STORYTELLING Redefining the private: from personal storytelling to political act

2006 ◽  
pp. 113-123
Keyword(s):  
Political Act

SUICIDE AS A POLITICAL ACT

1990 ◽  
Vol 66 (4) ◽  
pp. 1185
Author(s):  
DAVID LESTER
Keyword(s):  
Political Act

scholarly journals LAW, RELIGION, AND SAME-SEX RELATIONS IN AFRICA

2021 ◽  
Vol 36 (1) ◽  
pp. 67-71
Author(s):  
M. Christian Green
Keyword(s):  
Moral Issue ◽  
African Continent ◽  
Same Sex ◽  
Biblical Law ◽  
Moral Issues ◽  
International Conference ◽  
The Bible ◽  
Political Act ◽  
The University ◽  
University Of Ghana

Some years back, around 2013, I was asked to write an article on the uses of the Bible in African law. Researching references to the Bible and biblical law across the African continent, I soon learned that, besides support for arguments by a few states in favor of declaring themselves “Christian nations,” the main use was in emerging debates over homosexuality and same-sex relationships—almost exclusively to condemn those relationships. In January 2013, the newly formed African Consortium for Law and Religion Studies (ACLARS) held its first international conference at the University of Ghana Legon. There, African sexuality debates emerged forcefully in consideration of a paper by Sylvia Tamale, then dean of the Makarere University School of Law in Uganda, who argued pointedly, “[P]olitical Christianity and Islam, especially, have constructed a discourse that suggests that sexuality is the key moral issue on the continent today, diverting attention from the real critical moral issues for the majority of Africans . . . . Employing religion, culture and the law to flag sexuality as the biggest moral issue of our times and dislocating the real issue is a political act and must be recognised as such.”

scholarly journals On becoming “essential”: Coronavirus lessons of ontology- from the migrant farmworker and us who consume the fruits of her labor

2021 ◽  
Vol 20 (1-2) ◽  
pp. 186-192
Author(s):  
Odessa Gonzalez Benson
Keyword(s):  
Social Structure ◽  
Capitalist Economy ◽  
Migrant Farmworker ◽  
The Gaze ◽  
Political Act ◽  
Ontological Turn

During the coronavirus pandemic of 2020, the migrant farmworker came to be deemed as ‘essential’ worker, thereby complicating discourses of ‘illegality’. This moment presents an ontological paradox, allowing means for examining the simultaneity of discursivity and materiality within the migrant farmworker as subject. Reflecting upon the ‘ontological turn,’ this article presents four lessons of ontology: post-representation, a focus on objects/artifacts, posthumanism and the politicizing of ontology, gained from interrogating the unraveling of discourse about the migrant-other in the time of coronavirus. These lessons coalesce in the entwining of the powers of discourse with the presence of the tangible, to understand the profound contradictions between a social structure that doesn’t want the migrant as neighbor and a capitalist economy that needs her as laborer. In closing, the article considers how shifting the gaze inward as consumers and then outwards unto our relationality can be a political act.

Sartre’s imaginary and the problem of whiteness

2021 ◽  
pp. 019145372110175
Author(s):  
Betty Jean Stoneman
Keyword(s):  
Aime Cesaire ◽  
Frantz Fanon ◽  
White People ◽  
Jean Paul ◽  
Political Act ◽  
White Gaze

Jean-Paul Sartre’s failures in Black Orpheus have been widely and rightly explicated by a number of theorists, most notably Frantz Fanon and Aimé Césaire. Sartre has rightly been criticized for imposing a white gaze onto his reading of colonized African poetry. It would seem that his work offers us no tools for anti-racist work today. For this article, I read his failures in the text alongside his work in The Imaginary and Being and Nothingness to argue that we can learn from his failures and that his failures do offer us conceptual tools for anti-racist work today. I argue that Sartre’s main contribution ought to be understood as a provocation to white people. He is provoking white people to confront how whiteness works in their imaginary. The imaginary is nothing but what one puts into it, and what one puts into it is imbued with the historical, social and cultural. The image is imbued with the individual’s experiences within a historical, social and cultural situation. If this is the case, then the confrontation with and critique of the image is a political act. In confronting and critiquing the image, one is confronting and critiquing the situation in which the image emerges. The hope is that in doing so, white people could transcend the facticity of their whiteness in particular situations for the better, which in turn would have positive consequences for the larger sociopolitical situation.

Mobility as a political act

2017 ◽  
Vol 41 (3) ◽  
pp. 448-455 ◽  
Author(s):  
Alessandro Monsutti
Keyword(s):  
Political Act

State Power in Mozambique

1978 ◽  
Vol 8 (1) ◽  
pp. 4-11
Author(s):  
James H. Mittleman
Keyword(s):  
State Power ◽  
The State ◽  
Socialist Economy ◽  
National Liberation ◽  
Essential Factor ◽  
Ruling Class ◽  
Working Classes ◽  
State Apparatus ◽  
Political Act ◽  
Vexing Question

After winning a war of national liberation, FRELIMO faces the vexing question of whether socialism now can be established. With respect to Guinea-Bissau, Amilcar Cabral emphasized: ‘This depends on the instruments used to effect the transition to socialism; the essential factor is the nature of the state....“ No doubt his statement was premised on the belief that socialism begins with the conquest of the state by the producing classes. They must seize the state apparatus to defeat the ruling class whose power is concentrated there. Both the means of coercion and the forces that reproduce the system itself are part of this domain. It is only by gaining control of state power, which is a political act, that the working classes can subsequently organize a socialist economy.

University students' voices on sexual and gender diversity, their relationship with coeducation and pedagogical innovation: a comparative study at the University of Madeira (Portugal) and the Federal University of Sergipe (Brasil)

2021 ◽  
Vol 2 (1) ◽  
Author(s):  
José Paulo Gomes Brazão ◽  
Anselmo Lima de Oliveira ◽  
Alfrancio Ferreira Dias
Keyword(s):  
Comparative Study ◽  
Recent Literature ◽  
Gender Diversity ◽  
Sexual Diversity ◽  
Pedagogical Innovation ◽  
Organizational Contexts ◽  
Political Act ◽  
And Gender ◽  
Social Agendas ◽  
The University

The concepts of gender and sex have been considered in recent literature as elements of power, under the circumstance of contemporary floating constructions. In the field of Education, a “deconstructed”, non-normative look is needed as a political act on issues of sexual diversity and gender. The curriculum as a culture can and must take a Queer view at school. In this research we intend to make a comparative study on sexual and gender diversity in the academic environment, listening to the voices of students from the University of Madeira and the Federal University of Sergipe. In this way, we emphasize coeducation in the construction of inclusive environments and their contribution in the field of pedagogical innovation. The discussion of these themes in the academy is fundamental for the conceptual renewal and the organizational contexts of the practice of pedagogy. It also contributes to important changes in social agendas.

“Ain’t Nobody Gone Take It from You!”

2021 ◽  
Vol 11 (2) ◽  
Author(s):  
Fiona C. Black
Keyword(s):  
Emotional Expression ◽  
Slave Trade ◽  
Contemporary Event ◽  
Biblical Texts ◽  
Political Act

Dance, in both its historical formulations during the slave trade and its contemporary manifestations in carnival celebrations, has enormous significance for numerous Caribbean cultures. Using some biblical texts to think with (2 Sam 6: 14; Song 6: 13), this paper explores the historical and contemporary event of Junkanoo as a reflection of Bahamian culture and its interaction with colonialism and contemporary tourism. Junkanoo is not explicitly biblical or religious, though it does show the marks and tussles of colonization and hence Christianization. The biblical moments of movement and resistance considered here frame dance in various and interesting ways—as the vehicle for emotional expression, as liberation, as licensed revolt, as the tool of empire—allowing for exploration of dance as a multi-valent, political act, as much as a powerful reflection of affect.

The Politics of Writing About Making

2017 ◽  
Author(s):  
Paola Bertucci
Keyword(s):  
Political Act ◽  
The Moment

This chapter argues that writing about their own art was a political act through which artistes presented themselves and their work as central to France's projects of improvement. They did so by discussing the features that distinguished them from other artisans and by articulating a theory of cognition based on sensorial intelligence. Artistes reacted to the conception of a slowly moving artisanal world, countering that in artisanal workshops, opportunities for improvement occurred frequently though they often went unnoticed because of the artisans' ignorance and attachment to routine. Artistes, by contrast, were able to improvise and be in the moment when serendipitous opportunities presented themselves.

Sign in / Sign up

Export Citation Format

Share Document