Louise Bogan, Review,'new Yorker', April 1945

W.H.AUDEN ◽  
2002 ◽  
pp. 376-377
Keyword(s):  
2012 ◽  
Vol 69 (12) ◽  
pp. 667-671 ◽  
Author(s):  
Henzen

Insulinome sind mit einer Inzidenz von 4 pro 100'000 eine seltene Erkrankung, vermeintliche Hypoglykämie-Symptome werden dagegen häufig auch von Menschen ohne Diabetes mellitus beschrieben. Die Liste der möglichen Ursachen ist sehr umfangreich, weshalb mittels Anamnese, Klinik und laborchemischen Untersuchungen der Verdacht auf ein Insulinom erhärtet werden bzw. ausgeschlossen werden muss. Wie bereits vor über 70 Jahren der New Yorker Chirurge Allen Whipple gefordert hat, ist eine strikte Beachtung der Trias: dokumentierte Hypoglykämie und Neuroglykopenie und Besserung auf Glukosezufuhr Voraussetzung für weitere diagnostische und therapeutische Schritte. Die hyperinsulinämische Hypoglykämie wird im Fastentest bewiesen, Ziel der bildgebenden Methoden ist die Lokalisation des Insulinoms für die chirurgische Resektion bzw. die Abgrenzung zur nicht-Insulinom bedingten pankreatogenen Hypoglykämie (Nesidioblastose). Als neue und hochsensitive Methode hat sich die GLP-1 Rezeptor Szintigraphie erwiesen, womit auch im vorliegenden Fallbeispiel eine zielgerichtete chirurgische Intervention möglich war.


1932 ◽  
Vol 58 (39) ◽  
pp. 1536-1537
Author(s):  
Charles Norris
Keyword(s):  

LOGOS ◽  
2021 ◽  
Vol 31 (4) ◽  
pp. 39-43
Author(s):  
David Emblidge

Abstract In 1989, a literary landmark in New York City closed. Scribner’s Bookstore, 597 Fifth Avenue, stood at the epicentre of Manhattan’s retail district. The Scribner’s publishing company was then 153 years old. In the 1920s, driven by genius editor Max Perkins, Scribner’s published Fitzgerald, Hemingway, and Wolfe. Scribner’s Magazine was The New Yorker of its day. The bookshop and publisher occupied a 10-storey Beaux-Arts building, designed by Ernest Flagg, which eventually won protection from the New York City Landmarks Preservation Commission. Medallions honoured printers Benjamin Franklin, William Caxton, Johann Gutenberg, and Aldus Manutius. The ‘Byzantine cathedral of books’ offered deeply informed personal service. But the paperback revolution gained momentum, bookshop chains like Barnes & Noble and Brentano’s adopted extreme discounting, and the no-discounting Scribner’s business model became unsustainable. Real estate developers swooped in. The bookshop’s ignominious end came when Italian clothier Benetton took over its space.


2021 ◽  
Vol 8 (1) ◽  
pp. 51-72
Author(s):  
Sheila Liberal Ormaechea ◽  
Isidoro Arroyo Almaraz ◽  
Paula Hernández de Miguel

Presentamos un trabajo de investigación empírico donde analizamos el uso de la ilustración en un medio concreto (The New Yorker) para contrastar el poder de transmisión del mensaje en un contexto muy concreto como es el de la pandemia mundial debido a la propagación de la covid-19. Metodología: Se ha llevado a acabo una triangulación metodológica combinando diversas técnicas y herramientas como la investigación documental, análisis descriptivo, focus group y análisis de contenido . Resultados: El análisis de 347 portadas revela que el elemento que varía de una publicación a otra es la ilustración.


2005 ◽  
Vol 6 (2) ◽  
pp. 357-365
Author(s):  
Peter Gratton ◽  

With Eichmann in Jerusalem, we have, I would admit, a most unlikely case study for use in a business ethics classroom. The story of Eichmann is already some sixty years old, and his activities in his career as a Nazi were far beyond the pale of even the most egregious cases found in the typical business ethics case books. No doubt, there is some truth to the fact that introducing Eichmann’s story into an applied ethics class would inevitably depict an unseemly analogy between the practices of latter day corporations and the bureaucracy of the Nazi era. My argument here, though, is that the story of Adolf Eichmann, as depicted in Hannah Arendt’s well-known Eichmann in Jerusalem, offers a philosophically cogent account of judgment and ethical decision-making that future business managers and employees would do well to heed. Indeed, Eichmann in Jerusalem, originally a series of press accounts for New Yorker magazine, deserves consideration alongside the Aristotle’s Nichomachean Ethics, Kant’s Groundwork for the Metaphysics of Morals, and other classic ethics texts in a business ethics syllabus. This is not to say that Arendt’s work is uncontroversial; there are serious questions to be raised about both her depiction of Eichmann and her conclusions about “the banality of evil.” Nevertheless, her account of ethics, which, with its account of ethical duties and its case study of Eichmann’s character, shows both its Aristotelian and Kantian influences, is a warning to readers who would conflate morality with state laws and their duties with the needs of superiors. In short, I argue that, despite her well-known critique of modern large scale economies and her general avoidance of discussions of post-industrial corporations, Arendt may be a business ethicist of the first order.


1966 ◽  
Vol 12 ◽  
pp. 99-101
Author(s):  
Rene Jordan

The bell has finally tolled for Flannery O'Connor. The National Book Award and the Pulitzer Prize have both passed up the opportunity to honor her posthumous collection of short stories, Everything that Rises Must Converge. Still, you can't help wondering what best-sellerdom could have done to a book like this. Few will read it through and most of those who stop at the halfway mark will become rabid anti-O'Connorites. Of all the first-rate American writers of the century, she is the easiest to put down. Her characters are self-conciously larger than life, her prose laden with portent in every semi-colon, her plotting so relentlessly tragic that every sentence is like a step – inevitable and often predictable – toward a witches' brew of a Grand Guignol finale. Impatient readers will feel Flannery is getting nowhere pretty slow. After some stirring and simmering of emotions, they'll quit and stop reading short of the climax, with the worst possible results. An O'Connor story is not one of those “New Yorker” Flirtations that ramble charmingly and stop coquettishly: Flannery O'Connor is no playful, teasing minx.


2017 ◽  
Vol 91 (2) ◽  
pp. 377-381 ◽  
Author(s):  
Catherine O'Donnell

Someone could go a long way toward telling the story of my life through its magazines: the Highlights my parents gave me, determined that my small self should be as entertained and enlightened as possible; my grandparents’ neatly collected Readers’ Digests, which I eagerly read until learning my freshman year in college that they were hopelessly bourgeois; the New Yorkers I loved and displayed in my graduate student apartment, the Vanity Fairs I loved and hid under the bed. Magazines tell the story of who I was supposed to be and who I wanted to be. Or perhaps they don't; how much of what the magazines meant to me is visible in the historical record? I didn't purchase all that I read, after all, nor did I read all that I purchased. A magazine I loved one year might embarrass me the next, and then find its way back into favor, my subscription all the while remaining unchanged. Magazines, in short, are both perplexing and promising subjects of analysis, with the question of how they create communities of readers posing perhaps the most promising and perplexing question of all.


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