Dynamics of Business Models in Industry-Wide Collaborative Networks for Circularity

Incumbent B2B manufacturing companies join forces and form collaborative networks, called consortia, aiming to increase the circularity of their products. Our research interest lies in the understanding of how the business models (BM) of the companies and the industry are affected by such collaborations in the collaborative networks of the circular economy (CE). Given the exploratory nature of our empirical research, we applied a mixed research strategy of an inductively deductive nature. We carried out case studies in a manufacturing industry field and combined them with quantitative content analyses of the companies’ financial and non-financial reports. Drawing on the assumptions of the Attention-Based View Theory and Legitimacy Theory, we defined and found verbally communicated identifiers of BM elements, CE strategies, and collaborative networks, quantified their occurrences, and transformed them into variables. Using correlation analyses, we determined the tightness and the changes in relationships between the BMs’ elements and CE strategies. We examined the dynamic changes in the structure of BMs and their elements occurring within the implementation of selected CE strategies. Our findings suggest that collaborative networks for CE support an adaptation of the industry’s BMs. The higher-level CE strategies impact the BM more than the lower-level ones. The contribution of our research is in the suggested method of quantification and concretization of an abstract concept of BMs’ elements and their interrelations. This enables an assessment and a direct comparison of BMs, as well as of implemented CE strategies across companies and across industries. Our results also shed more light on the way the companies and industries adapt their BMs towards reaching circularity, as well as on how collaborative networks support such a transition.

We Are Mathematical Beings

In this mathematical-poetical text, the author posits mathematical thought as fundamental to concepts of self and world. Mathematics is not something exterior to be learned, but basic to daily life. For example, object permanence is an abstract concept of multiple perspectives compiled in to the idea of one stable object. Such abstraction is mathematics. These concepts exist both socially and materially. A wooden cube is both a social concept and a material object. We exist in a mathematically determined world. We use mathematics to enact new reals. This is so common that often we are unaware of it.

Metaphors of Society: The Medieval and Early Modern Social Imagination (In Lieu of an Introduction)

The article serves as an introduction to the publication of papers presented at the conference on Social Entities and their Metaphorical Interpetations. It raises the question of how people described social structures in the Middle Ages and Early Modern time, when no abstract concept of society existed, and the principles of its stratification were completely different in comparison to ours. According to the author, in order to enter the realm of social imagination of the past, we should remember that people then interpreted the structure of society mainly in terms of metaphors, using figures such as human body, chess, tree, wheel, etc. It is these metaphors that are analyzed in the articles based on conference papers and published below. The authors try to analyze social order images described in various written and visual sources.

Robot Death and Human Grief in Films: Qualitative Study

Extant grief studies examine the way humans mourn the loss of a nonhuman, be it an animal, object, or abstract concept. Yet little is known about grief when it comes to robots. As humans are increasingly brought into contact with more human-like machines, it is relevant to consider the nature of our relationship to these technologies. Centered on a qualitative analysis of 35 films, this study seeks to determine whether humans experience grief when a robot is destroyed, and if so, under what conditions. Our observations of the relevant film scenes suggest that eight variables play a role in determining whether and to what extent a human experiences grief in response to a robot's destruction. As a result, we have devised a psychological mechanism by which different types of grief can be classified as a function of these eight variables.

The Nature of Metaphor

Metaphors are ubiquitous features of spoken and written language that permit us to experience one thing in terms of another. “Seeing is believing” helps us understand the abstract concept of belief in terms of the concrete sense of sight. Derived from two Greek words that mean “to transfer,” metaphors transfer certain attributes from the source domain, in our example, Seeing to the target domain of Believing. The chapter explores how metaphors have cognitive properties and allow us to learn new things and to express abstract ideas and complex relations. Metaphors are a powerful trope of figurative language and commonly appear in both formal medical writings and the informal daily interactions of doctors, patients, and the public more generally. The chapter describes how metaphors connect abstract and concrete domains and offers an array of examples that helps us decipher how metaphors originate from human experiences and how they evolve. It explores how metaphors frame perceptions and shape reality and their potency in the language of the clinic.

An Analysis of Iceberg Theory in Hills like White Elephants by Hemingway

Iceberg Theory is Hemingway’s unique writing theory. It presents readers how the most succinct writing style can create the strongest interaction. The thesis condensed the abstract concept of Iceberg Theory into concrete elements such as dialogues, wordings, sentence structure, narration, and etc. In order to assist people to understand the abstract implications and expressiveness of the theory. The analysis of the Iceberg Theory is carried out based on the short story Hills like White Elephants.

No Capitalism Without Nationalism

Most theories of nationalism labelled as ‘modernist’ tend to overlook the fact that the phenomenon to which they vaguely refer as ‘Modernity’ is defined by a single, very precise and consistent socio-economic system, that of capitalism. However, this fact makes nationalism and capitalism, rather than nationalism and ‘Modernity’, practically congruent. From this perspective, the essential question that arises is whether the emergence of these two was a spontaneous but compatible and useful coincidence, or nationalism was capitalism’s deliberate invention? In the capitalist era, society has become merely a resource whose existence enables functioning of the market. Such a society must destroy all traditional communal ties on which the maintenance of traditional society was based, so that the principles of reciprocity and solidarity be replaced by the procedures of asymmetric economic exchange. Once the procedures of asymmetric economic exchange become the central principle of human relations, society stops functioning as a whole and becomes sharply divided into two parts – a well-organised and tightly-structured network of self-interested individuals permanently striving for perpetual economic gain and a shapeless mob of socially dislodged labour permanently striving for mere survival. The incessant widening of the gap between the two strata makes capitalism’s essential principle of endless accumulation of capital socially unsustainable. For, rapidly urbanised masses, forced into selling their labour below the minimal price, contain a permanently present insurrectionary potential that might threaten stability of the entire system. So, bridging that gap without actually changing the structure of society becomes the paramount task for the system trying to preserve its mechanism of incessant exploitation of labour and limitless accumulation of capital. Therefore, the system has to introduce a social glue that is tailored to conceal, but also to cement, the actual polarisation of society. At the same time, this glue is designed to compensate the uprooted masses for the loss of their authentic identities by replacing these with a single artificial one. This multi-purpose invention is an abstract concept of absolute social unity, named “the nation”, based on the assumption that those who are located on both sides of the gap, no matter whether they are on the exploiting or exploited side, automatically share the same equal rights, same common interests, and same identity.

What Do You Mean by Trust? Establishing Shared Meaning in Interdisciplinary Design for Assistive Technology

The topic of trust has attracted increasing interest within HRI research, and is particularly relevant in the context of social robots and their assistance of older people at home. To make this abstract concept of trust more tangible for developers of robotic technologies and to connect it with older people’s living spaces and their daily practices, we propose a light-weight method drawing on elicitation cards to be used at early stages of participatory design. The cards were designed to serve as a guide for qualitative interviews at ideation phases. This was accomplished by using the cards connected to the living spaces of the participants, their daily practices, and ‘provocative’ questions to structure conversations. We developed the method with 10 inexperienced interviewers who conducted 10 qualitative interviews on the topic of trust without cards, and who tested the cards with 10 older adults. Our findings indicate that the method served as a powerful facilitator of conversations around the topic of trust and enabled interviewers to engage with everyday practices of older adults; it also facilitated a more active role for older adults during the conversations. As indicators of findings that can come from the cards, salient trust-related themes that emerged from the analysis of card usage were the desire for control, companionship, privacy, understandability, and location-specific requirements with regards to trust.

When Abstract Concepts Rely on Multiple Metaphors: Metaphor Selection in the Case of Power

The study examines metaphor selection for the same abstract concept when multiple concrete dimensions are available for use. Drawing on the power concept, four studies investigated the roles of attention and visual features of concrete dimensions in metaphoric mapping. In Studies 1 and 2, two concrete dimensions (vertical space and size) were visually connected to power-related target words simultaneously, and one was salient. Attention driven by stimulus saliency allowed the attended concrete dimension to have a higher activation level and to be used. In Studies 3 and 4, the attended and the non-attended concrete dimensions were presented separately, and the latter was visually associated with power-related target words. This time, the attended dimension did not have an activation advantage, allowing the non-attended dimension to be used for metaphoric mapping simultaneously. The findings suggest that attention is important, but not necessary, and that features of concrete dimensions can guide metaphor use.