations; large-scale interregional trade through purely commercial entrepôts and local market towns; the incorporation of China into a multistate East Asian world; and the linkage of continental East Asia into a world economy through oceanic trans-shipment of commodities.

scholarly journals TOWARD A WIDER AUDIENCE, SYSTEMATIC APPROACH OF REINTERPRETATION AND REPRESENTATION OF THE EAST MAIN HALL OF FOGUANG TEMPLE BASED ON DIGITAL DOCUMENTATION AND 3D VISUALIZATION TECHNIQUES

2021 ◽  
Vol XLVI-M-1-2021 ◽  
pp. 395-402
Author(s):  
Z. Y. Li ◽  
Y. Gu ◽  
R. Zhang
Keyword(s):  
Cultural Heritage ◽  
Tang Dynasty ◽  
Large Scale ◽  
3D Visualization ◽  
Comprehensive Overview ◽  
The Public ◽  
Social Media Platforms ◽  
The Tang Dynasty ◽  
Digital Documentation ◽  
Visualization Techniques

Abstract. Rebuilt in 857 AD, the East Main Hall of Foguang Temple is the highest ranking wooden architecture to survive from the Tang Dynasty, and is regarded as a rare cultural and architectural gem of China and of the world at large1. Since its rediscovery in 1937, extensive research on the East Main Hall of Foguang Temple has been conducted, mostly about its high values and methods applicable to its conservation and management, while less attention is given to its interpretation and representation, especially to the public audiences.Based on continued digital documentation and study of the East Main Hall of Foguang Temple by Tsinghua Univeristy and Beijing Guowenyan Cultural Heritage Conservation Center over the past 16 years, this paper is a comprehensive overview of the ongoing systematic attempt to leverage digital documentation and acquired research results as content and tool for heritage interpretation and presentation. The works involved include translation of digital survey and documentation of the wooden structure, colored statues and murals of Foguang Temple as content in three approaches: the first approach is the development of an on-site digital display system for Foguang Temple; the second approach involves the planning and designing of a large-scale interactive museum exhibition; the third approach, which wraps up the whole system into a public-centered storytelling experience, involves an ongoing animation series on air at multiple social media platforms that tells unknown stories about Foguang Temple. All three approaches are intended at developing emotional connections between the public and the cultural heritage through reinterpretation and representation, with the aim of making heritage dissemination more dialogical and sustainable by bringing history to life.

LOCAL FINANCIAL ADMINISTRATION IN THE LATTER HALF OF THE TANG DYNASTY: ON PREFECTURAL FINANCIAL ADMINISTRATION, INCLUDING THE METROPOLITAN PREFECTURE

2018 ◽  
Vol 15 (1) ◽  
pp. 1-38
Author(s):  
Watanabe Shin'ichirō
Keyword(s):  
Tang Dynasty ◽  
Central Government ◽  
Ninth Century ◽  
Tenth Century ◽  
Tax Law ◽  
Revenue Sources ◽  
Northern Song ◽  
The Tang Dynasty ◽  
Northern Wei ◽  
Financial Administration

This article analyzes the special historical characteristics of prefecture-level regional financial administration during the latter half of the Tang Dynasty, which had as its primary revenue source the twice-a-year tax legally established in 780. Prefectural financial administration during this period consisted of three components: the portion of the twice-a-year tax retained by prefectures (liuzhou), “money for public use” (gongyongqian), and the ever-normal and charity granaries (changping yicang). Each of these elements made its appearance at separate times from the Northern Wei to the Sui. Following the establishment of the twice-a-year tax law, they became consolidated as components of prefectural financial administration at the beginning of the ninth century. At the same time, these components of prefectural financial administration became subject to the control of the central government, especially with regard to the “money for public use,” the section over which prefectures exercised the broadest discretion. In the early Northern Song, at the end of the tenth century, all revenue sources (beyond those used to meet obligatory expenses such as the stipends of bureaucrats) came to be retrieved by the central government, and prefectural financial administration came to be placed directly under central control.

scholarly journals Tang Dynasty Aesthetic Criteria: Zhang Huaiguan’s Shuduan

2014 ◽  
Vol 41 (1-2) ◽  
pp. 148-169
Author(s):  
Yolaine Escande
Keyword(s):  
Tang Dynasty ◽  
Aesthetic Theory ◽  
Chinese History ◽  
European Tradition ◽  
The Tang Dynasty

The Shuduan 《書斷》 (Judgments on Calligraphers) by Zhang Huaiguan of the Tang dynasty comprises classifications of calligraphy that Chinese theoreticians still refer to. This article aims at considering the functioning and efficacy of such evaluations through a study comparing this work to other treatises and, when relevant, to the European tradition. Its main objective is to examine how Chinese aesthetic theory responded to new evaluative needs that appeared during this crucial period in Chinese history. Thus, it seeks to clarify the nature of the criteria adopted by Zhang Huaiguan for his gradings: are they material, ideological, aesthetic, or of another nature?

Northern and Southern Dynasties and the Course of History Since Middle Antiquity

2014 ◽  
Vol 1 (1) ◽  
pp. 88-119
Author(s):  
Li Zhi’an
Keyword(s):  
Song Dynasty ◽  
Tang Dynasty ◽  
Chinese History ◽  
Southern Song ◽  
The North ◽  
Before And After ◽  
The Tang Dynasty ◽  
The Yuan Dynasty ◽  
Southern Dynasties ◽  
Southern Institutions

Abstract Two periods in Chinese history can be characterized as constituting a North/South polarization: the period commonly known as the Northern and Southern Dynasties (420ad-589ad), and the Southern Song, Jin, and Yuan Dynasties (1115ad-1368ad). Both of these periods exhibited sharp contrasts between the North and South that can be seen in their respective political and economic institutions. The North/South parity in both of these periods had a great impact on the course of Chinese history. Both before and after the much studied Tang-Song transformation, Chinese history evolved as a conjoining of previously separate North/South institutions. Once the country achieved unification under the Sui Dynasty and early part of the Tang, the trend was to carry on the Northern institutions in the form of political and economic administration. Later in the Tang Dynasty the Northern institutions and practices gave way to the increasing implementation of the Southern institutions across the country. During the Song Dynasty, the Song court initially inherited this “Southernization” trend while the minority kingdoms of Liao, Xia, Jin, and Yuan primarily inherited the Northern practices. After coexisting for a time, the Yuan Dynasty and early Ming saw the eventual dominance of the Southern institutions, while in middle to late Ming the Northern practices reasserted themselves and became the norm. An analysis of these two periods of North/South disparity will demonstrate how these differences came about and how this constant divergence-convergence influenced Chinese history.

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