Adorno, Theodor Wiesengrund (1903–69)

Author(s):  
J.M. Bernstein

Philosopher, musicologist and social theorist, Theodor Adorno was the philosophical architect of the first generation of Critical Theory emanating from the Institute for Social Research in Frankfurt, Germany. Departing from the perspective of more orthodox Marxists, Adorno believed the twin dilemmas of modernity – injustice and nihilism – derived from the abstractive character of Enlightenment rationality. In consequence, he argued that the critique of political economy must give way to a critique of Enlightenment, instrumental reason. Identity thinking, as Adorno termed instrumental rationality, abstracts from the sensory, linguistic and social mediations which connect knowing subjects to objects known. In so doing, it represses what is contingent, sensuous and particular in persons and nature. Adorno’s method of negative dialectics was designed to rescue these elements from the claims of instrumental reason. Adorno conceded, however, that all this method could demonstrate was that an abstract concept did not exhaust its object. For a model of an alternative grammar of reason and cognition Adorno turned to the accomplishments of artistic modernism. There, where each new work tests and transforms the very idea of something being a work of art, Adorno saw a model for the kind of dynamic interdependence between mind and its objects that was required for a renewed conception of knowing and acting.

Author(s):  
J.M. Bernstein

Philosopher, musicologist and social theorist, Theodor Adorno was the philosophical architect of the first generation of Critical Theory emanating from the Institute for Social Research in Frankfurt, Germany. Departing from the perspective of more orthodox Marxists, Adorno believed the twin normative challenges of modernity – injustice and nihilism – derived from the abstractive character of Enlightenment rationality. In consequence, he argued that the critique of political economy must give way to a critique of Enlightenment, instrumental reason. Identity thinking, as Adorno termed instrumental rationality, abstracts from the sensory, linguistic and social mediations which connect knowing subjects to objects known. In so doing, it represses what is contingent, sensuous and particular in persons and nature. Adorno’s method of negative dialectics was designed to rescue these elements from the claims of instrumental reason. Adorno conceded, however, that all this method could demonstrate was that an abstract concept did not exhaust its object. For a model of an alternative grammar of reason and cognition Adorno turned to the accomplishments of artistic modernism. There, where each new work tests and transforms the very idea of something being a work of art, Adorno saw a model for the kind of dynamic interdependence between mind and its objects that was required for a renewed conception of knowing and acting.


2021 ◽  
pp. 089692052110563
Author(s):  
Vasilis Grollios

The paper attempts to bring to the fore the radical character of Nietzsche’s critical theory. It argues that behind Nietzsche’s consideration of suffering lies both a critique of one-dimensional mass culture and fetishism, and a theory of alienation that is much closer to Marx’s critique of alienation in capitalism than is usually believed. Uniquely, it will also support the idea that Nietzsche holds a theory of a dialectics between content and form, that is of non-identity thinking, very similar to that of the first generation of the Frankfurt School, and will attempt to connect it to an attempt to doubt the core values sustaining capitalism.


2019 ◽  
pp. 113-165
Author(s):  
Seth T. Reno

In this chapter, I show that Percy Shelley picks up on the waning of intellectual love in Wordsworth, continuing to develop this Romantic tradition after Wordsworth moves on to a more religious sensibility. The chapter outlines the development of Percy Shelley’s treatment of love over the entire course of his career. I examine five ‘clusters’ of writings that reveal his adoption, adaption, and revision of Wordsworthian, Godwinian, and Classical notions of love: (1) his essay ‘On Love’ (1819) and its related texts; (2) Queen Mab (1813) and the Alastorvolume (1815); (3) a sequence of lyrics from 1816-1818; (4) the Prometheus Unbound volume (1820); and (5) Epipsychidion (1821) and later poems. Shelleyan love has received the most scholarly attention in studies of Romanticism, yet it is almost always within the contexts of sex, sexuality, and metaphor; instead, I argue that Shelleyan love can also be understood as an aesthetic model of interconnectedness proposing a nascent negative dialectics, a concept developed by Theodor Adorno that both defers and affirms the reconciliation of subject and object at the heart of critical theory and love.


Author(s):  
Axel Honneth

The origins of the circle of philosophers and social scientists now known as the Frankfurt School lie in the 1920s when a number of critics and intellectuals were attempting to adapt Marxism to the theoretical and political needs of the time. The distinguishing feature of the approach adopted by the Frankfurt School lies less in its theoretical orientation than in its explicit intention to include each of the disciplines of the social sciences in the project of a critical theory of society. The objectives of this theoretical innovation vis-à-vis all the traditional Marxist approaches were established by Max Horkheimer in various articles written in the 1920s and 1930s. His critique of neo-idealist philosophy and contemporary empiricism sought to develop a philosophy of history which would comprehend the evolution of human reason; in so doing, he drew on empirical research. Thus the Institute of Social Research, conceived as a way of realizing this plan, was founded in 1929. Its work drew on economics, psychology and cultural theory, seeking to analyse, from a historical perspective, how a rational organization of society might be achieved. However, after the National Socialists came to power and drove the Institute into exile, historical/philosophical optimism gave way to cultural/critical pessimism. Horkheimer and Adorno now saw it as the function of a critical theory of society to try, by returning to the history of civilization, to establish the reasons for the emergence of Fascism and Stalinism. Their Dialectic of Enlightenment, which bears some resemblance to Heidegger, impressively testifies to this change of orientation: it asks why totalitarianism came into being and it identifies a cognitive and practical perspective on the world which, because of its concern with the technical control of objects and persons, only allows for an instrumental rationality. But there was some opposition to this critique of reason which tended to view totalitarianism as a consequence of an inescapable cycle of instrumental reason and social control. The concept of total reification was called into question by some of the more marginal members of the Institute working under Adorno and Horkheimer. These were far more interested in asking whether, even under totalitarian conditions, they could determine the remains of a desire for communicative solidarity. The work of philosopher Walter Benjamin constitutes an analysis of the interrelation of power and the imagination; Franz Neumann and Otto Kirchheimer inquired into legal consensus culture and social control; while Erich Fromm conducted a psychoanalytic investigation of communicative needs and their potential for resistance. After the core members of the School had returned from exile, the Institute resumed its work in Frankfurt and embarked on large-scale empirical projects. From the very beginning, however, a considerable gap existed between the empirical investigations which focused on the industrial workplace and the philosophical radicalization of negativity on which Adorno and Horkheimer worked, albeit with differing emphasis. This gap was bridged only when Habermas began to challenge the systematic bases of critical theory, causing the basic philosophical concepts and the intentions of empirical social research once again to correspond. The central idea, with which Habermas introduced a new phase in the history of the Frankfurt School, was his understanding of a form of rationality which would describe the communicative agreement between subjects rather than the instrumental control of things. The concept of communicative rationality which emerged from this idea has since formed the basis for the moral grounds and democratic application of critical theory.


Author(s):  
Matthew Handelman

How did critical theory, at least as it was first envisioned by Max Horkheimer and Theodor W. Adorno, come to be so opposed to mathematics? Chapter 1 examines the transformation of Horkheimer, Adorno, and Walter Benjamin’s prewar confrontation with Logical Positivism into a history of thinking that equated mathematics with the downfall of Enlightenment. According to the first generation of critical theorists, the reduction of philosophy to the operations and symbols of mathematics, as proposed by Logical Positivists such as Otto Neurath and Rudolph Carnap, rendered modern philosophy politically impotent and acquiesced to the powers of industry and authoritarian government. This initial phase of critical theory defined itself against the Logical Positivists’ equation of thought and mathematics, subsuming mathematics in their interpretation of reason’s return to myth and barbarism. Horkheimer and Adorno’s postwar texts and the work of second-generation critical theorists perpetuated this image of mathematics, canonizing it as an archetype of instrumental reason, reification, and social domination.


Author(s):  
Andrew N. Rubin

This chapter turns to Institute for Social Research (or Frankfurt School) member Theodor Adorno as the partial representation of the experience of exile in terms of the ideology of positivism, which had damaged the very category of experience in general. Positivism and empiricism had reduced reality to a prosaic and administered calculus, the effect of which was embodied in the position of the exile when confronted with modernity. Moreover, as Adorno writes, “It is unmistakably clear to the intellectual from abroad that he will have to eradicate himself as an autonomous being if he hopes to achieve anything.” In postwar Germany, his critique of positivism would face new, mostly institutional challenges.


Author(s):  
Gordana Jovanović

The relationship between psychoanalysis and Critical Theory (the Frankfurt School), contrary to dominant interpretations, is examined from a sociocultural perspective. Psychoanalysis addressed the sociopolitical issues of its time, including cultural shifts, war, and the cultural conditio humana in general. Beyond that, and more importantly, it is argued that the core psychoanalytic concepts, including drive itself, can be understood as a structure open to social co-construction. Such an interpretation of psychoanalysis can provide a link to Critical Theory of society. First, both sociopolitical and theoretical conditions in the 1920s and 1930s merit analysis under which members of the Frankfurt Institute for Social Research referred to Freud’s psychoanalysis. A theory was needed that would examine a missing point in Marxist interpretations, which the Institute adopted as its political and theoretical framework. What was missing was a place for subjective mediating factors, especially important among which were those generated by drives and those that operated unconsciously. The views on psychoanalysis and its role in the first generation of Critical Theory are analyzed, particularly the views of Horkheimer, Adorno, Fromm, and, most extensively, Marcuse, given the fact that Freud’s psychoanalysis had a central role in his thought. Finally, questions regarding the contemporary relevance of psychoanalysis and Critical Theory under new sociocultural conditions in the 21st century are raised.


2014 ◽  
Vol 6 (1) ◽  
pp. 119-135
Author(s):  
Miško Šuvaković

The discussion points to the issue of defining and re-defining the notion of the "critical theory". The notion of critical theory has been considered since the introduction of the notion at the Institute for Social Research in Frankfurt until the modern, postmodern and contemporary theories of critical and decentering of the critical. The notion of critical theory is associated with the problem of politicization of architecture and urbanism. It is pointed to the case of critical theory of the Frankfurt circle. Particular attention is paid to the art/architecture theory of Theodor Adorno and to the theory of architecture and urbanism of Walter Benjamin. Adorno's critique of architectural functionalism has been considered. It is discussed about methodological approach to Benjamin's analysis and the debate on Paris as metropolis. The aim of the discussion is to indicate to transformations and modalities of critical theory in modernism, post-structuralism, postmodernism and contemporary global neoliberalism.


2017 ◽  
Vol 38 (2) ◽  
pp. 199-220 ◽  
Author(s):  
Cat Moir

AbstractThis article challenges the restrictive association of critical theory with the Frankfurt School by exploring the differential reception of Hegel by German critical thinkers on both sides of the Iron Curtain after 1945. In the West, Theodor Adorno held Hegelian ‘identity thinking’ partly responsible for the atrocities of National Socialism. Meanwhile in the East, Ernst Bloch turned Hegel into a weapon against the communist regime. The difference between Adorno and Bloch’s positions is shown to turn on the relationship between speculation, dialectics and critique. Whereas for Adorno Hegelian speculation was the root of dangerous identity thinking, Bloch saw the repression of speculative thought as a cornerstone of totalitarianism. However, it is argued that ultimately Bloch and Adorno were united in their reception of Hegel by a shared understanding that the goal of critical theory, namely the transformation of the social totality, could not be achieved without utopian speculation.


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