The art museum and the art school: negotiating collaboration in Chicago

2018 ◽  
pp. 3-14
Author(s):  
Judith Russi Kirshner ◽  
Lisa Wainwright
Keyword(s):  
Art Museum ◽  
Art School

scholarly journals Dark Times: Art and Artists of Vilnius in 1939–1941

2020 ◽  
pp. 326-361
Author(s):  
Giedrė Jankevičiūtė
Keyword(s):  
Art Museum ◽  
Late Autumn ◽  
Nazi Occupation ◽  
Art Scene ◽  
Art Historians ◽  
Big Picture ◽  
Polish Art ◽  
Under Construction ◽  
The City ◽  
Art School

The aim of this paper is to discuss and reconstruct in general features the reality of the Vilnius artistic community from late autumn 1939 to June 1941. This period of less than two years significantly changed the configuration of the artistic community of the city, the system of institutions shaping the art scene as well as the artistic goals. It also brought forth new names and inspired new images. These changes were above all determined by political circumstances: the war that broke out in Poland on 1 September 1939; the ceding of Vilnius and the Vilnius region to Lithuania; two Soviet occupations: in the autumn of 1939 and June 1940, and the subsequent Nazi occupation a year later. The influence of politics on the art scene and the life of artists has been explored in institutional and other aspects by both Lithuanian and Polish art historians, but the big picture is not yet complete, and the general narrative is still under construction. A further aim of this paper is to highlight some elements that have not received sufficient attention in historiography and that are necessary for the reconstruction of the whole. Some facts of cooperation or its absence among artists of various ethnicities are presented, and the question is raised on the extent to which these different groups were affected by Sovietisation, and what impact this fragmentation had on the city’s art scene. The timeline of the activity of the higher art school and the Art Museum has been detailed.

scholarly journals «Black-and-white and coloured» (notes from Tatiana Ashkinazi's personal exhibition)

2017 ◽  
Author(s):  
О.В. Сидорова
Keyword(s):  
Art Museum ◽  
The State ◽  
Professional Skills ◽  
Black And White ◽  
Graphic Artist ◽  
The Arts ◽  
Made In ◽  
Art School

Татьяна Ашкинази – известный в Сибири художник-график. Профессиональное мастерство она совершенствовала в художественной студии В.Ф. Рублёва, в Домах творчества СХ СССР. «Черно-белое и цветное» – персональная выставка Татьяны Викторовны Ашкинази, открывшаяся летом 2017 года в Художественном музее Алтайского края. В экспозицию вошли графические наброски, сделанные в студии Рублева, портретные зарисовки художников с творческих дач, детские портреты, серия литографий «Идиллия».  Рядом с черно-белой графикой были представлены работы, выполненные темперой, маслом, акрилом. Выставка продемонстрировала творческое многообразие автора, показала, что Татьяна Викторовна Ашкинази – интересный, ищущий, развивающийся художник. Tatiana Ashkinazi is a famous graphic artist in Siberia. She perfected her professional skills in V.F. Rublev's art school and in the Arts Centres of the Union of Artists of the USSR. «Black-and-white and coloured» is a personal exhibition of Tatyana Viktorovna Ashkinazi, which was opened in the State Art Museum of the Altai Territory this summer. The exposition includes graphic sketches, which were made in Rublev's art school, portrait sketches from artistic meetings, children's portraits and a series of lithographs «Idyll». Next to black-and-white graphics, works made with the help of tempera, oil and acryl were demonstrated. The exhibition showed us creative diversity of the author and proved that Tatiana Viktorovna Ashkinazi is an interesting, searching, developing artist.

Creativity Class

2016 ◽  
Author(s):  
Lily Chumley
Keyword(s):  
Socialist Economy ◽  
Art Students ◽  
Culture Industries ◽  
Knowledge Based ◽  
Knowledge Based Economy ◽  
School Entrance ◽  
Prep Schools ◽  
Entrance Test ◽  
Art Academies ◽  
Art School

The last three decades have seen a massive expansion of China's visual culture industries, from architecture and graphic design to fine art and fashion. New ideologies of creativity and creative practices have reshaped the training of a new generation of art school graduates. This is the first book to explore how Chinese art students develop, embody, and promote their own personalities and styles as they move from art school entrance test preparation, to art school, to work in the country's burgeoning culture industries. The book shows the connections between this creative explosion and the Chinese government's explicit goal of cultivating creative human capital in a new “market socialist” economy where value is produced through innovation. Drawing on years of fieldwork in China's leading art academies and art test prep schools, the book combines ethnography and oral history with analyses of contemporary avant-garde and official art, popular media, and propaganda. Examining the rise of a Chinese artistic vanguard and creative knowledge-based economy, the book sheds light on an important facet of today's China.

Museum Preserves in the Sphere of “Cultural Tourism”: Through the Example of the Cultural Preserves of Tatarstan

2019 ◽  
Vol 9 (4) ◽  
pp. 193-198
Author(s):  
Lyudmila S. Timofeeva ◽  
Albina R. Akhmetova ◽  
Liliya R. Galimzyanova ◽  
Roman R. Nizaev ◽  
Svetlana E. Nikitina
Keyword(s):  
19Th Century ◽  
Art Museum ◽  
Medium Size ◽  
Business Elite ◽  
Wide Range ◽  
The Subject ◽  
Tourist Center ◽  
Regional Authorities ◽  
The 19Th Century ◽  
The City

Abstract The article studies the existence experience of historical cities as centers of tourism development as in the case of Elabuga. The city of Elabuga is among the historical cities of Russia. The major role in the development of the city as a tourist center is played by the Elabuga State Historical-Architectural and Art Museum-Reserve. The object of the research in the article is Elabuga as a medium-size historical city. The subject of the research is the activity of the museum-reserve which contributes to the preservation and development of the historical look of Elabuga and increases its attractiveness to tourists. The tourism attractiveness of Elabuga is obtained primarily through the presence of the perfectly preserved historical center of the city with the blocks of integral buildings of the 19th century. The Elabuga State Historical-Architectural and Art Museum-Reserve, which emerged in 1989, is currently an object of historical and cultural heritage of federal importance. Museum-reserves with their significant territories and rich historical, cultural and natural heritage have unique resources for the implementation of large partnership projects. Such projects are not only aimed at attracting a wide range of tourists, but also stimulate interest in the reserve from the business elite, municipal and regional authorities. The most famous example is the Spasskaya Fair which revived in 2008 in Elabuga. It was held in the city since the second half of the 19th century, and was widely known throughout Russia. The process of the revival and successful development of the fair can be viewed as the creation of a special tourist event contributing to the formation of new and currently important tourism products.

Byzantine-period lamps from Antioch-on-the-Orontes and its hinterland

2019 ◽  
Author(s):  
Ani Eblighatian
Keyword(s):  
United States ◽  
The United States ◽  
Art Museum ◽  
Archaeological Sites ◽  
Museum Collections ◽  
Doctoral Research ◽  
Princeton University ◽  
Byzantine Period ◽  
The University ◽  
Roman Syria

The paper is an off-shoot of the author's PhD project on lamps from Roman Syria (at the University of Geneva in Switzerland), centered mainly on the collection preserved at the Art Museum of Princeton University in the United States. One of the outcomes of the research is a review of parallels from archaeological sites and museum collections and despite the incomplete documentation i most cases, much new insight could be gleaned, for the author's doctoral research and for other issues related to lychnological studies. The present paper collects the data on oil lamps from byzantine layers excavated in 1932–1939 at Antioch-on-the-Orontes and at sites in its vicinity (published only in part so far) and considers the finds in their archaeological context.

Reviews

Screen Bodies ◽  
2020 ◽  
Vol 5 (2) ◽  
pp. 123-130
Author(s):  
Tru Leverette ◽  
Barbara Mennel
Keyword(s):  
New York ◽  
Visual Arts ◽  
Mixed Race ◽  
Body Culture ◽  
Art School

Zélie Asava. Mixed Race Cinemas: Multiracial Dynamics in America and France (New York Bloomsbury, 2017). 216 pp., ISBN: 1501312456 (paperback: $35.96)Elizabeth Otto and Patrick Rössler, eds. Bauhaus Bodies: Gender, Sexuality, and Body Culture in Modernism’s Legendary Art School (New York: Bloomsbury Visual Arts, 2019). xl + 345 pp., ISBN: 9781501344787 (hardback, $110), (paperback, $29.95)

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