Northern and Southern Dynasties and the Course of History Since Middle Antiquity

2014 ◽  
Vol 1 (1) ◽  
pp. 88-119
Author(s):  
Li Zhi’an

Abstract Two periods in Chinese history can be characterized as constituting a North/South polarization: the period commonly known as the Northern and Southern Dynasties (420ad-589ad), and the Southern Song, Jin, and Yuan Dynasties (1115ad-1368ad). Both of these periods exhibited sharp contrasts between the North and South that can be seen in their respective political and economic institutions. The North/South parity in both of these periods had a great impact on the course of Chinese history. Both before and after the much studied Tang-Song transformation, Chinese history evolved as a conjoining of previously separate North/South institutions. Once the country achieved unification under the Sui Dynasty and early part of the Tang, the trend was to carry on the Northern institutions in the form of political and economic administration. Later in the Tang Dynasty the Northern institutions and practices gave way to the increasing implementation of the Southern institutions across the country. During the Song Dynasty, the Song court initially inherited this “Southernization” trend while the minority kingdoms of Liao, Xia, Jin, and Yuan primarily inherited the Northern practices. After coexisting for a time, the Yuan Dynasty and early Ming saw the eventual dominance of the Southern institutions, while in middle to late Ming the Northern practices reasserted themselves and became the norm. An analysis of these two periods of North/South disparity will demonstrate how these differences came about and how this constant divergence-convergence influenced Chinese history.

2013 ◽  
Vol 821-822 ◽  
pp. 823-828
Author(s):  
Ke Yan Liu

The cloud shoulder pattern with four weeping clouds shape commonly used for decorating the parts from collar to shoulder for clothing and shoulder part for blue and white porcelain can be traced back to persimmon calyx pattern of the Han Dynasty. In the Tang Dynasty, the pattern of a four-petal leaf as first went for pattern details change and later advanced into cross flower, developing into the usual pattern decorated on fabrics. Till the Song dynasty, persimmon calyx pattern combined with Ruyi cloud (auspicious cloud) and was applied to architectures. However, the Yuan Dynasty’s shoulder cloud pattern with four weeping clouds shape used for decorating shoulders of clothing or porcelain was generated from combination of Ruyi cloud persimmon calyx pattern and “Bo” which was used to keep necks from wind and sand for Nomads in northern part of the country and developed into the cloud shoulder pattern focusing on decorating the shoulder of clothing and widely was used for nobles’ clothing. Gradually, the pattern was used for decorating crafts such as blue and white porcelain and gold and silver ware in the Yuan Dynasty. The cloud shoulder pattern spread from nobles to folks and was popular for decoration.


2013 ◽  
Vol 23 (3) ◽  
pp. 494-494
Author(s):  
MASAHIRO ARAKAWA ◽  
VALERIE HANSEN

Unfortunately the author's the name was misspelt throughout this article and also on the contents page of issue 23 (2). The correct name should have read ‘Masaharu Arakawa’.Cambridge University Press apologises unreservedly for any inconvenience or embarrassment caused by this error.


2021 ◽  
Vol 17 (2) ◽  
pp. 929-950
Author(s):  
Yachen Liu ◽  
Xiuqi Fang ◽  
Junhu Dai ◽  
Huanjiong Wang ◽  
Zexing Tao

Abstract. Phenological records in historical documents have been proven to be of unique value for reconstructing past climate changes. As a literary genre, poetry reached its peak in the Tang and Song dynasties (618–1279 CE) in China. Sources from this period could provide abundant phenological records in the absence of phenological observations. However, the reliability of phenological records from poems, as well as their processing methods, remains to be comprehensively summarized and discussed. In this paper, after introducing the certainties and uncertainties of phenological information in poems, the key processing steps and methods for deriving phenological records from poems and using them in past climate change studies are discussed: (1) two principles, namely the principle of conservatism and the principle of personal experience, should be followed to reduce uncertainties; (2) the phenological records in poems need to be filtered according to the types of poems, background information, rhetorical devices, spatial representations, and human influence; (3) animals and plants are identified at the species level according to their modern distributions and the sequences of different phenophases; (4) phenophases in poems are identified on the basis of modern observation criteria; (5) the dates and sites for the phenophases in poems are confirmed from background information and related studies. As a case study, 86 phenological records from poems of the Tang Dynasty in the Guanzhong region in China were extracted to reconstruct annual temperature anomalies in specific years in the period between 600 and 900 CE. Following this, the reconstruction from poems was compared with relevant reconstructions in published studies to demonstrate the validity and reliability of phenological records from poems in studies of past climate changes. This paper reveals that the phenological records from poems could be useful evidence of past climate changes after being scientifically processed. This could provide an important reference for future studies in this domain, in both principle and methodology, pursuant of extracting and applying phenological records from poems for larger areas and different periods in Chinese history.


2017 ◽  
Vol 21 (1) ◽  
pp. 1-43
Author(s):  
Victoria Almonte

Abstract During the last century, considerable interest arose regarding Chinese knowledge of western territories, with a long list of works being published on the topic. Joseph Needham’s Science and Civilisation in China (1959) states that Arab thinking had clearly influenced the Chinese conception of geography over the centuries. Zhang Xinglang analyses the relationship between the Chinese empire and countries overseas, focusing on Islamic countries and particularly those in the north of Africa. Feng Chengjun’s western territories toponyms and Gudai nanhai diming huishi have provided two powerful and even fundamental tools for the research presented here. The first gathers together a large collection of toponyms from various literary works; these are written in western language with their relative transcription or translation in Chinese. The second, the Gudai nanhai diming huishi, is divided in two volumes analysing many Chinese toponyms and their use in several geographical works. Li Qingxin’s Haishang Sichou zhilu, focuses on the development of the Maritime Silk Road and its economic-political consequences for China’s empire. Gabriele Foccardi’s research focuses instead on the motives for Chinese travellers and their expeditions, highlighting the historical and social differences between the different dynasties. Friedrich Hirth and William Rockhill provide a crucial literary resource with their translation of Zhao Rukuo’s work, Zhufanzhi (1966), as does J.V.G. Mills with his annotated translation of Ma Huan’s Yingya shenglan, a journey work of the fifteenth century. Yang Wuquan’s research into Zhou Qufei’s work, published in 1999, identifies several toponyms used by Zhou and compares several foreign geographical works. Zhou Qufei and Zhao Rukuo were both imperial officials during the Southern Song dynasty. They spent many years in the border territories of China: Zhou Qufei in Qinzhou, Guangxi province, and Zhao Rukuo in Quanzhou, Fujian province. Their works mention several toponyms never used before in Chinese texts: ‘Meilugudun’, or ‘Meilugu’ (as written by Zhao Rukuo), is one of these. The identification of this toponym has not been determined until now. Therefore, the aim of this paper is to determine which kingdom was identified with the ‘Meilugudun’ toponym during the Song Dynasty. Two different questions are here discussed and resolved. First, can the land of Meilugudun be identified with the city of Merv in Turkmenistan? Second, do Zhou’s ‘Meilugudun’ and Zhao’s ‘Meilugu’ both stand for the same place? This paper can be divided into four sections. The first section focuses on Zhou Qufei, the second on Zhao Rukuo. The third analyses and compares previous scholars’ studies. The fourth proposes the new identification of the Meilugudun kingdom.


Worldview ◽  
1976 ◽  
Vol 19 (6) ◽  
pp. 43-48
Author(s):  
Miriam London ◽  
Ivan D. London

It's nothing new in Chinese history to impress the foreigner for the sake of the country's face,” said a young escaper last year in Hong Kong, who by no means intended to denigrate his country. “When people from other countries came to the ancient capital of Ch'ang An in the Tang Dynasty, it was so gorgeously decorated, those foreigners were astounded….If the rulers today desire not to let foreigners see anyone wearing patched clothes, that can easily be arranged. And if they want to show foreigners trees in Peking with silk hanging from the branches, that is also possible.”Visitors from afar viewing today what B. Michael Frolic describes as “the peaceful blues and grays and whites of Chinese cities” would certainly smile at the thought of brocades waving in the breeze.


Author(s):  
Steven B. Miles

Before the end of the Tang dynasty, cultural production was largely a court-centered activity. This began to change as the nature of China’s political, social, and cultural elite, the literati (shi), was transformed by the Southern Song dynasty. Henceforth, the elite of China was primarily a local elite, occasionally producing holders of high office but primarily focusing on activities in their home areas to achieve and maintain their status. One important activity was scholarship, which involved such activities as establishing private academies (shuyuan) and the production of texts such as gazetteers and anthologies, many of which were concerned with the locales in which they were produced. The late imperial period, beginning in the Song, witnessed alternating periods of statist and localist turns, as the initiative in scholarly production shifted between the imperial court and local elites. Intellectual movements such as Neo-Confucianism and evidential research (kaozheng) fed into the production of localist texts and the formation of regional or local schools of scholarship.


Author(s):  
Michael R. Drompp

The Uyghurs (Chinese Huihe迴 紇, Huihu回鶻) were a pastoral nomadic people living in the region of the Selenga and Orkhon river valleys in modern Mongolia; they spoke a Turkic language. The empire that they created on the steppe lasted for nearly a century (744–840) and played an important role, both politically and culturally, in East Asia. Centered on the Mongolian Plateau, the Uyghur Empire at its height controlled numerous other peoples within a territory that included lands to the north in the modern regions of Tuva and Buryatia, as well as some parts of the northern Tarim Basin and eastern Inner Mongolia.1 During its eventful history, the Uyghur Empire sent cavalry to help the Tang Dynasty put down the An Lushan rebellion, maintained strong political and economic ties with China, fought with the Tibetan Empire for control of important international trade routes, built cities on the steppe, celebrated its rulers’ achievements in stone stelae, and—uniquely in the world—adopted Manichaeism as its state religion. After their empire collapsed, the Uyghurs developed new polities in Gansu and the Tarim Basin that continued to exercise influence in Inner Asia.


2021 ◽  
Vol 58 (1) ◽  
pp. 4913-4924
Author(s):  
Mahfuza Bahriddinovna Mamatova

Five thousand years ago, the first tea was made in China. Only from the beginning of the Middle Ages people of neighboring countries of China recognized tea and until the Tang Dynasty, tea drinking was not widespread. Beginning of the 7th century tea brought Central Asia with the Tea Road. From this period he stretched from China to India. At the centre of this path was Central Asia, the ancient cities of Uzbekistan namely after Samarkand, Bukhara, Tashkent and the Ferghana Valley. It was the northeastern Tea Road that connected China with Central Asia and was much more ancient than other directions of this route. In the 7-15th centuries The Tea Road developed in different historical periods. During the Tang Dynasty in China, Sogdian merchants brought tea to Central Asia. During the Song Dynasty, it was traded by Central Asian merchants and opened their tea shops in China. The Samanid rulers were the patrons of the tea trade. Under the Ming and Timuridsempire, an intensive ambassadorial-diplomatic relationship between China and Central Asia was strengthened. During this period, among the various goods, the main article of Chinese exports was tea, which was exchanged for thoroughbred horses brought from Central Asia. Since the time of the Tang Dynasty, bilateral trade has been established with Central Asia, and as part of the Tea Road, there were several main and a number of experimental routes along which tea went to Central Asia. In these paths, there were customs points - cities that played an important role in China's trade and economic ties with Central Asia. Today, tea is considered a favourite drink of the peoples of Central Asia, including Uzbekistan. Green tea is imported to Uzbekistan from China and it has become a national drink for the people of Uzbekistan.


Author(s):  
Lik Hang Tsui ◽  
Hongsu Wang

This chapter explores and analyzes the new methods that the China Biographical Database (CBDB) project team has developed and adopted to digitize reference works about Chinese history, which is part of the important process of turning them into structured biographical data. This workflow focuses on the Tang Dynasty (618-907) and has implications for the continued improvement in the technologies for digitization and research into historical biographies in the Chinese language. These explorations and outcomes also demonstrate attempts in the Chinese studies field to transform large amounts of texts in non-Latin script into structured biographical data in a semi-automated fashion, and are expected to benefit digital humanities research, especially initiatives focusing on the Asia-Pacific region.


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